Moonlight Sonata (2009)

Can we escape the consequences of our moral choices? Are our sins ever forgotten or live on in our repressed memories? Racing towards chaos and destruction, an affluent San Francisco family... See full summary »

Director:

Celik Kayalar

Writer:

Celik Kayalar

Stars:

Warren Keith, M.J. Karmi, Irena A. Hoffman

1 win.

Cast

Cast overview, first billed only:
Warren Keith	...	Tom
M.J. Karmi	...	Alice
Irena A. Hoffman	...	Vicky
Sita Young	...	Lisa
Nate Reese	...	Dr. Seaborg
Ann-Marie Jolly	...	Inspector Brown
P. David Miller	...	Joe
Brian Degan Scott	...	Larry
Daniel Will-Harris	...	Bob Liner
Karl Antony	...	Dr. Smith
Edith Reiner	...	Maria
Celia Shuman	...	Dr. Rosen
Taren Howes	...	Betsy
Kay Ewing Donato	...	Dr. Seaborg's Secretary (as Kay Ewing)
Maggie Grant	...	Jean Liner

Storyline

Can we escape the consequences of our moral choices? Are our sins ever forgotten or live on in our repressed memories? Racing towards chaos and destruction, an affluent San Francisco family finds out in "Moonlight Sonata" (a modern, character-driven drama and a cliffhanger psychological thriller).

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Genres:

Drama | Thriller

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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

July 2009 (USA)

Filming Locations:

San Francisco Bay, California, USA

Company Credits

Production Co:

Fog City Pictures

Technical Specs

Runtime:

102 min

Color:

Color

Did You Know?

Trivia

In June 2009, "Moonlight Sonata" played at the 2009 Staten Island Film Festival in Staten Island, New York.

User Reviews

Psychological thriller

You're at the edge of your seat watching a thriller. Once the film is over you realize it's also a philosophical statement that you want to discuss with friends and neighbours. Moonlight Sonata is a film to watch, once seen also to talk about Not an account of what happened,but what the director said. In spite of the fact that the actors one by one go deep into our soul, they all come across as characters that we might come across in every day life. Looking very much forward to Kayalar's next film. He seems to have the extraordinary knack of making the unusual seem very much a part of the behaviour of the man on the street,your ordinary individual. I thought the camera work was especially brilliantly done. Just the right amount of focus and background- not overly emphasizing the individual but placing the actor in context