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Moo-jeok-ja
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A Better Tomorrow (2010) More at IMDbPro »Moo-jeok-ja (original title)

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A Better Tomorrow -- When his long-lost little brother resurfaces, a successful gangster must balance family loyalties with his complicated professional commitments. Hae-sung Song directs this Korean remake of director John Woo's Hong Kong cinema classic.
A Better Tomorrow -- Hyuk and Chul are two brothers who have been separated since childhood. Hyuk, the older one, has now become a weapon smuggling gang boss, while Chul has become a policeman. Their relationship gets tangled with deep misunderstanding and their destiny heads for an unexpected ending.

Overview

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5.9/10   743 votes »
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Director:
Writers:
John Woo (original screenplay)
Hyo-seok Kim (adaptation) ...
(more)
Contact:
View company contact information for A Better Tomorrow on IMDbPro.
Release Date:
16 September 2010 (South Korea) See more »
Genre:
Tagline:
Brothers Enemies Killers
Plot:
Arms trafficker Hyuk and Young-chun are practically brothers and nothing can separate them. When the two managed to escape from North Korea... See more » | Add synopsis »
Plot Keywords:
User Reviews:
tricked into seeing this, and it was... not bad, not very good, just "decent" See more (8 total) »

Cast

  (in credits order)
Jin-mo Ju ... Kim Hyeok
Seung-heon Song ... Yeong-choon

Kang-woo Kim ... Kim Cheol
Han Sun Jo ... Tae Min
Kyeong-yeong Lee ... Lieutenant Park
Ji-yeong Kim ... Aunt
Hae-gon Kim ... President Jeong
Hyeong-jun Lim ... Detective Lee
Tae-hwa Seo ... Prosecutor Jo
Sin-seong Lee ... Gwang-hee

Directed by
Hae-sung Song 
 
Writing credits
John Woo (original screenplay)

Hyo-seok Kim (adaptation) &
Taek-kyung Lee (adaptation) &
Geun-mo Choi (adaptation) &
Hae-gon Kim (adaptation)

Hing-Ka Chan  original screenplay
Suk-Wah Leung  original screenplay

Produced by
Terence Chang .... executive producer
Daniel Chun-on Cheung .... executive producer
Il-hyung Jo .... associate producer
Josh Kim .... associate producer
Katharine Kim .... associate producer
Byeong-woo Lim .... executive producer (as Brian Lim)
David Matsumoto .... executive producer
Daisuke 'Dais' Miyachi .... producer
Hyung-jun Park .... producer
Peter Poon .... executive producer
John Woo .... executive producer
 
Original Music by
Jae-jin Lee 
 
Cinematography by
Seung-gi Kang 
 
Film Editing by
Gok-ji Park 
 
Casting by
Jong-do Kim 
 
Production Design by
Hong-sam Yang 
 
Costume Design by
Jong-won Kim 
 
Second Unit Director or Assistant Director
Pornmanus Rattanavich .... assistant director: Thailand (as Pornmanus Silpasart)
 
Art Department
Nattavut Buranakij .... property master
 
Sound Department
Romain Bigorgne .... sound effects editor
Tae-young Choi .... sound re-recording mixer
Tae-young Choi .... supervising sound editor
Yong Oh Choi .... foley mixer
Kim Dong-Han .... sound effects editor
Hye Young Kang .... sound designer
Byung In Kim .... dialogue editor
Chung Gyu Lee .... foley artist
Su Hyun Lee .... sound effects editor
Yong Ki Park .... adr mixer
Yong Ki Park .... sound re-recording mixer
 
Visual Effects by
Kiyoung Jung .... pipeline technical director
Sang Hyun Jung .... digital compositor (2010)
Il Hwan Na .... art supervisor
Min Jung Shin .... digital compositor
 
Camera and Electrical Department
Jae-young Lim .... lighting technician
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Moo-jeok-ja" - South Korea (original title)
See more »
MPAA:
Rated R for strong bloody violence throughout and pervasive language
Runtime:
124 min
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Canada:14A (Manitoba) | Canada:13+ (Quebec) (DVD rating) | France:U | Japan:PG12 | Singapore:NC-16 | South Korea:15 | UK:15 | USA:R

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8 out of 16 people found the following review useful.
tricked into seeing this, and it was... not bad, not very good, just "decent", 23 November 2010
Author: MisterWhiplash from United States

A Better Tomorrow - for some of us cinephiles the film's name brings to mind images of guys (i.e. Chow Yun-Fat in his break-out role and performance that made him a star in Hong Kong) in trench-coats and ray-ban sunglasses with big friggin guns firing away in blazing battles staged with a balletic precision and melodramatic (or just operatic) sleight of hand by John Woo. It was a classic unto itself, if not as polished as The Killer or as crazy as Hard Boiled with just as much (or more) genuine heart to its dramatic acting and story. So surprised I was then to see that my local cineplex- which often gets Asian films to cater to the the nearby town that is predominantly Korean- that 'A Better Tomorrow' would be coming to that theater for a two-week run. What better way to see Woo's film, I thought, than on a big screen like one of the ones at my local theater. I was even told (perhaps misleadingly to buy a ticket and/or concessions) that it was the 80's Woo film, albeit "Korean". Hmm, I thought, is it Korean? I thought it was from HK, like Woo's films usually are, but maybe it's dubbed in Korean for the community... hmm...

And no, lo and behold, it was really a remake (I can tell this as not an accident as Woo himself is credited here as exec producer). I decided to let the movie speak for itself; maybe someone would riff of of Woo's film while putting his own distinct take on the material. Suffice to say it's not anything to write home about. It takes the ingredients of the original story- a tale of brothers and betrayal, cops and gangsters, and a showdown at a big dock/shipping yard (that last part was the one thing that really stuck out most among set- pieces, and it's recreated here)- and just makes it... ordinary. It's a thriller that has a few decent performances (I couldn't tell you exactly who as I left before the credits rolled, albeit the main gangster villain reminded me of the villain from Oldboy, and it's that's the case then very good work there by a proved guy). It has a few flashy-violent scenes. Most memorable for me some time after the movie's end is when a character, after shooting up a massage parlor loaded with bad guys and with only a minor wound in his shoulder, walks away with sunglasses on, trench-coat on, and is trying to look super-cool... and then gets shot through the knee and his cool is taken down a peg.

But there's not really much to invest in any one character, and no actor here is like a Chow Yun-Fat or even a Ti-Lung, who were two major assets to the success of Woo's film as real actors with real star appeal. The guys here are workmanlike, easy to see how they go through the motions, and the director mostly lets the music (which even for an Asian crime movie) go way over the top to try to direct emotion from the audience when what's there should be enough, very stock stuff. If one has never seen the original Woo film, I could imagine some perfunctory enjoyment coming from the material, but the problem I had (and perhaps this is somewhat my fault and happens sometimes with Korean movies) was I couldn't keep track of some of the principle characters. I lost track of who was who in the first half hour of the movie, and had to be reminded when a character said someone's name. It finally got into a good groove once it flashed forward to three years later, and a character with a particular limp is distinctive. But the story doesn't always feel very closely knit together.

There's nothing in it that is so offensive as to want to leave the theater. There's also nothing that grabs me in and makes me rush out to tell friends who would perk up at a solid HK or Korean or whatever crime movie with big emotions and bigger gun battles. I can't really speak to the director's past work to draw upon comparison- one film by Hae-sung Song, Failan, is unavailable in the US though touted by reviewers on IMDb- but he doesn't push the material into anything very interesting. It might be commendable that the film doesn't slavishly imitate the original film, but then what else is there? Just general competency? A few cool looking characters in a gun battle or some tears shed at just the right flash of the cut of film? A Better Tomorrow 2010 most depressingly does what a good many American remakes do: takes the core ingredients, gives it a 21st century sheen... and it's generally just dull.

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