| Yolande Moreau | ... | Louise Ferrand | |
| Bouli Lanners | ... | Michel Pinchon | |
| Benoît Poelvoorde | ... | Guy l'ingénieur | |
| Albert Dupontel | ... | Miro | |
| Joseph Dahan | ... | L'employé des pompes funèbres | |
| Mathieu Kassovitz | ... | Le propriétaire de la ferme | |
| Agnès Aubé | ... | La veuve | |
| Kafka | ... | Flambart, le sous-directeur (as Francis Kuntz) | |
| Hervé Desinge | ... | Le directeur de l'usine en Picardie | |
| Fabienne Berne | ... | La secrétaire | |
| Terence Debarle | ... | Terence | |
| Yannick Jaulin | ... | L'employé de banque | |
| Jacqueline Knuysen | ... | Jackie | |
| Sylvie Van Hiel | ... | Sylvie, la déléguée syndicale | |
| Pierrette Broodthaers | ... | Pierrette | |
| Christine Ancelin | ... | Christine | |
| Patricia Sageot | ... | Patricia | |
| Sylvie Sageot | ... | Sylvie | |
| Béatrice Croisille | ... | Béatrice | |
| Stéphanie Davergne | ... | Stéphanie | |
| Marguerite Ducroquet | ... | Marguerite | |
| Jackye De Nayer | ... | La patronne du bar à hôtesses | |
| Garance Fiévet | ... | Garance | |
| Lumir Richet | ... | Lumir | |
| Jean-Michel Carlier | ... | 1er client | |
| Philippe Arezki | ... | 2e client | |
| Benoît Delépine | ... | 3e client | |
| Jawad Enejjaz | ... | Le serveur du bar louche | |
| Lémi Cétol | ... | L'homme à la collerette | |
| Eric Martin | ... | L'homme qui rit | |
| Catherine Hosmalin | ... | Madame Pinchon - la mère de Michel | |
| Siné | ... | M. Pinchon - le père de Michel | |
| Alanis Freitag | ... | Michel Pinchon enfant | |
| Pierre Renverseau | ... | Le prof de gym | |
| Miss Ming | ... | La cousine Jennifer | |
| Jean-Louis Barcelona | ... | Le serveur de fromages | |
| Aurore Lagache | ... | La femme du propriétaire de la ferme bio | |
| Jacky Lambert | ... | Le réceptionniste | |
| Philippe Katerine | ... | Le chanteur de cabaret | |
| Dominique Delhotte | ... | Le barman du cabaret | |
| Christophe Salengro | ... | Le gogo-dancer | |
| Olivier Simola | ... | Un client du cabaret | |
| Pascal Rabaté | ... | Le père de famille au petit-déjeuner | |
| Clotilde Delcommune | ... | L'hôtesse d'accueil du siège Nin-Nin | |
| Aurélia Petit | ... | L'hôtesse en Segway | |
| Nicolas Crousse | ... | Le cadre miraculé | |
| Gustave de Kervern | ... | Le capitaine du bateau (as Gustave Kervern) | |
| Frédéric Pierre | ... | Le second du bateau | |
| Stephane Canda | ... | Le cadre pressé | |
| Guillaume Le Bras | ... | L'avocat (as Guillaume Le Braz) | |
| Denis Robert | ... | Le vigile | |
| Jean-Luc Ormières | ... | Le businessman | |
| Charles Steve Davey | ... | Le vieux rocker | |
| Aliette Langolff-Colas | ... | La femme du businessman (as Aliette Langolff) | |
| Anaïs Samoko | ... | Le bébé adopté | |
| Duarte Prioste | ... | Le vigile 'nain de jardin' | |
| Robert Dehoux | ... | L'aumônier prison | |
| Isabelle Delépine | ... | La sage-femme | |
| Manaël Simola-Bourgaux | ... | Le bébé | |
| Frank Benoist | ... | Le policier (as Franck Benoist) | |
| rest of cast listed alphabetically: | |||
| Dodo Avrel | ... | Bar tender | |
Directed by | |||
| Gustave de Kervern | |||
| Benoît Delépine | |||
Writing credits(in alphabetical order) | ||
| Gustave de Kervern | screenplay (as Gustave Kervern) | |
| Benoît Delépine | screenplay | |
Produced by | |||
| Rémi Burah | .... | co-producer | |
| Benoît Jaubert | .... | producer | |
| Mathieu Kassovitz | .... | producer | |
| Elisa Larrière | .... | executive producer | |
Original Music by | |||
| Gaëtan Roussel | |||
Cinematography by | |||
| Hugues Poulain | |||
Film Editing by | |||
| Stéphane Elmadjian | |||
Production Design by | |||
| Paul Chapelle | |||
Set Decoration by | |||
| Laurent Weber | |||
Costume Design by | |||
| Cécile Roullier | |||
Makeup Department | |||
| Frédéric Balmer | .... | special makeup effects artist | |
| Geraldine Garetier | .... | key makeup artist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
Production Management | |||
| Anne Bennet | .... | production manager | |
| Loïc Jouanjan | .... | unit production manager | |
| Elisa Larrière | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Gérard Bonnet | .... | first assistant director | |
| Cécile Roullier | .... | second assistant director | |
Art Department | |||
| Galina Bouquet | .... | assistant property master | |
| Sylvie Cousin | .... | painter | |
| Alexis Kinebanyan | .... | assistant property master | |
| Fabrice L'Hereec | .... | carpenter | |
| Nicolas Lefèbvre | .... | second assistant production designer | |
| Franz Merckling | .... | carpenter | |
| Julien Poitou-Weber | .... | property master | |
| Fabien Tuizat | .... | assistant property master | |
Sound Department | |||
| Laurent Cercleux | .... | boom operator | |
| Gregoire Couzinier | .... | sound re-recording mixer | |
| Thomas Couzinier | .... | supervising sound editor | |
| François Devin | .... | boom operator | |
| Florent Lavallée | .... | foley recordist | |
| Guillaume Le Bras | .... | sound | |
| Alexis Place | .... | sound editor | |
| Matthieu Roche | .... | assistant sound | |
Visual Effects by | |||
| Chadi Abo | .... | visual effects supervisor | |
| François-Xavier Aubague | .... | visual effects producer | |
| Xavier Perol | .... | visual effects supervisor | |
Costume and Wardrobe Department | |||
| Géraldine Bastien | .... | costumer | |
| Natacha Diehl | .... | seamstress | |
| Catherine Duros | .... | seamstress | |
Editorial Department | |||
| Mélanie Bénard | .... | assistant editor | |
| Jonathan Lepage | .... | post-production assistant | |
| Nadine Makris | .... | assistant editor | |
Music Department | |||
| Thomas Couzinier | .... | music editor | |
Other crew | |||
| Jean-Yves Achard | .... | weapons designer | |
| Hélène Grand | .... | script supervisor | |
| François Guerrar | .... | press attache (as François Hassan Guerrar) | |
| Laurent Hanon | .... | location manager: Brussels | |
| Jean-François Landon | .... | caterer | |
| Yann Landon | .... | caterer | |
| Stephane Lieser | .... | lawyer | |
| Christophe Mahé | .... | production administrator | |
| Marine Meillan | .... | assistant: Mathieu Kassovitz | |
| Marine Meillan | .... | production assistant | |
| Julie Sadeg | .... | production secretary | |
| Charlotte Tourret | .... | press attache | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
"Louise-Michel" is an independent French black comedy, where being "alternative" becomes something for its own sake, and at the end we can't make out where the point is. The first part shows a sarcastic, sometimes alienating, mix of contrasting situations and moods, arousing contrasting feelings, from fun to sadness: if we think of the contrast between the dying cousin and really funny scene with the dog, we fell disoriented. The overall tone may appear too sardonic, lacking sensitivity, but I thought it was something searched for in order to avoid too melodramatic and attitude, when portraying the mutability of human life, with its sudden turns from joy to sadness. But as the story progresses, the movie goes deeper and deeper into the purest nonsense and it is almost impossible to find a meaning, except the total absence of meaning in human life. The scene where Louise and Michel dance drunk after having killed some people reminded me of the two protagonists of "Waiting for Godot", the most representative piece of drama of the theatre of the absurd by T. Beckett, where two tramps treat themselves violently and dance in a complete world of pure nonsense, where absurdity prevails. Used as I am to make out some sense in everything I experience and also in every movie I see, I think this movie prevents me from doing this, being the denial of any sense at the core of its intention. I don't know if the final scene may have been devised as a kind of redemption from all the evil we have seen, but I did not perceive it as such, being moreover mixed up with some pointless gender confusion. Rather ridiculous.