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Directed by | |||
| Niels Arden Oplev | |||
Writing credits(in alphabetical order) | ||
| Nikolaj Arcel | screenplay | |
| Rasmus Heisterberg | screenplay | |
| Stieg Larsson | novel | |
Produced by | |||
| Susann Billberg-Rydholm | .... | line producer | |
| Anni Faurbye Fernandez | .... | executive producer | |
| Jenny Gilbertsson | .... | associate producer | |
| Lone Korslund | .... | executive producer | |
| Jon Mankell | .... | coordinating producer | |
| Peter Nadermann | .... | executive producer | |
| Søren Stærmose | .... | producer | |
| Ole Søndberg | .... | executive producer | |
| Mikael Wallen | .... | executive producer | |
Original Music by | |||
| Jacob Groth | |||
Cinematography by | |||
| Eric Kress | (photographer) | ||
Film Editing by | |||
| Anne Østerud | |||
Casting by | |||
| Tusse Lande | |||
Production Design by | |||
| Niels Sejer | |||
Costume Design by | |||
| Cilla Rörby | |||
Makeup Department | |||
| Jenny Fred | .... | key makeup artist | |
| Love Larson | .... | special makeup effects artist | |
| AnnaCarin Lock | .... | assistant makeup artist (as Anna-Carin Lock) | |
Production Management | |||
| Tobias Åström | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Alfredsson | .... | second unit director | |
| Maria Billberg | .... | second assistant director | |
| Daniel Chilla | .... | first assistant director | |
Art Department | |||
| Gilles Balabaud | .... | stand-by props | |
| Simon Bang | .... | storyboard artist | |
| Kennet From | .... | property master | |
| Paul Gustavsson | .... | property master | |
| Fredrik Heinze | .... | props | |
| Janne Hverven | .... | carpenter | |
| Maria Håård | .... | assistant art director | |
| Håkan Sanchis | .... | carpenter | |
| Johan Sjölin | .... | construction coordinator | |
| Peder Svensk | .... | stand-by props | |
| Frida Welander | .... | props | |
Sound Department | |||
| Peter Albrechtsen | .... | sound effects editor | |
| Niels Arild | .... | foley recording mixer | |
| Niels Arild | .... | sound re-recording mixer | |
| Günther Friedhoff | .... | dialogue recordist | |
| Morten Holm | .... | supervising dialogue editor | |
| Anders Hörling | .... | sound recordist | |
| Stefan Ljungberg | .... | boom operator | |
| Peter Schultz | .... | re-recording mixer | |
| Peter Schultz | .... | sound designer | |
| Dan Widegren | .... | boom operator | |
| Andrea King | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Tobias Bach Hansen | .... | visual effects | |
| Håkan Blomdahl | .... | visual effects: Filmgate | |
| Sarah K. Hellström | .... | visual effects coordinator | |
| Michael Holm | .... | visual effects | |
| Andreas Hylander | .... | visual effects artist | |
| Mathias Larserud | .... | visual effects | |
| Linus Lindbalk | .... | visual effects | |
| Martin Madsen | .... | digital compositor | |
| Alexander Marthin | .... | visual effects | |
| Joseph McLamb | .... | matte painter | |
| Norman Nisbet | .... | digital colourist | |
| Tor-Bjorn Olsson | .... | visual effects supervisor | |
| Christian Schwanenflügel | .... | visual effects | |
| Sean Wheelan | .... | visual effects producer: Filmgate | |
Stunts | |||
| Lars Hjelm | .... | stunts | |
| Lars Höglund | .... | stunt rigger | |
| Dick Larsson | .... | stunt rigger | |
| Cecilia Lidén | .... | stunt double: Noomi Rapace | |
| Björn Persson | .... | stunts | |
| Kimmo Rajala | .... | stunt coordinator | |
| Lars Hjelm | .... | stunt double: Peter Haber (uncredited) | |
Camera and Electrical Department | |||
| Jonas Björne | .... | second assistant camera | |
| Victor Davidson | .... | camera operator | |
| Jens Fischer | .... | additional photographer | |
| Emil Hall | .... | key grip | |
| Oscar Hansson | .... | grip | |
| Olof Johnson | .... | camera operator: second unit | |
| Stefan Jonsson | .... | electrician | |
| Magnus Karlsson | .... | electrician | |
| Knut Koivisto | .... | still photographer | |
| Adrian Levander | .... | electrician | |
| Niklas Nyberg | .... | aerial rigger | |
| Knut K. Pedersen | .... | Steadicam operator | |
| Ville Penttilä | .... | gaffer | |
| Johan Phillips | .... | Steadicam operator | |
| John Sturt | .... | electrician | |
| Daniel Wannberg | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Anna-Maria Åkerlund | .... | assistant costume designer | |
Editorial Department | |||
| Signe Baasch | .... | post-production coordinator | |
| Travis Dutch | .... | tape-to-film transfer | |
| Tanya Fallenius | .... | segment editor | |
| Michael Jørgensen | .... | technical supervisor | |
| Leif Axel Kjeldsen | .... | additional film editor | |
| Niels Ladefoged | .... | assistant editor | |
| Liv Lynge | .... | supervising editor | |
| Michael Frank Nielsen | .... | film color timer | |
| Rikke Selin | .... | teaser editor | |
| Lone Goldie Møller | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Peter Fuchs | .... | scoring mixer | |
| Rasmus Hansen | .... | orchestrator | |
| Martin Roller | .... | assistant scoring mixer | |
| Paul Talkington | .... | music coordinator | |
| Marian Turner | .... | orchestra manager | |
| Allan Wilson | .... | conductor | |
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| So Sweet, So Dead | Munich | Changeling | Blood Diamond | All Good Things |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Sweden section |
Awesome Swedish film with a intelligent story. a journalist and a troubled young female hacker works together on resolving a 40 year old mystery involving a disappearance, murders, Nazis and one hell of a dysfunctional family. the storytelling by the director was great and captured my attention for almost 2,5 hours. the character buildup is thorough and makes a solid foundation for the rest of the film. in addition the characters are straightened by a superb cast played by Michael Nyqvist and especially Noomi Rapace. Camera work and the overall look of the film is astounding, especially on bluray. the movie takes you to it's locations and doesn't let go until the story is complete. a must see for those who likes an intriguing edge of your seat thriller.