Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
A cocky test pilot, Hal Jordan (Ryan Reynolds), acquires superhuman powers when he is chosen by "the Ring", the willpower-fed source of power, of the Green Lantern Intergalactic Corps. He, reluctantly at first, takes on the challenges these superheroes face. Putting his self-doubts aside, and spurred on by his sense of duty and love for his beautiful, intellectually equal, colleague, Carol Ferris (Blake Lively), he is soon called to defend mankind from Parallax, a super-powerful being who feeds on fear. He is the universe's last chance, as many Lanterns have been killed and the Corps is weakened. And he might just be the right Lantern for the job of keeping the world safe from harm. Based on the characters of DC Comics series "Green Lantern". Written by
The construct Tomar-Re demonstrates to Hal resembles a Möbius strip. In the "Green Lantern" comics of the Silver Age (1959-1970), this was often used as a form of greeting between Green Lanterns. See more »
While being chased by Parallax, Hal flies from the Earth to the Sun via the Asteroid Belt; which lies between Mars and Jupiter, in completely the opposite direction from the Sun. It's also a common error to portray the Asteroid Belt as being crowded, when it's in fact largely empty and hitting an asteroid is something that would require careful aiming as the asteroids are spread over such an enormous volume of space. See more »
Billions of years ago, a race of immortals harnessed the most powerful force in existence: the emerald energy of willpower. These immortals, the Guardians of the Universe, built a world from where they could watch over all of existence: the planet Oa. They divided the universe into 3600 sectors, a ring powered by the energy of will was sent to every sector of the universe to select a recruit. In order to be chosen by the ring, it is said that one must be without fear. Together, ...
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The Warner Bros logo shines with green light. See more »
Lazy Writing, Directing and Action Make This One to Avoid
Back in 1977 when George Lucas told a story in the frame of Joseph Campbells Heroes Journey, it was unique. When Sam Raimi told a super hero story with the same structure in 2002, there was still plenty it added a new filter. And, when Jon Favreau did it again in 2008, he added enough unique touches to the tale to reinvigorate what was becoming a tired formula.
The writers of Green Lantern felt it was enough to skim cliffnotes of Campbell and write the film based on their notes of the reading and half remembered recollections of reading comic books when they were 12. There is nothing new in this film. A man is given a magic ring which takes him out of the world of the ordinary and makes him a hero. We don't grow to care about him because he doesn't grow or change... he simply goes through the motions because the script tells him to.
Ryan Reynolds tries his best with a weak and contrived script, but he still comes off too snarky to be the overconfident jet pilot he's supposed to be. It's not all his fault, as the script is much more content to tell us what the cast is feeling or thinking instead of letting the actors convey it through their actions, inflections or looks. It is as if the writers had no faith in their cast or direction, let alone their audience, and dumbed the entire affair down below even the cartoon portrayals of the character.
The visuals are nice, but never have weight, leading to the effect that Ryan Reynolds head if occasionally floating through a video game. It's sad to think it's been six years since Gollum, and this is the best Warner Brothers can offer us in a tent pole film. It's also a shame to think this is the best they could do with only 37 million dollars less than Avatar. Again, it just shows that the production staff was lazy, never pushing it to look better, and instead setting for the "they'll think it looks cool" effect.
We should demand better from comic book films. After having Dark Knight and Iron Man in a single year, we should not be subjected to subpar outings like this. Fun is one thing, mind numbingly dumb and lazy is another.
Skip this in the theater. Wait for it to come to NetFlix and then forget to put it in your cue. You'll thank me.
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