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In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
"21" is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings.
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Philip Seymour Hoffman,
Barry Pepper
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.
Director:
David Michôd
Stars:
James Frecheville,
Bryce Lindemann,
Joel Edgerton
Takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling ... See full summary »
Director:
Courtney Hunt
Stars:
Melissa Leo,
Misty Upham,
Charlie McDermott
Los Angeles, 1949: A secret crew of police officers led by two determined sergeants work together in an effort to take down the ruthless mob king Mickey Cohen who runs the city.
An armored car is robbed by three men. A passing police officer and one of the robbers exchange fire. The robber is Paulie. In a flashback we follow him and his closest friend, Brian, as they grow up together in South Boston. They're tough guys, thugs, doing jobs for the local boss and chaffing to do more. Paulie's the leader. Brian drinks too much and free bases, ignoring his wife and two young boys. Life-changing events lead him to try to go straight, look for work, take what comes his way, and go to A.A. meetings. He struggles. Paulie shows him the plans for the armored car job. Will they do it? "I am who I am," Brian tells his wife. Is crime his only skill? Written by
<jhailey@hotmail.com>
In the scene where Brian is in the hospital after being shot outside of the bar he is yelling at the nurse because he wants more pain medication, there is a dry erase board above his head that says "no BP on left side" and he has a blood pressure cuff on his left arm. See more »
"Put a LIttle Nasty on It"
Written by James Alexander (as James Edward Alexander), Larry Charles Dodson, Jazze Pha (as Anton Phalon Alexander) & Anthony Michael Dortch
Performed by The Bar-Kays
Courtesy of Jea Right Now Records, Under license by Ford Music Services See more »
I had no knowledge of the existence of this movie until the day I saw it, so when I started it I was pretty blown away by it. The gritty drama and really well told story of these 2 boys/men is fascinating, very well acted and initially very interesting. The score is beautiful, as is the initial pacing and storytelling. I was thinking this is one of the best movies I've seen for months, and then something odd happened.. the pacing shifted, suddenly long beautifully acted scenes were becoming clips of a few minutes here a sentence there, the character development that was so successful early on suddenly seemed to be redundant as stories become pointless and predictable. It's almost as though the movie changed to a different director and editor half-way through.
I found myself caring less and less about the characters as they became victims of over-editing. The only 2 scenes that lasted more than a couple of minutes in the last third that had any 'substance' were overly dramatic if not soppy father-son scenes where all other members of the family become low priority.
It's really quite a shame, I was enjoying the film so much during the first half, I was willing to give this film a 9 if only a little more of the plot would begin to unravel itself, but instead I got less plot, less character focus and more "this is bad" and "this is good" moments... It's a true pity as I shan't be recommending this movie due to it's second half.
13 of 22 people found this review helpful.
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I had no knowledge of the existence of this movie until the day I saw it, so when I started it I was pretty blown away by it. The gritty drama and really well told story of these 2 boys/men is fascinating, very well acted and initially very interesting. The score is beautiful, as is the initial pacing and storytelling. I was thinking this is one of the best movies I've seen for months, and then something odd happened.. the pacing shifted, suddenly long beautifully acted scenes were becoming clips of a few minutes here a sentence there, the character development that was so successful early on suddenly seemed to be redundant as stories become pointless and predictable. It's almost as though the movie changed to a different director and editor half-way through.
I found myself caring less and less about the characters as they became victims of over-editing. The only 2 scenes that lasted more than a couple of minutes in the last third that had any 'substance' were overly dramatic if not soppy father-son scenes where all other members of the family become low priority.
It's really quite a shame, I was enjoying the film so much during the first half, I was willing to give this film a 9 if only a little more of the plot would begin to unravel itself, but instead I got less plot, less character focus and more "this is bad" and "this is good" moments... It's a true pity as I shan't be recommending this movie due to it's second half.