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Directed by | |||
| Brian Goodman | |||
Writing credits(in alphabetical order) | ||
| Brian Goodman | writer | |
| Paul T. Murray | writer | |
| Donnie Wahlberg | writer | |
Produced by | |||
| Marc Frydman | .... | producer | |
| William J. Immerman | .... | executive producer | |
| Rod Lurie | .... | producer | |
| Peter R. McIntosh | .... | executive producer (as Peter McIntosh) | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Alex Wurman | |||
Cinematography by | |||
| Chris Norr | |||
Film Editing by | |||
| Robert Hoffman | |||
Casting by | |||
| Donna DeSeta | |||
Production Design by | |||
| Henry Dunn | |||
Set Decoration by | |||
| Jennifer Engel | |||
Costume Design by | |||
| Roemehl Hawkins | |||
Makeup Department | |||
| Peggy Nicholson | .... | key hair stylist | |
| Emma C. Rotondi | .... | first assistant hair (as Emma Rotundi) | |
| Trish Seeney | .... | makeup department head | |
| L. Sher Williams | .... | first assistant makeup artist (as Sher Williams) | |
Production Management | |||
| Buddy Enright | .... | executive in charge of production | |
| Jill Greenblatt | .... | post-production manager | |
| Linda L. Miller | .... | executive in charge of production | |
| Caleb Womble | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Joan G. Bostwick | .... | second assistant director | |
| T. Sean Ferguson | .... | first assistant director | |
| Michelle McGrier | .... | dga trainee | |
Art Department | |||
| Audra Avery | .... | on-set dresser | |
| Adam D. Bouchard | .... | set dresser | |
| Andréa Ciraldo | .... | set dresser | |
| Jaima Fogg | .... | assistant property master | |
| Vanessa Knoll | .... | assistant decorator | |
| Dave Major | .... | picture car coordinator | |
| Luke Malloy | .... | set dresser | |
| Matthew Mozzone | .... | art department pa | |
| Tim Payson | .... | property master | |
| Kurt Smith | .... | construction coordinator | |
| Cleo Wang | .... | art department coordinator | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Gioia Birkett-Foa | .... | sound utility | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Robert Getty | .... | supervising sound editor (as Rob Getty) | |
| Danielle Ghent | .... | dialogue editor (as Danielle Fiorello) | |
| Anton Gold | .... | sound mixer | |
| Chato Hill | .... | assistant sound editor | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Kevin Jette | .... | adr mixer | |
| David Mann | .... | sound effects editor | |
| Douglas Murray | .... | adr mixer | |
| Beauxregard Neylon | .... | adr mixer | |
| Kevin S. Parker | .... | boom operator | |
| Eric Raber | .... | sound effects editor | |
| Steve Schatz | .... | sound mixing recordist | |
| Kevin Skaggs | .... | digital transfer engineer | |
| Alec St. John | .... | sound re-recording mixer | |
| Alec St. John | .... | supervising sound editor | |
| Lucy Sustar | .... | foley mixer | |
| Paul Tirone | .... | adr recordist | |
Visual Effects by | |||
| Jaime Fortuno-Lavin | .... | Inferno artist | |
| Mitch Gates | .... | CG supervisor: Encore Hollywood | |
| Tim Jacobsen | .... | visual effects producer | |
| Bob Minshall | .... | Inferno artist | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| Haytham Kandil | .... | stunts | |
| Michael Russo | .... | assistant stunt coordinator | |
| Shawn Doherty | .... | precision driver (uncredited) | |
Camera and Electrical Department | |||
| Ethan Borsuk | .... | key second assistant camera | |
| Jason Bowen | .... | generator operator | |
| Rick Cardillo | .... | lighting technician | |
| Jon Delgado | .... | camera operator | |
| Jon Delgado | .... | director of photography: second unit | |
| Dru Dunnaway | .... | electrician | |
| Craig Gleason | .... | lighting technician | |
| Jesse Goldberg | .... | electrician | |
| Brian Heller | .... | aerial cinematographer | |
| Dan Hutchinson | .... | electrician | |
| Mark Killian | .... | second assistant camera: "b" camera | |
| David LaCarubba | .... | camera production assistant | |
| Ed Lalli | .... | electrician | |
| Maritza Norr | .... | loader | |
| Matthew Pebler | .... | second assistant camera | |
| Chris Reynolds | .... | first assistant camera | |
| Daryl Richardson | .... | grip | |
| Ivar Weberg | .... | grip | |
| Warren A. Weberg | .... | best boy grip | |
| William M. Weberg | .... | key grip | |
| Frans Wetterings III | .... | gaffer | |
| JoJo Whilden | .... | still photographer | |
| Joe Christofori | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Marine Albert | .... | casting assistant | |
| Sandy Holt | .... | adr voice casting | |
| Katy Joyce | .... | extras casting assistant | |
| Angela Peri | .... | location casting | |
| Jodi Purdy-Quinlan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laurie Bramhall | .... | costumer | |
| Caroline Errington | .... | costume supervisor | |
| Brigitta Romanov | .... | assistant costume designer | |
| Carolyn Schnitzer | .... | key costumer | |
Editorial Department | |||
| Dan Aguilar | .... | digital intermediate editor | |
| Gareth Cook | .... | digital colorist | |
| Erin Dodgen | .... | colorist: telecine | |
| David Feldman | .... | digital intermediate producer | |
| Ben Hasler | .... | post-production coordinator | |
| Danya Joseph | .... | first assistant editor | |
| Kristy M. Lewis | .... | digital intermediate assistant producer (as Kristy Lewis) | |
| Leland Sexton | .... | post-production assistant | |
| Lance Spindler | .... | post-production (uncredited) | |
Music Department | |||
| John Jennings Boyd | .... | score co-producer | |
| Tom Brissette | .... | score mix assistant | |
| Kevin Fink | .... | assistant music supervisor | |
| Richard Glasser | .... | music supervisor | |
| Jill Krachmer | .... | assistant to composer | |
| Samuel Lehmer | .... | score mixer | |
| Ellen Segal | .... | music editor | |
| Alex Wurman | .... | score producer | |
Transportation Department | |||
| Elizabeth Fisher | .... | picture cars | |
| William O'Brien | .... | driver | |
| Doug Wright | .... | driver: honeywagon | |
Other crew | |||
| David H. Angell | .... | location scout | |
| Jacqui Baker | .... | set production assistant | |
| Anthony Beaudoin | .... | production financing provided by | |
| Elizabeth A. Bell | .... | senior vice president: general counsel | |
| Stuart Burkin | .... | executive in charge of post | |
| Jana Camacho | .... | production assistant | |
| Holly Karrol Clark | .... | assistant: Mr. Goodman | |
| Eddy Collyns | .... | location manager | |
| Amy Comstock | .... | production accountant | |
| Derek Cunningham | .... | assistant location manager | |
| James de Gallegos | .... | production financing provided by | |
| Sean Patrick Doherty | .... | stand-in | |
| Gleanna Doyle | .... | animal coordinator | |
| Gleanna Doyle | .... | animal trainer | |
| Erin Feeley | .... | assistant production coordinator | |
| James Ferrera | .... | unit publicist | |
| Hal Fuchsman | .... | staff set production assistant | |
| Chad Goyette | .... | set production assistant | |
| Judi Jeroslow | .... | second assistant accountant | |
| Melissa Kalbfus | .... | script supervisor (as Melissa Kalbfus Paliocha) | |
| Ashley Kravitz | .... | script clearances | |
| Erin Lander | .... | adr loop group | |
| Kim T. Le | .... | production coordinator | |
| Tyler Mathers | .... | production assistant | |
| Honor Maxfield | .... | assistant: Mr. McIntosh | |
| Julie Milstead | .... | assistant: Mr. Yari | |
| Martin Montana | .... | stand-in | |
| Martin Montana | .... | stand-in: Mark Ruffalo | |
| Michael E. Morales | .... | production legal counsel | |
| Malee Nerenhausen | .... | production executive | |
| Cortney Norris | .... | location assistant | |
| Brian Papworth | .... | key production assistant | |
| Nancy A. Pavia | .... | production assistant | |
| Michael Peavey | .... | helicopter pilot | |
| Meredith C. Powell | .... | production assistant | |
| Michelle Reed | .... | assistant: Mr. Immerman | |
| Antonio Caetano Santos | .... | additional set production assistant (as Antonio Caetano Dos Santos) | |
| Kimberly Simpson | .... | assistant: Elizabeth A. Bell | |
| Colleen Stewart | .... | post -production assistant | |
| Skye Stolnitz | .... | assistant: Linda L. Miller | |
| Ross Tatelman | .... | production office assistant | |
| Matt Varosky | .... | assistant: Mr. Frydman | |
| Alex Vonhungen | .... | contract administrator | |
| C.J. Vranca | .... | vp of business affairs | |
| Darius Wadia | .... | assistant: Mr. Lurie | |
| Greg Wyrick | .... | first assistant accountant | |
| Christa Zofcin | .... | senior business affairs executive (uncredited) | |
Thanks | |||
| Kathleen O'Toole | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I had no knowledge of the existence of this movie until the day I saw it, so when I started it I was pretty blown away by it. The gritty drama and really well told story of these 2 boys/men is fascinating, very well acted and initially very interesting. The score is beautiful, as is the initial pacing and storytelling. I was thinking this is one of the best movies I've seen for months, and then something odd happened.. the pacing shifted, suddenly long beautifully acted scenes were becoming clips of a few minutes here a sentence there, the character development that was so successful early on suddenly seemed to be redundant as stories become pointless and predictable. It's almost as though the movie changed to a different director and editor half-way through.
I found myself caring less and less about the characters as they became victims of over-editing. The only 2 scenes that lasted more than a couple of minutes in the last third that had any 'substance' were overly dramatic if not soppy father-son scenes where all other members of the family become low priority.
It's really quite a shame, I was enjoying the film so much during the first half, I was willing to give this film a 9 if only a little more of the plot would begin to unravel itself, but instead I got less plot, less character focus and more "this is bad" and "this is good" moments... It's a true pity as I shan't be recommending this movie due to it's second half.