| Cast overview, first billed only: | |||
| Isaach De Bankolé | ... | ||
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Alex Descas | ... | |
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Jean-François Stévenin | ... | |
| Óscar Jaenada | ... |
The Waiter
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| Luis Tosar | ... | ||
| Paz de la Huerta | ... | ||
| Tilda Swinton | ... | ||
| Yûki Kudô | ... | ||
| John Hurt | ... | ||
| Gael García Bernal | ... | ||
| Hiam Abbass | ... | ||
| Bill Murray | ... | ||
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Héctor Colomé | ... |
Second American
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María Isasi | ... |
Flamenco Club Waitress
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Norma Yessenia Paladines | ... |
Flight Attendant
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A solitary man who does not speak Spanish is an underground courier. Two men who are both thuggish and philosophical send him to Madrid with cryptic instructions. Over the course of a few days, he receives his instructions from a series of distinctive individuals who provide words of philosophy or of warning and also give him a matchbox with a tiny piece of paper, which he reads then eats, accompanied by espresso served in two cups. He is quiet, self-contained, focused on his work. He has rules. He encounters and at times transmits a violin, diamonds, a guitar, and a map. Is he a smuggler? Merely an independent conduit? Or, something else? Written by <jhailey@hotmail.com>
This movie had a great buildup to a massive letdown. The whole movie although painfully slow at times did a great job leading to it's conclusion, but the conclusion just didn't deliver. I'm not real sure about the moral degradation that this film portrays as an enlightening revolution, but the acting is good enough to pass. I enjoyed Dead Man a lot more and Jarmusch may have taken the slow pace and limited dialogue a tad too far in this film. The character interaction is interesting, but always one sided and unfulfilled, maybe that was the point. Overall, and interesting but flawed movie. Under careful scrutiny this is a carefully laid out plot that just doesn't live up to the expectation.