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Gillian Anderson plays Blanche DuBois in a prequel to A Streetcar Named Desire inspired by the Young Vic's production in which she starred. The film place takes place in the days before Blanche's arrival at her sisters Stella's home.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed lesbian videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves. Written by
Heather Graham and Christopher Lee had previously lent their voice talents in the video game EverQuest II as the leaders of the two opposing cities: Queen Antonia Bayle and Overlord Lucan D'Lere, respectively. See more »
Boogie Woogie is a refreshing look at a subject which has hereto been dealt with in a clichéd and stilted way. Being involved in the art world myself this is the most accurate rendering of it I have ever seen.
Danny Huston is brilliant at the slippery but charming art dealer Art Spindle who delicately spins his collectors into buying and selling works or art.
Christopher Lee is the cantankerous old man who refuses to sell his Boogie Woogie Mondrian while his wife Joana Lumley tries desperately to make him see sense.
Gillian Anderson is particularly fabulous as the spoilt collectors wife who is having an affair with Jack Huston. Jamie Winston is an ambitious lesbian artist who is determined to make it at any cost including seducing Heather Graham to have a show in her gallery.
Amanda Seyfried climbs the greasy pole of the art world in spectacular fashion. There is a particularly funny scene between Gillian Anderson and Charlotte Rampling inter cut with Stellan Skarsgard and his lawyer carving up the assets for their divorce.
The film reminded me of Altman with many stories interwoven around a central theme. The script is both horrific and funny. How art is manufactured, exhibited, dealt with and abused as well as worshiped could not be more on the money.
It is worth mentioning the art in the film which has been chosen by Damien Hirst. There are paintings by among others John Currin, Paul Fryer and Michael Craig Martin. This is a must for any art student wanting to know about how the art world works.
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