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Stolen Lives (2009)

6.2
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Ratings: 6.2/10 from 3,769 users   Metascore: 34/100
Reviews: 32 user | 25 critic | 12 from Metacritic.com

A detective deals with the loss of his own son while trying to uncover the identity of a boy whose mummified remains are found in a box buried for fifty years.

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Cast

Cast overview, first billed only:
...
Tom Adkins Sr.
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Matthew Wakefield
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Barbara
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Diploma / Rogianni
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Lea Adkins
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...
Rose Montgomery
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Jonas
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William Daniels
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Swede
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Police Chief
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Officer JJ
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Pete Dunne
...
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Storyline

A detective deals with the loss of his own son while trying to uncover the identity of a boy whose mummified remains are found in a box buried for fifty years.

Plot Summary | Plot Synopsis

Taglines:

Secrets from the past don't stay buried.


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

10 October 2009 (USA)  »

Also Known As:

Stolen  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$1,391 (USA) (19 March 2010)

Gross:

$7,306 (USA) (2 April 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In early drafts of the script the Tom Adkins character was named Jack McCadden. See more »

Goofs

As John and Matt drive down the town's main street, one of the storefronts they pass has one of the modern "OPEN" neon sign in the window. See more »

Quotes

[first lines]
Tom Adkins Sr.: He has his mother's eyes. Her hair. My face, my laugh. First time I held him I knew he was my son. The best of me and his mother. I can still see his eyes light up watching those fireworks. I gave him everything a father can give a son. And now with all this searching, being a cop, being a father, I still can't find my boy.
See more »

Connections

References M (1931) See more »

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User Reviews

 
Duplicity: Parallel Lives, Parallel Loses
28 June 2010 | by (United States) – See all my reviews

STOLEN is a small budget film that deals with a major problem - loss of a child by abduction and the desperate need to find that child despite the passage of many years. Writer Glenn Taranto and Director Anders Anderson present two cases of kidnapping and murder, space them fifty years apart and interconnect the two stories in a way that is both disturbing psychologically and confusing as a film. It works on many levels and the absence of information about motivation interferes with allowing this movie to be more powerful.

Ten years ago police officer Tom Adkins, Sr (Jon Hamm) left his only son Tom Jr. in a diner for a moment, only to return and find him missing. His abilities as a law enforcement officer and his guilt as a 'negligent' father erodes his life and his marriage to Barbara (Rhona Mitra): he is unable to give up the search for his missing son despite the ten years of absence, a factor that practically drives his marriage to divorce. A body is found in a box and Tom Sr immediately thinks it is his son, but investigation reveals that it is the body of a child that has been dead for fifty years. The film then begins a series of flashbacks to a story fifty years ago when a young father Matthew Wakefield (Josh Lucas), having lost all of his money and home and facing the resultant suicide of his wife decides he must place his three children with relatives: one son, John (Jimmy Bennett), is mentally challenged, and Matthew's relatives will only take the two 'normal' boys, leaving John to live with his unemployed father. Matthew finds a room for the two of them and begins works at a construction site, John tags along to be with his dad - a problem for the boss of the construction site. Matthew forms friends with Diploma (James Van Der Beek) and Swede (Holt McCallany), is diverted by a sexual liaison, and during that time John is abducted. We lose track of Matthew at this point, but jumping back to the present the discovered boy's body proves to be John Wakefield and this discovery consumes Tom Sr to uncover the murderer of the Wakefield boy, hoping that in some way it ties in with the disappearance of his own son. The plot becomes a bit murky at this point and a bit to 'rush to climax', but needless to say the murders are connected and Tom Sr and his wife are able to come to grips with the fact that Tom Jr is lost forever.

The film is shot in a a somewhat sepia color when dealing with the murder of fifty years ago and remains dusty appearing through the present - not unlike the soil that has hidden the uncovered truths so well. The acting is fine, with some very fine cameo appearances by Johanna Cassidy as Tom Sr.'s mother and Jessica Chastain and Rose Montgomery as the feminine influences. The makeup artists have done the film a disservice as they try to age people fifty years as the film winds down: to say more would be to give away the ending. But the reason the film works is the commitment behind relating these tragedies on the part of all concerned. It is especially noteworthy in that it is the work of a relatively inexperienced writer and director.

Grady Harp


17 of 20 people found this review helpful.  Was this review helpful to you?

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I wanted so much to love this movie, but.... bahamadya
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