The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
An L.A. artist with everything seemingly going for him suddenly finds a change in his life when an art curator cancels his upcoming one-man show. His model girlfriend immediately leaves him... See full summary »
An armored car is robbed by three men. A passing police officer and one of the robbers exchange fire. The robber is Paulie. In a flashback we follow him and his closest friend, Brian, as they grow up together in South Boston. They're tough guys, thugs, doing jobs for the local boss and chaffing to do more. Paulie's the leader. Brian drinks too much and free bases, ignoring his wife and two young boys. Life-changing events lead him to try to go straight, look for work, take what comes his way, and go to A.A. meetings. He struggles. Paulie shows him the plans for the armored car job. Will they do it? "I am who I am," Brian tells his wife. Is crime his only skill? Written by
Paulie ordered a Chivas on the rocks in the bar but when he picked his drink up, it was straight up in a shot glass. See more »
What? You got no balls, u run out on in the middle of a score? Here's a couple bucks. You're lucky you're gettin that. Naw, don't sit down here. Go sit over there! Nah, I'm just fuckin with ya. Sit down.
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And yet another kids to criminals to wake up call movie
This film is yet another rehash of that glut of films about kids who begin lives of crime early on, go to jail, and come out either enlightened or unchanged. Set in South Boston, WHAT DOESN'T KILL YOU happens to star some fine actors in Mark Ruffalo, Ethan Hawke, and Amanda Peet, and their presence makes the film watchable. It is just tiresome to watch repeats an this 'bad kid' (Ruffalo) turned junkie turned convict turned negligent husband and father turned AA whose ability to make decent decisions finds him clueless until the end of the film.
The flavor of South Boston and prison and petty crimes becoming major crimes is well paced by writer/director/actor Brian Goodman. But this rambling story is ultimately boring - except for the pleasure of watching Mark Ruffalo inhabit this loser of a character. An OK movie, not a great one. Grady Harp
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