A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
In a small mining community in Northern Sweden, a group of youngsters about to take the leap in the adult age fight with themselves and the world around, while the ground literally trembles under their feet.
Sebastian Hiort af Ornäs,
Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982. Written by
John Nordling, Producer
Late in production, it was decided that Lina Leandersson's voice would be replaced by a darker voice, because the character of Eli was supposed to be an androgynous boy who had been castrated, and Leandersson's voice was considered too delicate and feminine to depict that. Elif Ceylan was chosen for her less feminine, more androgynous tone. Sound designer Per Sundström stated that her voice also made the character more threatening. See more »
As Oskar shows the Rubik's Cube to Eli, one side is almost completely white, except for one single square. This square changes color between red and blue between shots. See more »
Twilight vs. Let the right one in: immaturity vs classics
I have watched both Twilight and Let the Right one in.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
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