Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle suspects murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history; but, the Vangers are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves. Written by
Music Box Films
When driving over the "Höga kusten"-bridge, they are driving the wrong way. See more »
[about Martin Vanger]
For fuck's sake, Lisbeth. His father trained him to murder at age sixteen. Anyone would be sick in the head with that kind of upbringing.
Shut up about the victimizisation! He almost killed you. He raped and murdered and he enjoyed it. He had the same chances as us to chose what he wanted to be. He was no victim. He was a sadistic motherfucker who hated women.
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My low regards for Swedish film industry aside, this is a really well crafted movie. Director Oplev apparently knows the ropes enough to make the Swedish crew seem plausible. The old school with SB Taube and Hirdwall usually deliver good characters, and Nyqvist as well. The younger talent strikes me as a bit more stiff usually and deliver dialogs as they read directly from the script. Not here. The only one that I find off, is actually Lena Endre. Not that she is bad, but she is just as we always see her. Music-wise, a big step in the right direction. I think of Howard Shore scores from Seven and Silence of the lambs. Too bad that the movie sound, the dialog in particular, doesn't hold the same standard. Also, not to give anything away, in the final scenes- bear in mind Bourne Ultimatum last scenes, and Silence of the lambs final. In short, hats of to this magnificent film. This is the proof that you don't necessarily make a good flick just on million dollar budgets as in Arn(lame), but with the right talent. In this case I salute director Oplev.
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