An unremarkable ghost-writer has landed a lucrative contract to redact the memoirs of Adam Lang, the former UK Prime Minister. After dominating British politics for years, Lang has retired with his wife to the USA. He lives on an island, in luxurious, isolated premises complete with a security detail and a secretarial staff. Soon, Adam Lang gets embroiled in a major scandal with international ramifications that reveals how far he was ready to go in order to nurture UK's "special relationship" with the USA. But before this controversy has started, before even he has closed the deal with the publisher, the ghost-writer gets unmistakable signs that the turgid draft he is tasked to put into shape inexplicably constitutes highly sensitive material. Written by
Eduardo Casais <firstname.lastname@example.org>
Writer Robert Harris is a former BBC TV reporter and political columnist who actively supported Tony Blair until the Iraq War, which Harris felt was a mistake. Blair resigned June 26, 2007, spurring Harris to drop his other work to write The Ghost, which was published Sept. 26. Similarities between Blair and Adam Lang, Cherie Blair and Ruth Lang, Hatherton and Halliburton, etc., are clearly intentional. Mo Asumang appears briefly as a Condoleezza Rice look-a-like Secretary of State in a photo op with Lang. See more »
When we first see the abandoned BMW on the ferry viewed from the the bow of the ship its front right wheel is parked straight, hard against the yellow lane divider. When we see it alone from above/behind the vehicle is more skewed and across the left-hand line. See more »
You realize I know nothing about politics.
You voted for him, didn't you?
Adam Lang? Of course I did, everyone voted for him. He wasn't a politician, he was a craze.
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The credits are written as black-on-white with a typewriter font, like the manuscript shown throughout the movie. See more »
Polanski does some of his best work in a long time in this nearly-flawless and beautiful-looking film. Engaging story, interesting characters, incredible mood and sense of place (amazingly, locations in Germany substituted brilliantly for Martha's Vineyard -- having spent some time on the Vineyard, I was completely convinced that's what I was seeing, forgetting during the film that Polanski wouldn't have set foot on U.S. soil), more implied violence than any real screen violence (for those who like suspense but stay away from thrillers because of worry about violence, don't worry) -- it's all about suspense and intrigue. Every shot is gorgeous. Fun references to CHINATOWN, and especially Billy Wilder's SUNSET BOULEVARD. Lovely performances by Olivia Williams, who is sexy and vulnerable, Pierce Brosnan, the absolutely always brilliant Tom Wilkinson and an extraordinary cameo by Actors Studio legend Eli Wallach (he still has the chops!). The ending caps a perfect film perfectly, and the MacGuffin is great fun. If you like vintage Hitchcock, and especially if you like the best work of Polanski, don't miss it. I'm ready to see it again and watch how it's put together.
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