A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
Louise wants to find a way to reconnect with her husband, Ian, who is divorcing her after many years of marriage. But when she surprises him at their country home, she is more than slightly dismayed that the roses and romantic set-up are not for her but for his much younger mistress. Louise takes matters into her own hands, and abducts Ian duct-taping him to the toilet, where he must admit to his true feelings and he is unable to leave her. Things grow exceedingly awry for everybody when a burglar shows up at their house, and then everybody must discover and admit to their true feelings. Written by
Meg Ryan and Timothy Hutton co-started together before in the 1995 film French Kiss, in which the opening plot was similar; he was leaving her for another woman and she was trying to win him back. See more »
In the scene where Sara arrives and Louise has to tape Ian, the tape almost touches his left side-burn while, when coming back to the house the tape now is far from it. See more »
[on the phone]
I threw heck to the wind and drove up to the country a day early, want to surprise Ian, spend the long weekend with him. So, I need you to call Metler and tell him that the papers were filed yesterday and everything is fine, and I will talk to him first thing on Monday morning. Then call my dentist, cancel my appointment, and reschedule it for Tuesday afternoon. And then cancel my meetings for the rest of the day. You know what to do, that's why you ...
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Serious Moonlight won Best Film at the 2009 Orlando Film Festival. To be brutally honest, I think winning had more to do with leads Meg Ryan and Timothy Hutton, along with director Cheryl Hines, being by far the most well-known participants, than it did with the quality(or relative lack thereof) of the film itself.
Obviously, SERIOUS was inspired/adapted by a play. Set in a house, in 5 brief acts; Half of all on-screen time is spent in the bathroom, of all places! The basic premise seems like a sure-fire winner: Not-so-successful, burned out husband decides to leave more successful lawyer wife, before she gets home from vacation, for his ditsy, twenty-something secretary. Getting home a day early, wife(Meg Ryan) catches hubby(Timothy Hutton) sneaking out in Stealth Mode. This apparently transports wife to The Twilight Zone, because, from that moment on, she exhibits the most un-attorney-like comportment imaginable! Losing touch with reality, she decides to "kidnap" husband until he has "retuned to his senses" and abandons the idea of abandoning her. Despite some genuinely funny moments, SERIOUS fumbles the execution. Novice Director Cheryl Hines(WAITRESS introduced the film. She seems like a sweet, wonderful person; a rather competent actor; and a totally unimaginative, inexperienced and lackluster director.
One sequence, midway into the film, is particularly annoying: Husband and wife, tied up in the bathroom, begin a prolonged argument. For what seems like an endless loop, the only shots/edits we get are ping-pong talking heads. That's it! Ms. Hines, if you somehow get another shot at directing, and the result is not noticeably superior, I suggest you hang-up your director's cap permanently! Timothy Hutton and a rejuvenated Meg Ryan both turn in commendable, but somewhat strained performances (Over-direction Perhaps?) Two things saved SERIOUS: A fair share of laugh-provoking moments; and acts 3 and 4.(Far superior to rest of film) So, instead of 5*-IT GETS 6*
Any comments, questions or observations, in English o en Español, are most welcome!
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