Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Ray works for MI6, Claire for the CIA. She burns him in Dubai. Jump ahead five years: he sees her in Grand Central and confronts her. Both now work in industrial security for corporate giants whose CEOs hate each other. Flashbacks fill us in: is it coincidence that he sees her in Grand Central? In about a week, one of the firms is going to announce a revolutionary product. Under the guise of helping that corporation's rival, can Ray and Claire work their own theft and find an independent buyer? To work together, using the corporate rivalry to their advantage, they would have to trust one another - difficult, if not impossible. Or, is one playing the other? Written by
Near the end of the movie, Howard Tully and his people listen to a recording of Claire's and Ray's conversation. A few shots later, the speaker is seen from behind, and it's neither hooked up to audio nor to power. See more »
I think about you all the time. I think about you even when you're with me. I look at you, I can't stop looking at you. I look at you, and I think, "That woman... That woman knows who I am and loves me anyway."
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DUPLICITY Director: Tony Gilroy Country: USA Year: 2009 Language: English Runtime: 120 Minutes Rating: 15A
A couple of weeks after the exceedingly average THE INTERNATIONAL (2009) rolled into theatres Clive Owen is back with DUPLICITY, the latest from Tony Gilroy, director of the good but vastly over-rated MICHAEL CLAYTON (2007) and writer of the wonderful trilogy of Bourne movies. DUPLICITY sells itself as an action-packed, romantic comedy where nothing is as it seems.
Which is all well and good but, generally speaking, in order for the action to be compelling the stakes have to be high enough to grab the audience by the nuts and not let go! James Bond wouldn't be James Bond if he wasn't locked in a titanic struggle with a dastardly mastermind bent on world domination. He certainly wouldn't spy on the makers of Frozen Pizza!
Clive Owen begins DUPLICITY in true James Bond fashion as MI6 secret-agent Ray Koval. He's a smooth operator who falls into bed with the most beautiful CIA spy on the planet, Julia Roberts as Claire Stenwick. The camera still loves Julia Roberts, even at 41, she's a consummate actress and, in all probability, the biggest movie star on the planet. And James Bond would be proud to bed her!
So far so good. But then the two secret agents fall for one another and decide to pack in the dangerous James Bond job for the far safer, yet far more lucrative, job of corporate espionage. They strike upon a master plan, play both sides, sell the secrets and retire to a life in the sun.
Julia Roberts is on the counter intelligence team of a giant multinational, guarding it against leaks. Clive Owen is playing for the other side trying to hack in and steal its secrets. And they're both playing one another. Or are they?
The stakes are still high they're playing for $40 million but with nothing more at risk than a new consumer product it's hard to hold the audiences' interest. I mean, seriously, does anyone care if one corporation beats another corporation to market with a wonder product? Would James Bond get out of bed for this?
Roberts and Owen have shared the screen before in CLOSER (2004) which was rather more adult themed but equally full of dueling dialogue. There's a chemistry between the pair which, while not coming close to Bogie and Bacall or, hell, even to Pitt and Jolie in MR & MRS SMITH (2005), is still fun to watch. And this is where the movie comes into its own. It's a flimsy, watch-able flick that's fun for the most part. You could do a lot worse.
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