| Photos (see all 8 | slideshow) | Videos |
| Robin Wright Penn | ... | Pippa Lee | |
| Mike Binder | ... | Sam Shapiro | |
| Alan Arkin | ... | Herb Lee | |
| Winona Ryder | ... | Sandra Dulles | |
| Ryan McDonald | ... | Ben Lee | |
| Cornelius West | ... | Don Sexton | |
| Maria Bello | ... | Suky Sarkissian | |
| Arnie Burton | ... | Doctor | |
| Tim Guinee | ... | Des Sarkissian | |
| Drew Beasley | ... | Chester Sarkissian - Age 6 | |
| Madeline McNulty | ... | Young Pippa - Age 7 | |
| Beckett Melville | ... | Chester Sarkissian - Age 13 | |
| Zoe Kazan | ... | Grace Lee | |
| Billy Wheelan | ... | Waiter | |
| Shirley Knight | ... | Dot Nadeau | |
| Keanu Reeves | ... | Chris Nadeau | |
| Joan Copeland | ... | Piano Player | |
| J.R. Horne | ... | Jonnie Nadeau | |
| Blake Lively | ... | Young Pippa | |
| Adam Shonkwiler | ... | Chester Sarkissian - Age 22 | |
| Richard DeDomenico | ... | Elderly Man | |
| Robin Weigert | ... | Trish Sarkissian | |
| Julianne Moore | ... | Kat | |
| Christin Sawyer Davis | ... | Shelly | |
| Dan DeLuca | ... | Craig Simms (as Zero) | |
| Adam Grupper | ... | Max Kessler | |
| Sean-Michael Bowles | ... | Jed | |
| Audrey Lynn Weston | ... | Terry | |
| Monica Bellucci | ... | Gigi Lee | |
| Angela Trento | ... | Woman | |
| Teresa Yenque | ... | Alphonsa | |
| Lola Pashalinski | ... | Mrs. Mankievitz | |
| Myra Lucretia Taylor | ... | Night Nurse | |
| Annie Purcell | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Andrew Stephen Bradley | ... | Church Goer (uncredited) | |
| Edie Hofstatter | ... | Delivery room nurse (uncredited) | |
| Harry L. Seddon | ... | Church Friend Of Maria Bello (uncredited) | |
Directed by | |||
| Rebecca Miller | |||
Writing credits(WGA) | ||
| Rebecca Miller | (screenplay) | |
| Rebecca Miller | (book) | |
Produced by | |||
| Jill Footlick | .... | executive producer | |
| Warren T. Goz | .... | executive producer | |
| Stewart McMichael | .... | executive producer | |
| Brad Pitt | .... | producer | |
| Lemore Syvan | .... | producer | |
Cinematography by | |||
| Declan Quinn | |||
Film Editing by | |||
| Sabine Hoffmann | |||
Casting by | |||
| Cindy Tolan | |||
Production Design by | |||
| Michael Shaw | |||
Set Decoration by | |||
| Cherish Magennis | |||
Costume Design by | |||
| Jennifer von Mayrhauser | |||
Makeup Department | |||
| Alessandro Bertolazzi | .... | makeup artist (ms. monica bellucci ) | |
| LuAnn Claps | .... | makeup department head | |
| Peggy Nicholson | .... | head of hair department | |
| Nicky Pattison | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Francois Caillaud | .... | first assistant director: second unit | |
| Francois Caillaud | .... | key second assistant director | |
| Borjan Jovanovich | .... | second second assistant director | |
| John Tyson | .... | first assistant director | |
Art Department | |||
| John J. Ciccimarro | .... | key carpenter | |
| Neil Driscoll Jr. | .... | set dresser | |
| Mary Fellows | .... | shopper | |
| Shannon Finnerty | .... | additional property | |
| Yolan Fisher | .... | property master | |
| Andrew Heikkila | .... | assistant property master | |
| Gavin A. Holmes | .... | carpenter | |
| Meghan Jordan | .... | art department production assistant | |
| Michael Kall | .... | construction foreman | |
| Melissa B. Miller | .... | art department coordinator | |
| Elizabeth Ralston | .... | art department production assistant | |
| Randall Richards | .... | assistant art director | |
| Pierre Rovira | .... | construction coordinator | |
| Jim Sten | .... | leadman | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Steve Fanagan | .... | assistant foley artist | |
| Steve Fanagan | .... | first assistant sound editor | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Sarah Gaines | .... | supervising sound editor | |
| Claire Houghtalen | .... | additional boom operator | |
| Tom Johnson | .... | sound effects editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Jean McGrath | .... | foley recordist | |
| Teferra McKenzie | .... | boom operator | |
| Jeff Pullman | .... | production sound mixer | |
| Stephen Jay Ross | .... | boom operator: Los Angeles | |
| Jon Tendrich | .... | production sound mixer: Los Angeles | |
| Christopher R. Walsh | .... | sound effects editor | |
Special Effects by | |||
| Matt Vogel | .... | special effects | |
Visual Effects by | |||
| Morgan Miller | .... | digital retouching | |
| Jesse Morrow | .... | visual effects artist | |
Stunts | |||
| Joan Preston | .... | stunt performer | |
Camera and Electrical Department | |||
| Michael W. Brennan | .... | rigging gaffer | |
| M. Autumn Eakin | .... | additional second assistant camera | |
| Brant S. Fagan | .... | Steadicam operator | |
| Spencer Gillis | .... | additional film loader | |
| Tommy Kerwick Jr. | .... | best boy grip | |
| Tom Kerwick | .... | key grip | |
| Stephen Kozlowski | .... | second assistant camera | |
| Charles Libin | .... | camera operator | |
| Charles Libin | .... | director of photography: second unit | |
| Nathan Lopes | .... | film loader | |
| Nathan Gabriel Lopez | .... | camera loader | |
| Parris Mayhew | .... | Steadicam operator | |
| Brendan Jamieson O'Brien | .... | video playback operator | |
| Gene Page | .... | still photographer | |
| Greg Principato | .... | first assistant camera | |
| Robert Sciretta | .... | gaffer | |
| Jelani Atu Wilson | .... | additional loader | |
Animation Department | |||
| Kristen Collins | .... | assistant animator | |
| Doug Compton | .... | animator | |
| Brian O'Connell | .... | animation director | |
| Richard O'Connor | .... | animation director | |
| Leah Tinari | .... | character designer | |
Casting Department | |||
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Leslie Bernstein | .... | assistant costume designer | |
| Justine Chevalier | .... | wardrobe supervisor | |
| Lucy Cottrell | .... | costume department intern | |
| Linda Giammarese | .... | costumer | |
| Candice Knox | .... | costume department intern | |
| Lucia Lettini | .... | set costumer | |
| Jessica Pitcairn | .... | costume production assistant | |
| Brenda Renfroe | .... | tailor | |
| Jennifer Lynn Tremblay | .... | costume department intern | |
| Rose Wells | .... | set costumer (as Rosie Wells) | |
Editorial Department | |||
| Dana Bloder | .... | digital intermediate producer | |
| Russ Senzatimore | .... | first assistant editor | |
| Tim Stipan | .... | digital intermediate colorist | |
| Joe Szutarski | .... | colorist: dailies | |
| Michael P. Whipple | .... | digital intermediate engineer | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Jamie Lawrence | .... | score producer | |
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The Private Lives of Pippa Lee is a film that concerns itself with the people in it, rather than a narrative. Each character is unique and well developed, but more importantly, feels real and easy to care for. There are no cardboard cutouts or roles simply convenient to the plot. Their actions are delightfully unexpected, yet fully consistent with who they are. Even the minor roles feel like they've had 2 hours worth of backstory thought out for them.
The backstory we get to see is that of Pippa Lee (Penn). She has recently moved into a suburban neighbourhood with her husband Herb (Arkin), a publisher who is at least a few decades her senior. Herb has just retired after having his third heart attack, and intends his new home to be his final resting place. The couple have two grown children and some old friends who are witnesses to what appears to be a facade of marital bliss.
The story of how Pippa ended up in this arrangement, starting with her early childhood, is told concurrently with the main narrative. We learn of Pippa's pill-popping mother (Bello), her aunt's gay lover (Moore), and how she met Herb. Meanwhile, the suppressed malaise in the present time begins to make itself known through a number of events, starting with the overnight disappearance of half of a chocolate cake and the appearance of a sock in the refrigerator.
What is truly remarkable about this film are the performances. Robin Wright Penn gives a stunning portrayal of a woman who seems to say more with a smile than with her words. It might be early in the year, but I would not be surprised to see an Oscar nod come voting time. She is a pleasure to watch, and really breathes air into what could've been a lifeless character.
Alan Arkin is great as usual, and the blunt dialogue of his character suits him well. When Pippa's character tells us she longs to listen to him speak, we are in full agreement. Winona Ryder and Julianne Moore also make their minor characters stand out with quirky delightfulness. Even Keanu Reeves is adequate in his role.
One thing this film seems to lack, however, is a strong narrative. At times, it feels like a loosely bound collection of anecdotes from Pippa's life. While each of these anecdotes have their own appeal and quite a few laughs, they don't quite manage to come together into a compelling story, without which the film is just another forgettable family drama, albeit with really interesting people.