Anna Ivers returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother. Her dismay quickly turns to horror when she is visited by ghastly visions of her dead mother.
A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
While babysitting a boy and his baby brother, Casey Beldon has a dreadful nightmare involving a weird dog and an evil child, and she tells her best friend Romy over the phone. Casey is haunted by this boy, and when she goes to the ophthalmologist, he asks if she has a twin brother or sister. She asks her father and discovers that her mother lost a son that died in the womb. Casey suspects that she is haunted by the spirit of her brother. She finds a letter addressed to a woman called Sofi Kozma and a creepy picture at home that belonged to her mother. She goes with Romy to a retirement home to meet Sofi, a survivor of the experiments during the Holocaust. But Sofi tells Casey that she had never met her mother and later calls Casey to tell her she is in great danger. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Written by Liam Howlett and Juliette Lewis (as Juliet Lewis)
Performed by The Prodigy (as Prodigy)
Courtesy of Maverick Recording Company/XL Records
By Arrangement with Warner Music Group Film & TV Licensing See more »
Having seen the trailers for 'Unborn' and admiring David S. Goyer's writing talents on films such as 'The Dark Knight' I was kind of looking forward to it. I knew it wouldn't be much more than a typical Hollywood attempt at horror but I thought I'd get at least 90 minutes of entertainment out of it. I was wrong.
The story is terribly contrived and goes through the typical horror story motions from start to finish: childhood trauma - check! Nightmares - check! It also takes so much content from other films its unbelievable. More unbelievable is the fact that it botches these 'homages' every time. The film plods on and on attempting to at least get a jump out of you (which it fails at) until finally you get to the finale. Needless to say, the finale is also terrible. More so because at least the one thing the film does manage to do is contain the odd decent special effect. However, the finale for some reason doesn't contain any of these effects and resorts to actors merely wearing contact lenses.
I'm perhaps being a bit harsh giving the film a 3/10 but given the actors involved and David S. Goyer's obvious writing talent, this film really should have delivered far more.
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