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Directed by | |||
| Niels Arden Oplev | |||
Writing credits(in alphabetical order) | ||
| Nikolaj Arcel | screenplay | |
| Rasmus Heisterberg | screenplay | |
| Stieg Larsson | novel | |
Produced by | |||
| Susann Billberg-Rydholm | .... | line producer | |
| Anni Faurbye Fernandez | .... | executive producer | |
| Jenny Gilbertsson | .... | associate producer | |
| Lone Korslund | .... | executive producer | |
| Jon Mankell | .... | coordinating producer | |
| Peter Nadermann | .... | executive producer | |
| Søren Stærmose | .... | producer | |
| Ole Søndberg | .... | executive producer | |
| Mikael Wallen | .... | executive producer | |
Original Music by | |||
| Jacob Groth | |||
Cinematography by | |||
| Eric Kress | (photographer) | ||
Film Editing by | |||
| Anne Østerud | |||
Casting by | |||
| Tusse Lande | |||
Production Design by | |||
| Niels Sejer | |||
Costume Design by | |||
| Cilla Rörby | |||
Makeup Department | |||
| Jenny Fred | .... | key makeup artist | |
| Love Larson | .... | special makeup effects artist | |
| AnnaCarin Lock | .... | assistant makeup artist (as Anna-Carin Lock) | |
Production Management | |||
| Tobias Åström | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Alfredsson | .... | second unit director | |
| Maria Billberg | .... | second assistant director | |
| Daniel Chilla | .... | first assistant director | |
Art Department | |||
| Gilles Balabaud | .... | stand-by props | |
| Simon Bang | .... | storyboard artist | |
| Kennet From | .... | property master | |
| Paul Gustavsson | .... | property master | |
| Fredrik Heinze | .... | props | |
| Janne Hverven | .... | carpenter | |
| Maria Håård | .... | assistant art director | |
| Håkan Sanchis | .... | carpenter | |
| Johan Sjölin | .... | construction coordinator | |
| Peder Svensk | .... | stand-by props | |
| Frida Welander | .... | props | |
Sound Department | |||
| Peter Albrechtsen | .... | sound effects editor | |
| Niels Arild | .... | foley recording mixer | |
| Niels Arild | .... | sound re-recording mixer | |
| Federico Costantini | .... | dubbing mixer: italian version | |
| Günther Friedhoff | .... | dialogue recordist | |
| Morten Holm | .... | supervising dialogue editor | |
| Anders Hörling | .... | sound recordist | |
| Stefan Ljungberg | .... | boom operator | |
| Peter Schultz | .... | re-recording mixer | |
| Peter Schultz | .... | sound designer | |
| Dan Widegren | .... | boom operator | |
| Andrea King | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Tobias Bach Hansen | .... | visual effects | |
| Håkan Blomdahl | .... | visual effects: Filmgate | |
| Sarah K. Hellström | .... | visual effects coordinator | |
| Michael Holm | .... | visual effects | |
| Andreas Hylander | .... | visual effects artist | |
| Mathias Larserud | .... | visual effects | |
| Linus Lindbalk | .... | visual effects | |
| Martin Madsen | .... | digital compositor | |
| Alexander Marthin | .... | visual effects | |
| Joseph McLamb | .... | matte painter | |
| Norman Nisbet | .... | digital colourist | |
| Tor-Bjorn Olsson | .... | visual effects supervisor | |
| Christian Schwanenflügel | .... | visual effects | |
| Sean Wheelan | .... | visual effects producer: Filmgate | |
Stunts | |||
| Lars Hjelm | .... | stunts | |
| Lars Höglund | .... | stunt rigger | |
| Dick Larsson | .... | stunt rigger | |
| Cecilia Lidén | .... | stunt double: Noomi Rapace | |
| Björn Persson | .... | stunts | |
| Kimmo Rajala | .... | stunt coordinator | |
| Lars Hjelm | .... | stunt double: Peter Haber (uncredited) | |
Camera and Electrical Department | |||
| Jonas Björne | .... | second assistant camera | |
| Victor Davidson | .... | camera operator | |
| Jens Fischer | .... | additional photographer | |
| Emil Hall | .... | key grip | |
| Oscar Hansson | .... | grip | |
| Olof Johnson | .... | camera operator: second unit | |
| Stefan Jonsson | .... | electrician | |
| Magnus Karlsson | .... | electrician | |
| Knut Koivisto | .... | still photographer | |
| Adrian Levander | .... | electrician | |
| Niklas Nyberg | .... | aerial rigger | |
| Knut K. Pedersen | .... | Steadicam operator | |
| Ville Penttilä | .... | gaffer | |
| Johan Phillips | .... | Steadicam operator | |
| John Sturt | .... | electrician | |
| Daniel Wannberg | .... | assistant camera | |
Casting Department | |||
| Rafael Guadamuro | .... | extras casting | |
Costume and Wardrobe Department | |||
| Anna-Maria Åkerlund | .... | assistant costume designer | |
Editorial Department | |||
| Signe Baasch | .... | post-production coordinator | |
| Gregers Dohn | .... | trailer editor | |
| Travis Dutch | .... | tape-to-film transfer | |
| Tanya Fallenius | .... | segment editor | |
| Michael Jørgensen | .... | technical supervisor | |
| Leif Axel Kjeldsen | .... | additional film editor | |
| Niels Ladefoged | .... | assistant editor | |
| Liv Lynge | .... | supervising editor | |
| Michael Frank Nielsen | .... | film color timer | |
| Rikke Selin | .... | teaser editor | |
| Lone Goldie Møller | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Rasmus Bosse | .... | orchestrator (as Rasmus Hansen) | |
| Peter Fuchs | .... | scoring mixer | |
| Martin Roller | .... | assistant scoring mixer | |
| Paul Talkington | .... | music coordinator | |
| Marian Turner | .... | orchestra manager | |
| Allan Wilson | .... | conductor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Sweden section |
I am among, I guess, those very few people in Europe who have not read the best-selling novel by Stieg Larsson, but, not feeling in the mood to see another too emotionally engaging romance or drama, although its being my favourite genre, I went to see what is depicted by Larsson's fans as a captivating and gripping thriller.
Indeed, I can't say whether the movie proves adherence to the novel, which is something by the way difficult, considering the length of the book, however, I can say that the product is a well-crafted piece of cinema, which leaves also interesting food for thought. Used as we are, as southern Europeans, to see at Northern, and mainly Scandinavian countries, as models of democracy, economic progress and social welfare, it's quite surprising to see a modern Sweden stained by corruption and unscrupulous tycoons. Moreover, it is quite upsetting to get to know how Nazi extremist and insane ideas were rooted not so much in the history of the country, but in the conscience of people, in this case of a powerful and wealthy family, where the hatred towards the Jews has mixed with the hatred towards women, turning the lives of whole generations into a hell of ferocious violence and horror.
As far as the thriller story, it's engaging, but carried on very carefully, every aspect being under control, with flashbacks constantly reassuring us about aspects we have already perceived, without moving a little apart from a well consolidated stylistic model of this kind of movie genre. Sometimes a little slow, sometimes too indulging in violent scenes, but with a strong directing consciousness supporting it. Convincing and really good the performances offered by the whole cast, unknown to the great public, but I would underline the actress playing Lisbeth as really outstanding and upsetting in her mental and emotional distress. On the whole, it's not a masterpiece, but a good and well made movie.