Life in the suburbs as a father of two has worn down Jonas. When a victim of a car crash mistakes him for her boyfriend Sebastian, things take a very dramatic turn as the line between truth and deception is erased.
Anders W. Berthelsen,
Nikolaj Lie Kaas
When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of ... See full summary »
A psychological drama about Ulrich, a workaholic whose life takes a drastic turn when he is involved in a fatal accident. As his guilt grows, his life slowly crumbles around him. Next, an ... See full summary »
Anne Sofie Espersen,
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in ... See full summary »
Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
Jonas Bechmann, a defense attorney, is a man of the system. Until the day he himself is accused of murder. Taking matters into his own hands, he throws himself into the hunt for a group of ... See full summary »
Nikolaj Lie Kaas,
Ordinary Jan has no easy life. He is by far the most unpopular employee at work. At home it's even worse. His marriage with the not so ordinary Bente is on the verge of a breakdown. Jan's ... See full summary »
Sidse Babett Knudsen,
Mick and Tom are an unlikely father-son team of petty thieves. They've been hired to steal a painting from a museum. By accident, they steal the wrong painting: Denmark's only original Rembrandt masterpiece, worth millions.
42-year-old Michael needs a change in his life, so when he hears about clinical trials for a new anti-depressant, he signs up to be a guinea pig - without telling his family. Because of dangerous side effects, the trial is subsequently abandoned but Michael continues to take the pills. Having lost all control, Michael's repressed instincts resurface with a force and violence that no-one could have predicted. Written by
"Den du frygter" ("Fear Me Not" in English) reminded me of David Cronenberg's movies. The results of the main character's taking the pills call to mind the risks associated with pharmaceuticals. We hear about side effects, but what happens to this man go beyond that. It would make more sense if the natural substances were more available.
It's a very well done movie. This is partly because the viewer thinks that there are degrees to which the movie won't go...but it goes to them. We also get a look at the Danish countryside; its idealistic appearance belies the character's descent into madness. I'm unfamiliar with the rest of Kristian Levring's work but now I'd like to see more of his movies. Denmark has produced some great directors (Carl Theodor Dreyer and Lars von Trier, for instance), and I'd say that Levring is also in that number.
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