Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
An unremarkable ghost-writer has landed a lucrative contract to redact the memoirs of Adam Lang, the former UK Prime Minister. After dominating British politics for years, Lang has retired with his wife to the USA. He lives on an island, in luxurious, isolated premises complete with a security detail and a secretarial staff. Soon, Adam Lang gets embroiled in a major scandal with international ramifications that reveals how far he was ready to go in order to nurture UK's "special relationship" with the USA. But before this controversy has started, before even he has closed the deal with the publisher, the ghost-writer gets unmistakable signs that the turgid draft he is tasked to put into shape inexplicably constitutes highly sensitive material. Written by
Eduardo Casais <firstname.lastname@example.org>
Ewan McGregor has said that the script never named his character, so in his head, his character name was Gordon McFarquor. The credits simply list him as The Ghost. (The character is never named in the original novel.) See more »
When the Ghost visits the beach, minutes after a heavy rainstorm, we can see him kicking up dry sand with each step. See more »
You realize I know nothing about politics.
You voted for him, didn't you?
Adam Lang? Of course I did, everyone voted for him. He wasn't a politician, he was a craze.
See more »
The credits are written as black-on-white with a typewriter font, like the manuscript shown throughout the movie. See more »
Polanski does some of his best work in a long time in this nearly-flawless and beautiful-looking film. Engaging story, interesting characters, incredible mood and sense of place (amazingly, locations in Germany substituted brilliantly for Martha's Vineyard -- having spent some time on the Vineyard, I was completely convinced that's what I was seeing, forgetting during the film that Polanski wouldn't have set foot on U.S. soil), more implied violence than any real screen violence (for those who like suspense but stay away from thrillers because of worry about violence, don't worry) -- it's all about suspense and intrigue. Every shot is gorgeous. Fun references to CHINATOWN, and especially Billy Wilder's SUNSET BOULEVARD. Lovely performances by Olivia Williams, who is sexy and vulnerable, Pierce Brosnan, the absolutely always brilliant Tom Wilkinson and an extraordinary cameo by Actors Studio legend Eli Wallach (he still has the chops!). The ending caps a perfect film perfectly, and the MacGuffin is great fun. If you like vintage Hitchcock, and especially if you like the best work of Polanski, don't miss it. I'm ready to see it again and watch how it's put together.
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