Short stories revolving around a bar and a hotel in Recife, unveil a mosaic of exotic characters living in the Brazilian underground: a butcher married with an evangelical woman, a ... See full summary »
Rat Fever is the alcohol-drenched story of an unrequited love. The poet Zizo, a pure-bred anarchist, is lost as soon as he meets the sober Eneida. She doesn't mind being his muse, but she ... See full summary »
2006. Léo (Cauã Reymond) is a freelance journalist covering events for newspaper outside São Paulo, the city where he lives. He is in serious financial problems worsened due to payment ... See full summary »
Twenty two years ago, an arid, volcanic and island paradise nestled in the middle of the South Atlantic, a nine year old boy was separated from his sister. The mother, fearful of a ... See full summary »
Daniel de Oliveira,
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
Cássia Kis Magro
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
A group of bored well-off young adults come up with anarchic concept of Conceptionism, that promotes absolute looseness when it comes to sex and drugs, but total rejection of money and ego. However, their movement won't last long.
Brazilian film industry keeps selling the same sort of movies. Is this disturbing and brutal perspective becoming the new face of Brazilian movies? Hope not. When I first heard about this film directed by a fantastic actor I thought that it'd be absolutely innovating. But I'm afraid that is not true. The brutality brought in makes it very hard to stand. That's why it reminds me of Claudio Assis. And that is why it is quite disappointing. Oliveira plays a tricky character and now and then commits a few acting mistakes. Furthermore the mix of hopelessness and violence does not match the beautiful film location at all! Brazil doesn't always have to be shown in a mystical, raw and tough way. I think we've had enough of these dark impressions. Salute.
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