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Stolen (2009)
"Stolen Lives" (original title)

R  |   |  Crime, Drama, Mystery  |  10 October 2009 (USA)
6.2
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Ratings: 6.2/10 from 4,128 users   Metascore: 34/100
Reviews: 32 user | 25 critic | 12 from Metacritic.com

A detective deals with the loss of his own son while trying to uncover the identity of a boy whose mummified remains are found in a box buried for fifty years.

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Cast

Cast overview, first billed only:
...
Tom Adkins Sr.
...
Matthew Wakefield
...
Barbara
...
Diploma / Rogianni
...
...
Lea Adkins
...
...
Rose Montgomery
...
Jonas
...
William Daniels
...
...
Police Chief
...
Officer JJ
...
Pete Dunne
...
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Storyline

A detective deals with the loss of his own son while trying to uncover the identity of a boy whose mummified remains are found in a box buried for fifty years.

Plot Summary | Plot Synopsis

Taglines:

Secrets from the past don't stay buried.


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

10 October 2009 (USA)  »

Also Known As:

Stolen  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$1,391 (USA) (19 March 2010)

Gross:

$7,306 (USA) (2 April 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the 1958 part of the story, Matthew refers to the car he drives as "the Rambler." In fact, the car is a 1958 model, which was a new body style, and the first Rambler model designed and built by American Motors Corporation as the Rambler Ambassador. All previous models to 1958 where Nash Ramblers (1950-1957) or Hudson Ramblers (1954-1957), which were the constituent companies merged in 1954 to form American Motors Corporation. See more »

Goofs

In the 1958 scenes, the box is shown variously as painted and unpainted. In a time-lapse scene, we see the box age from unpainted raw wood to dark and moldy, but when it is being buried, it is already dark. See more »

Quotes

[first lines]
Tom Adkins Sr.: He has his mother's eyes. Her hair. My face, my laugh. First time I held him I knew he was my son. The best of me and his mother. I can still see his eyes light up watching those fireworks. I gave him everything a father can give a son. And now with all this searching, being a cop, being a father, I still can't find my boy.
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User Reviews

 
Fifty years on...
26 May 2012 | by (United Kingdom) – See all my reviews

This thriller, starring "Mad Men's" John Hamm, while watchable, ultimately fails through implausible plotting and the contrived use of coincidence.

Consider Hamm's anguished cop, who, at a Fourth of July pageant, in the mere minutes it took him to go to and from the toilet in a diner establishment, finds the son who accompanied him has apparently disappeared as if into thin air, never to return. It later transpires that he encounters the perpetrator just outside the diner, so how has he managed to spirit away his son and got back to the pageant in those mere minutes?

Years pass, with Hamm unable to get over his loss and attendant guilt, the emotional distance between him and his wife widening close to separation point, when a child's body is unearthed, bearing similarities to his own child and immediately throwing suspicion on a long-interred suspect. The movie then moves back and forth in time from the present-day to 1958 where we see enacted the story of the disappearance (thankfully, there are no scenes depicting the actual murder of the children) of the first child and the truth is gradually brought to light as the stories converge.

That's quite a lot to bring together in a mere 90 minutes and after all the exposition, the ending is wound up in double quick time, with a too blatant slip by the murderer and too easily obtained subsequent confession. I also thought the 1958 story was more involving, if more implausible than the present-day one, contriving a "Postman Always Rings Twice" dalliance between the father and a local femme-fatale, complete with jealous husband, unbalancing the narrative, although the transitions between the two time-frames were cleverly done, with dissolves on the shared crime-scene exhibits.

The acting was okay, Hamm jutting his jaw and running his hand through his hair in familiar angst-ridden fashion, although I thought the better acting was done by Josh Lucas as his 1950's counterpart, conveying just the right composite of Henry Fonda crossed with James Stewart as the drifter at the mercy of fate, while Morena Baccarin and James Van der Beek playing respectively the slack wife and the murderer made strong, if brief impressions too.

In the end, this was a fairly routine thriller, lacking somewhat in tension, characterisation and credibility, with more of the aspects of a TV movie than Hollywood feature. I don't think I'd pay to watch it, seeing it on the small-screen seemed about right.


5 of 6 people found this review helpful.  Was this review helpful to you?

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