Bruce Banner, a scientist on the run from the U.S. Government, must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier who unleashes himself as a threat stronger than he.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
In a mysterious universe, an elite defense force of peace and justice have existed for centuries. Cocky test pilot Hal Jordan acquires superhuman powers when he is chosen by "the Ring", the willpower-fed source of power, of the Green Lantern Corps. Reluctantly at first, he takes on the challenges these other superheroes face. Putting his self-doubts aside, and spurred on by his sense of duty and love for his beautiful, intellectually equal, colleague, Carol Ferris, he is soon called to defend mankind from Parallax, a powerful, evil being who feeds on fear. He is the universe's last chance, as many Green Lanterns have been killed and the Corps is weakened. And he might just be the right Green Lantern for the job of keeping the world safe from harm. Based on the characters of DC Comics series "Green Lantern". Written by
Warner Bros. Pictures
Geoff Johns tried to get the film produced in 2000, but the first question he was asked was whether the film could be made without the ring. This discouraged him so badly that he didn't make another attempt until The Dark Knight (2008) released. See more »
In the test pilot scene, it is claimed that the F-35's service ceiling is 50,000 feet. Its real service ceiling is 60,000 feet. And exceeding the service ceiling doesn't cause an aircraft's engines to flame out like in the movie. But none of this matters, since if they were testing the air superiority capabilities of the drones, they should have been testing them against an air superiority fighter like the F-22, not a multi-role strike fighter like the F-35. See more »
Billions of years ago, a race of immortals harnessed the most powerful force in existence: the emerald energy of willpower. These immortals, the Guardians of the Universe, built a world from where they could watch over all of existence: the planet Oa. They divided the universe into 3600 sectors, a ring powered by the energy of will was sent to every sector of the universe to select a recruit. In order to be chosen by the ring, it is said that one must be without fear. Together, ...
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Part of the closing credits takes place in a montage of seven quasars, each quasar a specific color of the rainbow. This is based on the emotional electromagnetic spectrum, a Green Lantern theorem that states each color is based on a specific emotion.
Both the credits of Ryan Reynolds (Hal Jordan) and Mark Strong (Sinestro) glow with both green and yellow light; Jordan and Sinestro were Green and Yellow Lanterns in the comics.
Blake Lively (Carol Ferris)'s credit glows with a violet aura; in the comics Ferris was a Star Sapphire, who wielded the violet power of love.
Peter Sarsgaard (Hector Hammond)'s credit glows with an orange aura; in the comics Hammond was possessed by Ophidian, an entity formed from the orange power of avarice.
and Temuera Morrison (Abin Sur)'s credit glows with an indigo aura; in the comics Abin Sur was the founder of the Indigo Tribe, a corps which wields the indigo power of compassion.
Lazy Writing, Directing and Action Make This One to Avoid
Back in 1977 when George Lucas told a story in the frame of Joseph Campbells Heroes Journey, it was unique. When Sam Raimi told a super hero story with the same structure in 2002, there was still plenty it added a new filter. And, when Jon Favreau did it again in 2008, he added enough unique touches to the tale to reinvigorate what was becoming a tired formula.
The writers of Green Lantern felt it was enough to skim cliffnotes of Campbell and write the film based on their notes of the reading and half remembered recollections of reading comic books when they were 12. There is nothing new in this film. A man is given a magic ring which takes him out of the world of the ordinary and makes him a hero. We don't grow to care about him because he doesn't grow or change... he simply goes through the motions because the script tells him to.
Ryan Reynolds tries his best with a weak and contrived script, but he still comes off too snarky to be the overconfident jet pilot he's supposed to be. It's not all his fault, as the script is much more content to tell us what the cast is feeling or thinking instead of letting the actors convey it through their actions, inflections or looks. It is as if the writers had no faith in their cast or direction, let alone their audience, and dumbed the entire affair down below even the cartoon portrayals of the character.
The visuals are nice, but never have weight, leading to the effect that Ryan Reynolds head if occasionally floating through a video game. It's sad to think it's been six years since Gollum, and this is the best Warner Brothers can offer us in a tent pole film. It's also a shame to think this is the best they could do with only 37 million dollars less than Avatar. Again, it just shows that the production staff was lazy, never pushing it to look better, and instead setting for the "they'll think it looks cool" effect.
We should demand better from comic book films. After having Dark Knight and Iron Man in a single year, we should not be subjected to subpar outings like this. Fun is one thing, mind numbingly dumb and lazy is another.
Skip this in the theater. Wait for it to come to NetFlix and then forget to put it in your cue. You'll thank me.
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