Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.
In the Plum Island, off the coast of Delaware, the long feud between the families of the patriarchs Captain Patrick O'Flynn (Kenneth Welsh) that intends to eliminate the zombies and Seamus Muldoon (Richard Fitzpatrick) that intends to keep his undead relatives waiting for a cure culminates with O'Flynn expelled from Plum. Meanwhile in the continent Sarge "Nicotine" Crocket (Alan Van Sprang), Chuck (Joris Jarsky), Cisco (Stefano DiMatteo) and Tomboy (Athena Karkanis) are plundering and seeking a safe place to stay. When they rescue the young Boy (Devon Bostick) from group of sadistic hunters, Boy decides to join the group and suggests them to head to Plum Island since he had heard a O'Flynn's broadcast inviting people to move to the island. When Sarge and his team arrive in the island, they are attacked by Muldoon's men and they see that the place is crowded of undead. Sarge's friend Chuck is killed and they decide to fight against Muldoon. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the back of the armoured car when the boy shows the soldiers the video on his iPhone the cellular carrier name on the screen says "Rogers" which is a Canadian company. The movie was filmed in the Toronto area but the story at that point takes place in Pennsylvania where AT&T would have been the cellular carrier for the iPhone. See more »
Sarge 'Nicotine' Crocket:
Last time anyone counted, fifty-three million people were dying every year, a hundred-fifty thousand every day, a hundred and seven every minute, and that was in normal times.
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Man, where do I begin? Survival of the Dead. it could have easily been one of Romero's best, since his beloved Dawn of the Dead, but what went wrong? what did he miss? what moment did he not seize? After getting my UK Blu-Ray I was sort of reserved in what i was going to think about this flick. I mean I thought the trailers looked corny, the feel amateur, even for Romero's standards, but I was willing to give it a go none the less.
Survival should have been the next DAWN of the DEAD. It had the set up, it had the locations, but it missed the story and the vibe. The film is skewered by a weak cast and an even weaker storyline.
Survivals western vibe and feel just seems so out of place and wasted. What should have occurred was trying to rebuild life on Plum island, what should have happened was an exploration of the rebuilding of humanity, something Romero has yet to touch upon in any of his Dead films... which is a goddamn shame.
I will say Survival is slightly OK. I still think Diary is the best of his newer zed flicks, and Survival is way better than Land but it is still a weak film, in fact Romero's 3 newest entries are all weak and devoid of the magic originally on display in Night Dawn and Day. When Romero gets back to that magic he will regain what is lost in the zombie genre, but with him sticking to the cheap thrills and half-assed writing I think his fall from zombie grace will be harder than even he will ever imagine.
These newer entries only seem to alienate his fan-based and this smart zombies back story he is trying to shove down our throats isn't working with the fans. Romero needs to get back to plain and simple story telling. Story telling that will show us why we followed him all these years, but this rushed production, dialog and all around feel is what is giving his series a bad name.
Survival will deliver on the gore, even on its corny moments, and it tries really hard to engage the audience with its characters but it falls apart because the cast and screenplay aren't strong enough.
in the end... another disappointing zed flick from the grandfather of the modern zombie.
George, if you read this... go back to Dawn, and look at it again and give us a film like that... that is what we want, and we know you have it in you, but if you set out to make another disaster like this it may be time to fold up the directors chair.
5 out of 10
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