| Videos (see all 2) |
| Miriam McDonald | ... | Daisy (as Miriam Mcdonald) | |
| Shawna Waldron | ... | Azalea | |
| Ryan Kennedy | ... | Blake | |
| Crystal Lowe | ... | Isabel | |
| Andrea Whitburn | ... | Magenta | |
| Greg Evigan | ... | Andrew | |
| Catherine Hicks | ... | Elisabeth | |
| Brendan Penny | ... | Will | |
| Agam Darshi | ... | Nadia | |
| Shaina Tianne Unger | ... | Tandra | |
| Bridie Lunde | ... | Christa | |
| Michaela Mann | ... | Monique | |
| Blake Mawson | ... | Male Student | |
| Dawn Chubai | ... | Reporter | |
| Janet Bailey | ... | Hadrian | |
| Lindsay Maxwell | ... | Alexis Baldwin |
Directed by | |||
| Jason Hreno | |||
Writing credits | ||
| Liz Maverick | (written by) and | |
| Peter Sullivan | (written by) and | |
| Michael Worth | (written by) | |
Produced by | |||
| Kim Arnott | .... | co-producer | |
| Oliver De Caigny | .... | associate producer | |
| Lisa M. Hansen | .... | executive producer | |
| Kevin Kasha | .... | executive producer | |
| Lindsay MacAdam | .... | producer (as Lindsay Macadam) | |
| Kirk Shaw | .... | executive producer | |
| Stacey Shaw | .... | associate producer | |
Original Music by | |||
| Kyle Kenneth Batter | |||
| Gregory Tripi | |||
Cinematography by | |||
| Kamal Derkaoui | (director of photography) | ||
Film Editing by | |||
| Asim Nuraney | |||
Casting by | |||
| Candice Elzinga | |||
Production Design by | |||
| Renee Read | |||
Set Decoration by | |||
| Josh Plaw | |||
Costume Design by | |||
| Farnaz Khaki-Sadigh | |||
Makeup Department | |||
| Sarah Bergeest | .... | first assistant swing | |
| Tara Colledge | .... | key hair stylist (as Tara College) | |
| Colleen Conroy | .... | first assistant swing | |
| Calla Syna Dreyer | .... | key makeup artist | |
Production Management | |||
| Charlotte Clark-Gamache | .... | post-production supervisor | |
| John Prince | .... | production manager | |
| Sarah Rogers | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michael Collins | .... | third assistant director | |
| Jennifer Kidd | .... | second assistant director | |
| Robert Randall | .... | first assistant director | |
Art Department | |||
| Patrick Beattie | .... | on-set dresser | |
| Scott Elwood | .... | dresser | |
| Linda Ganderton | .... | on-set dresser | |
| Krista Lomax | .... | graphic designer | |
| Chris Nohel | .... | assistant set decorator | |
| Tyler Page | .... | property master | |
| Daniel Rheault | .... | on-set dresser (as Dan Rheault) | |
| Tullis Rose | .... | assistant property master | |
| John Tiffen | .... | lead dresser (as Jon Toffin) | |
Sound Department | |||
| Tim Archer | .... | sound re-recording mixer | |
| Jason Cole | .... | foley artist | |
| Randy Kiss | .... | sound re-recording mixer | |
| Randy Kiss | .... | sound supervisor | |
| Scott C. Kolden | .... | sound effects editor (as Scott Kolden) | |
| Tad Nazar | .... | sound mixer | |
| Paul Novokshonoff | .... | boom operator | |
| Alan Perkins | .... | dialogue editor | |
| Scott Schmidt | .... | foley recordist | |
| Scott Schmidt | .... | sound re-recording mixer | |
| Colin Rogers | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Brant McIlroy | .... | special effects coordinator | |
| Martin Testa | .... | special effects assistant (as Martin Tista) | |
Visual Effects by | |||
| Douglas Kerr | .... | senior visual effects artist: Insight VFX | |
| James McLeod | .... | visual effects artist: Insight VFX | |
| Richard Mintak | .... | visual effects supervisor: Insight VFX | |
| Jon Shaw | .... | senior visual effects artist: Insight VFX | |
| George Tsirogiannis | .... | visual effects artist: Insight VFX | |
Stunts | |||
| Brett Armstrong | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Shannon Abbott | .... | second assistant camera: "a" camera | |
| Ken Bates | .... | generator operator | |
| Bill Corbett | .... | lead man | |
| Mark Evans | .... | first assistant camera: "a" camera | |
| Chris Hansen | .... | first assistant camera: "b" camera | |
| Pauline Heaton | .... | underwater camera | |
| Chris Johnson | .... | lamp operator (as Christopher Johnson) | |
| Vince Laxton | .... | gaffer | |
| James P. Lewis | .... | camera operator: "b" camera (as James Lewis) | |
| Dan Mannix | .... | Steadicam operator | |
| Michael Moreno | .... | lamp operator | |
| Adrian Netto | .... | best boy grip | |
| Marty Nicholas | .... | dolly grip | |
| Matthew Nordin | .... | lamp operator | |
| Dave Patterson | .... | camera trainee | |
| Jim Power | .... | grip (as Jimmy Power) | |
| Dan Pressler | .... | second assistant camera: "b" camera | |
| Armand Santos | .... | best boy electric | |
| Jeff Smith | .... | key grip | |
| Rene Smith | .... | camera operator: "a" camera | |
| James Sward | .... | lamp operator | |
| Todd Thibideau | .... | grip | |
| Katie Yu | .... | still photographer | |
Casting Department | |||
| Fern Champion | .... | casting: Los Angeles | |
| L.A. Hilts | .... | extras casting (as LA Hilts) | |
| Christina Kam | .... | extras casting assistant | |
| Paul Ruddy | .... | casting: Los Angeles | |
| Martina Smyth | .... | casting associate (as Martina Smith) | |
Costume and Wardrobe Department | |||
| Christina Barry | .... | on-set costume supervisor | |
| Jessika Chabot | .... | costumer: prep | |
| Jolyne Maier | .... | extras costumer | |
| Sara Rakhshandeh | .... | assistant costume designer | |
| Kai Siperko | .... | costume truck supervisor | |
Editorial Department | |||
| Todd Giroux | .... | technical supervisor | |
| Tony Kent | .... | additional editing | |
| Joel Madsen | .... | assistant editor | |
| Lorne Miess | .... | colorist | |
| Leah Myers | .... | post-production coordinator | |
| Ismael Ribeiro | .... | technical supervisor | |
| Alissa Roode | .... | on-line assistant | |
| Nancy Valle | .... | post-production executive: New Line | |
| Colin G. Cooper | .... | assistant editor (uncredited) | |
Music Department | |||
| Craig Ferguson | .... | musician: guitar player | |
| Jason Greenberg | .... | music provider | |
Transportation Department | |||
| Tony Boulter | .... | driver | |
| Benjamin Easterday | .... | driver: cast | |
| Cameron Foss | .... | transport captain | |
| Atilla Fulop | .... | driver: picture car (as Attila Fulop) | |
| Peter Holt | .... | driver | |
| Blair MacDonald | .... | driver: special equipment (as Blair McDonald) | |
| Karver Maxwell | .... | transport captain | |
| Brian Rind | .... | driver: cable truck (as Brian Rynd) | |
| Mark Schmitke | .... | driver: special equipment | |
| Charlie Schrodt | .... | driver | |
| Fred Sheremeta | .... | driver: special equipment | |
| Morris Tancredi | .... | driver | |
| Ray Waechter | .... | transport coordinator | |
| Bill Wallace | .... | driver: special equipment | |
| Sharon Whyte | .... | driver: cast | |
Other crew | |||
| Grant Astle | .... | craft service | |
| Grant Astle | .... | first aid | |
| Brianna Bagnall | .... | production assistant | |
| Patrick Canning | .... | assistant: Ms. Hansen | |
| Doran Chandler | .... | legal services: Roberts & Stahl | |
| Randy Clair | .... | security coordinator | |
| Meaghan Cochrane | .... | publicist | |
| Jennie Empey | .... | key production assistant | |
| Crystal Fuller | .... | production assistant | |
| Anya Gadison | .... | extras wrangler | |
| Mark Gamache | .... | location scout | |
| Melissa Goddard | .... | special consultant | |
| Breanne Hartley | .... | manager of business affairs | |
| Judith Hopkinson | .... | sous chef: Reel Appetites | |
| Lori Huck | .... | special consultant | |
| Ally Kimura | .... | second assistant coordinator | |
| Jon Kroll | .... | special consultant | |
| Ryan Mains | .... | trainee location manager | |
| James McBurney | .... | production assistant | |
| Kenneth Meisenbacher | .... | assistant location manager (as Ken Meisenbacher) | |
| Darin Mickelson | .... | key production assistant (as Darin Micelson) | |
| Peter Morgan | .... | special consultant | |
| Wendy Nahanee | .... | production coordinator | |
| Elva Parsons | .... | production accountant (as Elva Mathieu) | |
| Elva Parsons | .... | production accountant | |
| Elfie Pavlakovic | .... | extras wrangler (as Elfie Pavlovic) | |
| Angela Pegg | .... | production assistant | |
| Jamie Rauch | .... | production assistant | |
| Crystal Remmey | .... | production coordinator | |
| Gareth Ryan | .... | production assistant | |
| Mike Sandyke | .... | craft service assistant | |
| Mike Sandyke | .... | first aid assistant | |
| Grace Scott | .... | post-production accountant | |
| Curtis Raymond Shideler | .... | executive assistant to producer | |
| Linda Sims | .... | controller | |
| Devi Singh | .... | assistant: Mr. Shaw | |
| Jamie Skelton | .... | key production assistant | |
| Marie-Louise Stares | .... | office production assistant | |
| Anah Teele | .... | first assistant coordinator | |
| Lilian Umurungi | .... | business affairs | |
| Lilly Warkentin | .... | sous chef: Reel Appetites | |
| D. Aubrey White | .... | production assistant (as Daniel White) | |
| Susan Williams | .... | script supervisor | |
| Karen Zajac | .... | location manager | |
| Michael Zwart | .... | chef: Reel Appetites | |
Thanks | |||
| David W. Hamilton | .... | the producers would like to thank: Focus Entertainment Insurance Brokers Inc. | |
| Charlene Paling | .... | the producers would like to thank: National Bank of Canada | |
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| Poison Ivy | A Scream in the Streets | Eyes Wide Shut | Poison Ivy II | The Gift |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This movie had some potential in the script, and the actors had moments where they shined through, but for the most part this movie was a muddled mess.
The plot to this film seems like it was originally intended for teenage girls. If that had been the case, and the nudity and rather boring sex scenes had been excised I could understand a market for this type of film. Maybe if the plot had been sexed up a little, with more emphasis on the sexual politics and seduction I could understand it being a late night movie, but in the end the movie is a mess. It seems like soft core porn for middle school girls who enjoy staring at fake breasts.
The movie is rather dull, the story doesn't really kick in till the final five minutes, the direction is flat, and most of the actors seem like they are about to break out laughing during the scenes. The Poison Ivy series was never stellar film making, but at least the films knew their audience. This one is a confused, muddled mess that never decides if it wants to be a slightly dirty version of Mean Girls or a late night cable flick.
Skip it.