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|Index||37 reviews in total|
Based solely on its trailers this movie is already getting a bad rap
online, with many lambasting it as some 'chick' flick revamp of 'French
Kiss'. Don't believe that hooey. This is a dark comedy worthy of
Hitchcock, and it's far, far removed from Meg Ryan's past 'sweetheart'
'Serious Moonlight' is a simple, character-driven story of what happens when high-powered lawyer Louise (Meg Ryan) finds out her husband Ian (Timothy Hutton) plans to leave her for his younger mistress Sara (Kristen Bell). Louise holds Ian hostage, the better to make him explain what happened to their marriage. Eventually, an unexpected visit by Todd (Justin Long) forces husband, wife, and mistress to confront their situation in an unexpected manner.
As director Cheryl Hines suggested at the Austin Film Festival Q&A before and after the movie, the film's plot really centers on Ian's character development. I have to agree, and I also think Hines was right when she said that Timothy Hutton was perfect for this role.
And while some might take Louise's decision to tie her husband up as pathetically desperate, I found it entirely believable that such drastic action would be necessary to make a man talk about his real feelings especially when he's doing something as unoriginally asinine as finding 'real love' with a younger woman. It's no accident that Sara looks conspicuously like young Louise, I think, and much of the movie's subtext is about the difference between early passion and long-term commitment.
This movie often feels like a play in the best sense, focusing on small moments and realistic conversation. Its short length stops it from feeling stage-y, however, and the actors all convey their lines with wonderful subtlety.
Hines also described the meticulous process of reading through the script with the actors to determine what was funny and what wasn't. I think this was nothing short of genius; so many non-traditional comedies lose the distinction so you're not sure what the intent of any given scene is. Perhaps because of her strong background in comedy, Hines wisely avoids this pitfall, making the movie's laughs razor-sharp, but balancing them with genuinely tense moments.
I won't tell you how the movie ends, because there's a bit of a twist. But I will be very curious to see what happens when it's released. I suspect that there will be some controversy about the how the film treats the battle of the sexes, and I fear some men might cower in the face of Louise's character -- Ian certainly does, at least at first. But that's almost the point, and I'm glad to see a woman-authored, woman-directed view of male infidelity for once.
This darkly comic movie is definitely worth seeing, in my opinion, and given how seriously funnylady Hines takes her job as director, I sincerely hope to see more of her work soon.
If you enjoy films like "War of the Roses", you should like this one.
Basically this is a love-triangle story about a man (Tim Hutton) whose planning on leaving his wife (Meg Ryan) of 14 years for a much younger woman (Kristin Bell). The wife doesn't respond well and much inappropriate behavior follows.
Not much depth is written into these people but Ryan and Hutton do a rather spectacular job with their roles anyway. Special notice should be given to Justin Long's cameo as a thug. He seems to relish his small 'against type-cast' role. Unfortunately, Kristin Bell bores us with her very two-dimensional performance.
The plot tidies itself up rather too quickly from this twisted story, but at least we're not left with an overly long film. And the first hour is one of the darkest hours of film I've ever seen--in a good way.
If you've seen Adrienne Shelly's (the writer) other film, "Waitress", you'll be familiar with the style of this film. "Waitress" is a more complete movie with much more depth. However, Cheryl Hines--who took over for Shelly after her untimely death--does a commendable job.
I'm saddened to realize this will be the last work we see from the mind of Adrienne Shelly. As it stands, it's not a bad way to be remembered. A writer/director who had a flair for gracefully exploring people's darkest emotions and desires.
And no, I'm not just saying this because I'm strapped to a toilet!
P.S. This film is not a date flick;)
*** This review may contain spoilers ***
What a bizarre film.
First off, i have to say, i actually enjoyed the first two thirds or so of it, strange hormonal man-hating thing that it is. It has enough of a dark edge & originality to stand out from the usual production line chick-flicks. However, once the gardener character turns up the whole thing goes off the rails & becomes as unhinged as the central character. And entirely implausible, too - the idea (trying not to give too much away, here) that the characters could not get out of the situation they are forced into is visibly ridiculous.. did no-one proof-read this thing?
Also, all the motives & lines for all the male characters are by far the most unbelievable i have ever heard. Not one of them speaks like a real person. Did some fat girl run out of Mills & Boon books one afternoon & decide to knock one out herself? It's really depressing to think how many women will happily tolerate this kind of ken-doll fantasy depiction of their opposite number.
On the plus side, Meg Ryan does what she is called on to do well, & Timothy Hutton does what he can with the dialogue given him. There are some tender & insightful moments amid the plot holes & deranged logic. The twist at the end helps but doesn't redeem what has gone before, & in fact makes Ryan's manipulative character all the more disturbing.
For all of this, it's still better than the usual Hollywood detritus, an interesting & original idea run aground by a script that has no idea whatsoever of how men actually think, act, talk & feel. Which is a real pity, as this could have been something really special.
This is one of the better movies I have seen this past month or so.
Meg Ryan puts on a marvelous performance as the slightly crazy wife doing whatever she can to make her husband love her.
This is a comedy unlike most other comedies out there. It had really good dialogue and some nice scenes. You just curl your toes at the extremes Meg Ryan's character goes to for making her husband stay with her. Now, it is not a comedy that will make you roll over laughing with tears streaming down your cheeks, but it is funny and have a very believable feel to it. You really get to feel for the characters of the movie.
I like Meg Ryan as an actress, and this is one of the better roles I have seen her portray in awhile. A good step away from the usual romantic comedies that she have been making.
Without giving away too much of the story, I found the plot to be very predictable. Very easy to figure out what happens early on and also easy to figure out how it will end - it is a Hollywood movie after all. And I am not just saying that because I am taped to a toilet!
"Serious Moonlight" deserves to be seen for a number of reasons.
First, it is written by the late Adrienne Shelly (best known for "Waitress" (2007)). After her death, her husband set up the Adrienne Shelly Foundation to help women pursue their film-making dreams. Money earned from her films goes towards this foundation.
Second, there are a lot of elements in this film that are pretty original which seems to be a hard feat to accomplish for most films today.
Third, the interesting casting choices, which give us the pleasure of seeing Meg Ryan and Timothy Hutton in mature, grown up roles but acting childishly-stupid with glimmers of maturity and wisdom. After seeing this movie, I believe they are the only actors who could pull it off so beautifully. Add to this, Justin Long in a funny and very surprising role, and then the adorable Kristin Bell who for once is actually playing a character less-accomplished than the average woman her age.
"Serious Moonlight" is a romantic comedy of sorts where we have a husband divorcing his wife so he can be with his younger mistress. Include a couple criminal activities and all plans get thrown out the window. Every turn in this movie is funny, original, thoughtful, and romantic - in its own weird way.
I recommend spending your money on "Serious Moonlight". Rest in Peace, Adrienne.
*** This review may contain spoilers ***
Meg Ryan and Timothy Hutton star yet again in a romantic comedy, not
called French kiss but Serious moonlight. Serious moonlight has a
couple of little flaws but really I didn't have much of a problem with
it. Though the ending is predictable, the film still works, even for a
Nowadays, romantic comedies are overly clichéd and have many flaws. Though I enjoy a couple of them. Such as My life in ruins, The Proposal, (500) days of Summer, and unlike anyone else, I enjoyed What happens in Vegas. The genre has kind of expired when it comes to predictability. But Serious moonlight, though predictable, works cause of the charm between the two stars and it's hilarious.
Meg Ryan stars as Louise, a lawyer who realizes that her husband(played by Timothy Hutton) is having an affair. So she decides to tape him up and hold him hostage to make him fall in love with her again. But they are put in a bad situation when they are both held hostage together.
The film is very funny. From both actors. Meg Ryan may look a little different, but she's still America's sweetheart. The film has little flaws. One of them is the fact that some of it isn't entirely original. Hutton's character is cheating on her, and is flying off to Paris. That is mainly it. Serious moonlight is an impressive directorial debut from Cheryl Hines(Curb your enthusiasm).This is a highly enjoyable film. See it. Oh, and I didn't understand the title. That's it.
Serious moonlight: 4/5
Looking at the cast of the movie, you'd think you have a nice comedy at
hand. Well it's anything but nice. And this is exactly where it lost
(with me). Having two lead characters that are so despicable as the two
at hand here, never really connected me with them. That it is
borderline insane (the set-up, which gets even more ridiculous by an
ending that is pretty clear, but gets "explained" here on IMDb, if you
happened to miss that) and tries to "hammer" in things (quite literally
at times), does not make this any better than other movies. It just
makes it very different than them.
It wasn't my cup of tea and if the actors were worse, I would have rated this lower. But while other movies try to establish an alternate reality or world, this grounds itself into reality and therefor is prone to be judged by that. Of course, since tastes are different, you might actually like it (because of all the things I've listed, not despite) ...
*** This review may contain spoilers ***
MAJOR SPOILER AHEAD. THE ENDING WILL BE REVEALED. YOU ARE WARNED.
Ahem. This clever rom com is virtually a two-character play and most of it transpires in a bathroom. Early on, I began to sense all was not as it seemed. And it's not.
Everything in the movie points to it being a set up by Louise. Let's count the ways --
From the moment she arrived at the house, her whole attitude is fake innocent. Any other woman would be suspicious that her husband had strewn rose petals all over the place, but wasn't expecting his wife.
Lawn boy shows up oh so conveniently just after Louise goes into town for food.
Lawn boy is listening to music on his riding mower and cannot hear hubby's screams for help or banging on the bathroom window. Where does he decide to shut off the mower and remove his head set? Directly beneath the bathroom window.
When Louise returns to the house, her confrontation with lawn boy is entirely off camera. We just see the fishbowl smash and hear her screams and see the alarm on hubby's face. It's all an act by Louise and lawn boy.
When lawn boy drags Louise into the bathroom, apparently unconscious, and tapes her up, the husband begins his long, tearful confession that he really loves her. Supposedly she is knocked out and not hearing it, but the camera shows close ups of her face. She does not look unconscious. It is strongly hinted she is hearing this.
Lawn boy acts all lustful over Louise, even feeling her up when unconscious. Then he turns to hubby and says something like, "How could you not want this?"
If you really want to immobilize someone with duct tape, you tape their hands behind their back, not in front.
Louise has her hands duct taped in front of her. There are broken mirror shards on the floor. Hello?
When husband said he hoped the crooks would not take the heirloom silver set, a red flag went up and I said, they won't. They didn't. What kind of crooks leave behind a chest of silver sitting in plain sight?
And what kind of crooks clean the house of loot, then stick around all night to drink and party? Could it be to give Louise more time with her husband?
The only question is, how did Louise find out about the affair? And how did she know hubby was going to be at the house a day early, preparing to fly to Paris in the morning with his girlfriend? I guess we just have to go along.
As to the final scene, it could have been better. As Louise, her husband and Lawn Boy pass on the street, what if they exchanged knowing glances, but the husband doesn't see and remains clueless. Way cooler, I think.
I feel that 'Serious Moonlight' is a misunderstood movie. People seem
to be under the impression that it's just another 'French Kiss' (mostly
because of the misleading trailer). The similarities are minimal. The
references (perhaps unintentional) are quite amusing but it must be
said that 'Serious Moonlight' is no romantic comedy. It's more of a
black comedy about a couple going through a stale marriage that is on
the brink of breaking point. When the husband announces that he's
leaving his wife for a twinkie, in a final desperate attempt the wife
tries to win him back. However, she doesn't follow him all the way to
Paris (which is what happened in 'French Kiss'). She ties him up, with
duct tape, in their farm house.
Unlike the kind of humour that's often used in a romantic comedies 'Serious Moonlight' is a lot more tongue in cheek and even dark at times. Cheryl Hines, who's already known for her comedic talents, proves to be a competent director and with the late Adrienne Shelly's funny and yet thought-provoking screenplay, she has made something entertaining. I found most of the dialogues laugh-out-loud funny.
Timothy Hutton finally gets a part that's just right for him as he does full justice to Ian. Meg Ryan looks great and she's superb as the almost insane Louise. Justin Long and Kristen Bell provide hilarious support.
The twist in the end was cleverly done and works as a good conclusion with a funny touch.
Pasto,Colombia...Via: L.A. CA...and ORLANDO, FL
Serious Moonlight won Best Film at the 2009 Orlando Film Festival. To be brutally honest, I think winning had more to do with leads Meg Ryan and Timothy Hutton, along with director Cheryl Hines, being by far the most well-known participants, than it did with the quality(or relative lack thereof) of the film itself.
Obviously, SERIOUS was inspired/adapted by a play. Set in a house, in 5 brief acts; Half of all on-screen time is spent in the bathroom, of all places! The basic premise seems like a sure-fire winner: Not-so-successful, burned out husband decides to leave more successful lawyer wife, before she gets home from vacation, for his ditsy, twenty-something secretary. Getting home a day early, wife(Meg Ryan) catches hubby(Timothy Hutton) sneaking out in Stealth Mode. This apparently transports wife to The Twilight Zone, because, from that moment on, she exhibits the most un-attorney-like comportment imaginable! Losing touch with reality, she decides to "kidnap" husband until he has "retuned to his senses" and abandons the idea of abandoning her. Despite some genuinely funny moments, SERIOUS fumbles the execution. Novice Director Cheryl Hines(WAITRESS introduced the film. She seems like a sweet, wonderful person; a rather competent actor; and a totally unimaginative, inexperienced and lackluster director.
One sequence, midway into the film, is particularly annoying: Husband and wife, tied up in the bathroom, begin a prolonged argument. For what seems like an endless loop, the only shots/edits we get are ping-pong talking heads. That's it! Ms. Hines, if you somehow get another shot at directing, and the result is not noticeably superior, I suggest you hang-up your director's cap permanently! Timothy Hutton and a rejuvenated Meg Ryan both turn in commendable, but somewhat strained performances (Over-direction Perhaps?) Two things saved SERIOUS: A fair share of laugh-provoking moments; and acts 3 and 4.(Far superior to rest of film) So, instead of 5*-IT GETS 6*
Any comments, questions or observations, in English o en Español, are most welcome!
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