An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Julia Child and Julie Powell - both of whom wrote memoirs - find their lives intertwined. Though separated by time and space, both women are at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible. Written by
In the movie, Simone Beck and Julia Child have a contentious lunch with Louisette Bertholle in which Beck insists that because Bertholle has done so much less work on the book than they have, she should be credited as "With Louisette Bertholle" in smaller type under their names. Because Louisette reveals that she is going through a divorce, Julia takes pity on her and says that they should all be credited equally, in alphabetical order - which is how they really were credited on the first edition of Mastering the Art of French Cooking, Volume 1. However, after Julia Child became a famous TV personality in America, later editions of the book featured her name alone and in large type above the title, with both Beck and Bertholle in much smaller type below the title. See more »
When Julia receives the special delivery letter from Knopf in Cambridge, it is addressed to 130 Irving Street, but the Childs lived at 103 Irving Street. See more »
Ms. Streep's performance alone makes this film worthwhile--in recent years she has really shown her great talent as a comedian (Adaptation, Devil Wears Prada, this film). She has great comic timing, and always goes just far enough for the laugh, and usually not too far that it feels staged or unnatural.
From the reviews I read, I was really expecting not to like the "Julie" half of this movie--but I was pleasantly surprised. I read both "Julie and Julia" and "My Life in France" earlier this summer, and I have to confess that I didn't love the Julie Powell book. Amy Adams really brings this character to life and makes you care about her (more so, I think than the book did). One problem with the balance in this project is that Julia Child did something really important for cooking in America, and so her story is inherently interesting. Julie Powell wrote a book. That became a movie. Add to that the fact that the heavy hitters in the film all live on the Julia side--Streep, Stanley Tucci, and a great cameo by Jane Lynch--and the deck feels fully stacked. Full credit to Amy Adams and Chris Messina, then, for making us care about the half of the film that teetered on the edge of the perfunctory.
This film is all the more remarkable in that it is so rare to see a film these days that just revels in joie-de-vivre. I'm sure a lot of the rough edges of Julia's personality are smoothed over--but some of the stressful moments are there. I just felt so much affection for Streep's Julia Child in this movie--and I laughed repeatedly and heartily at her antics. A fun time at the movies--which is a rarer pleasure than it should be.
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