Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
After his parents are killed in a car accident, Cody is left dealing with enormous guilt, caring for his younger brother and the persistent thought of how to bring his parents back to life.... See full summary »
A man named Jake Weaver stumbles across an old Jailakung board which he played around with not knowing it would open up the gates of hell. A demonic force latches onto him and takes over ... See full summary »
Dustin Lee Burgess,
In the Plum Island, off the coast of Delaware, the long feud between the families of the patriarchs Captain Patrick O'Flynn (Kenneth Welsh) that intends to eliminate the zombies and Seamus Muldoon (Richard Fitzpatrick) that intends to keep his undead relatives waiting for a cure culminates with O'Flynn expelled from Plum. Meanwhile in the continent Sarge "Nicotine" Crocket (Alan Van Sprang), Chuck (Joris Jarsky), Cisco (Stefano DiMatteo) and Tomboy (Athena Karkanis) are plundering and seeking a safe place to stay. When they rescue the young Boy (Devon Bostick) from group of sadistic hunters, Boy decides to join the group and suggests them to head to Plum Island since he had heard a O'Flynn's broadcast inviting people to move to the island. When Sarge and his team arrive in the island, they are attacked by Muldoon's men and they see that the place is crowded of undead. Sarge's friend Chuck is killed and they decide to fight against Muldoon. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film marks the first time that a character from a previous Living Dead film returns to star in a sequel, with Alan Van Sprang as Sarge "Nicotine" Crockett having been seen in Diary of the Dead (2007), and also playing Brubaker in Land of the Dead (2005). The only two other times this has come close to happening was Tom Savini reprising his role of Blades from Dawn of the Dead (1978) as a cameo in "Land of the Dead" in zombie form, and Joseph Pilato playing an unnamed police captain in "Dawn of the Dead" returning to play Captain Rhodes in Day of the Dead (1985). See more »
(at around 22 mins) At one point Sarge Crockett smashes out one of the windows in the armored truck with the butt of a rifle. In reality, that is impossible since the polycarbonate "bullet-resistant" windows would not be penetrated even by a bullet, much less the blunt plastic butt of a rifle. See more »
Sarge 'Nicotine' Crocket:
Last time anyone counted, fifty-three million people were dying every year, a hundred-fifty thousand every day, a hundred and seven every minute, and that was in normal times.
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25 years ago, I sat open-mouthed in awe of the intense visceral horror experience that was George Romero's Day of the Dead; today, I sat jaw agape once more at the director's latest zombie flick, Survival of the Dead, although for a very different reason: utter disbelief!
How could George Romero, the creator of the modern movie zombie, get everything so totally wrong?
With Survival, it looks like the director has finally taken on board the criticism aimed at his last two films and ditched the heavy-handed social commentary (the messages are still there, but are far less 'in-your-face'); unfortunately, somewhere during the creative process, he's also unwisely opted to up the level of comedy, meaning that much of this film plays the global zombie threat for laughs.
Remember how Romero used the slapstick custard pie scene in Dawn of the Dead to momentarily relieve the tension? Well in this one, it's all 'custard pie' and absolutely no tension. During the course of the film, we get to witness several cringe-worthy comedy zombie slayings, a hilarious bitter feud between two stereotypical Irish clans, a zombie woman on horseback, a car ferry strangely moored in six feet of water, zombie fishing, plus loads of other nonsense that beggars belief. Not once, however, do we get a sense of dread. The closest Romero ever comes to delivering the goods is with a couple of cheap jump scares that are accompanied by loud noises and some admittedly splattery gore (that relies a little too heavily on CGI for my liking).
Had Survival of the Dead been made by anyone other than Romero, then I may have rated it as high as 5/10: it's never boring, I suppose. But coming from the guy who practically invented the genre, the film can only be seen as a massive disappointmenteasily the worst of his 'Dead' films to dateand therefore fully deserves my lower score of 3/10.
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