| Photos (See all 38 | slideshow) | Videos (see all 18) |
Directed by | |||
| Richard Curtis | |||
Writing credits | ||
| Richard Curtis | (written by) | |
Original Music by | |||
| Hans Zimmer | (uncredited) | ||
Cinematography by | |||
| Danny Cohen | (director of photography) | ||
Film Editing by | |||
| Emma E. Hickox | (film editor) | ||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Thomas Brown | |||
| Rod McLean | (supervising art director) | ||
Set Decoration by | |||
| Dominic Capon | |||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Christine Blundell | .... | chief hair designer | |
| Christine Blundell | .... | chief makeup designer | |
| Charmaine Fuller | .... | hair crowd supervisor | |
| Charmaine Fuller | .... | makeup supervisor: crowd | |
| Agnes Legere | .... | hair trainee | |
| Agnes Legere | .... | makeup trainee | |
| Rosie Leland | .... | hair trainee | |
| Rosie Leland | .... | makeup trainee | |
| Chloe Meddings | .... | hair stylist | |
| Chloe Meddings | .... | makeup artist | |
| Lesa Warrener | .... | senior hair stylist | |
| Lesa Warrener | .... | senior makeup artist | |
| Chloe Fletcher | .... | makeup trainee (uncredited) | |
| Teri Galati | .... | crowd makeup trainee (uncredited) | |
| Mandy Gold | .... | crowd makeup artist (uncredited) | |
| Monica MacDonald | .... | crowd makeup trainee (uncredited) | |
| Charlotte Rogers | .... | crowd hair/makeup artist: daily (uncredited) | |
Second Unit Director or Assistant Director | |||
| Oscar Beuselinck | .... | second assistant director: second unit, Squerryes Court | |
| Hilary Bevan Jones | .... | third unit director: second unit | |
| Tamana Bleasdale | .... | second assistant director | |
| Dan Channing-Williams | .... | first assistant director: aerial unit (as Dan Channing Williams) | |
| Dan Channing-Williams | .... | third assistant director (as Dan Channing Williams) | |
| Emma Freud | .... | unit director: second unit, DJ & fan | |
| Samson Haveland | .... | third assistant director: second unit (as Sam Haveland) | |
| Guy Heeley | .... | first assistant director: second unit | |
| Ben Howarth | .... | first assistant director | |
| Martin Kenzie | .... | second unit director | |
| Bryn Lawrence | .... | crowd second assistant director | |
| Kieron Phipps | .... | first assistant director: second unit, Squerryes Court | |
| Charlie Reed | .... | second assistant director: second unit | |
| Henry Forsyth | .... | third assistant director: crowd (uncredited) | |
Art Department | |||
| David Abbott | .... | supervising carpenter (as Dave Abbott) | |
| Martin Asbury | .... | storyboard artist | |
| Michael Bailey | .... | stagehand | |
| Toby Barton | .... | apprentice | |
| Jon Bates | .... | standby props | |
| Keith Batterbee | .... | rigger | |
| Mat Bergel | .... | dressing props | |
| James Brooker | .... | dressing props | |
| Dean Budd | .... | labourer | |
| Bob Cann | .... | carpenter (as Robert Cann) | |
| Keith Carey | .... | supervising rigger | |
| Christopher Chandler | .... | standby propman: second unit (as Chris Chandler) | |
| Ben Collins | .... | assistant art director | |
| James Collins | .... | assistant art director | |
| Stephen Conway | .... | dressing props | |
| Guy Cope | .... | standby rigger | |
| Quentin Davies | .... | storeman | |
| Cavin Dempsey | .... | carpenter (as Cavan Dempsey) | |
| Peter Duffy | .... | supervising carpenter (as Peter Duffey) | |
| Katrina Dunn | .... | art department assistant | |
| Arwel Evans | .... | standby art director | |
| Glyn Evans | .... | painter (as Glynn Evans) | |
| Alice Felton | .... | assistant set decorator | |
| Kevin Fowler | .... | stagehand | |
| Andy Frewin | .... | carpenter | |
| Alan Gooch | .... | supervising painter | |
| Mark Goodman | .... | stagehand | |
| Peter Grove | .... | supervising carpenter (as Peter Groves) | |
| David Haberfield | .... | hod painter (as Dave Haberfield) | |
| Catherine Haugh | .... | construction co-coordinator | |
| Kathy Heaser | .... | graphics | |
| John Heath | .... | naval architect | |
| John Heayn | .... | supervising carpenter | |
| Scott Hiller | .... | rigger (as Scott Hillier) | |
| Barnaby Inman | .... | carpenter (as Barney Inman) | |
| Ben Johnson | .... | standby props | |
| Richard Jones | .... | carpenter | |
| James Kerr | .... | carpenter | |
| Laurie Kerr | .... | carpenter | |
| Daryl King | .... | apprentice | |
| Kevin Lloyd | .... | stagehand | |
| Melissa Magna | .... | assistant set decorator | |
| Thomas Martin | .... | construction manager (as Tom Martin) | |
| Kevin McCarthy | .... | painter | |
| John McGee | .... | standby carpenter | |
| Peter Mounsey | .... | painter | |
| Will Newton | .... | art department runner | |
| Barry O'Brien | .... | carpenter | |
| Roy O'Brien | .... | carpenter | |
| Gerald O'Connor | .... | stagehand | |
| Danny O'Regan Jr. | .... | hod carpenter (as Danny O'Regan) | |
| Daniel O'Regan | .... | carpenter (as Danny O'Regan Snr.) | |
| John O'Regan | .... | carpenter | |
| Sophie Phillips | .... | assistant set decorator | |
| Adrian Platt | .... | props chargehand | |
| Kathryn Pyle | .... | production buyer | |
| Adam Rashbrook | .... | stagehand | |
| George Roberts | .... | painter | |
| Trevor Shave | .... | stagehand | |
| Jamie Shelley | .... | painter | |
| Steve Sibley | .... | painter | |
| Colin Smith | .... | rigger | |
| Daniel Smith | .... | stagehand | |
| Dave Smith | .... | supervising stagehand | |
| Nick Smith | .... | apprentice | |
| Royston Snith | .... | stagehand | |
| David Stapleton | .... | painter (as Dave Stapleton) | |
| Nick Thomas | .... | props master | |
| Rebecca Thomas | .... | art department assistant (as Becky Thomas) | |
| Libby Uppington | .... | dressing props | |
| Mike Webb | .... | stagehand | |
| James Welsh | .... | construction rigger | |
| Stephen Weston | .... | wood machinist (as Steve Weston Snr.) | |
| Paul Wiltshire | .... | supervising painter | |
| Eddie Wolstencroft | .... | standby painter | |
| David Conway | .... | props (uncredited) | |
| Andrew Guyett | .... | painter (uncredited) | |
| Justin Hayzelden | .... | props daily (uncredited) | |
| Gavin Jones | .... | prop shop modelmaker (uncredited) | |
| Dougie Lankston | .... | dressing props (uncredited) | |
| Chris Lunney | .... | assistant graphic artist (uncredited) | |
| Adam McCreight | .... | dressing props (uncredited) | |
| Ian Whiteford | .... | greensman (uncredited) | |
Special Effects by | |||
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | senior special effects technician | |
| Peter Haran | .... | senior special effects technician | |
| Curtis Iggolden | .... | special effects technician (as Curtis Iggulden) | |
| Mark McKendry | .... | special effects technician | |
| Graham Povey | .... | special effects technician | |
| Mark White | .... | senior special effects technician | |
| Nigel Wilkinson | .... | special effects technician | |
| Dean Ford | .... | special effects technician (uncredited) | |
| Ben James | .... | special effects trainee (uncredited) | |
Visual Effects by | |||
| Kevin Adams | .... | matchmover: Double Negative | |
| Dalia Al-Husseini | .... | texture artist: rockboat, Double Negative (as Dalia Alhusseini) | |
| Oliver Atherton | .... | compositor: Double Negative | |
| Ben Baker | .... | head of digital lab: Framestore | |
| Adam Barnett | .... | technical support | |
| Judy Barr | .... | compositor: Double Negative | |
| Robin Beard | .... | compositor: Double Negative | |
| Susanne Becker | .... | compositor: Double Negative | |
| James Benson | .... | lead technical director: Double Negative | |
| Paul Brannan | .... | lighting technical director: Double Negative | |
| Jamie Briens | .... | lighting technical director: Double Negative | |
| Richard Briscoe | .... | visual effects supervisor | |
| Nicola Brodie | .... | pre visualization: Double Negative | |
| Andy Burrow | .... | scanning & recording manager: Framestore | |
| Paul Burton | .... | lighting technical director: Double Negative | |
| Thomas J. Burton | .... | matchmover: Double Negative (as Tom Burton) | |
| Jon Capleton | .... | modelling: Double Negative | |
| Peter Chiang | .... | visual effects consultant: Double Negative | |
| Richard Clarke | .... | cg supervisor: Double Negative | |
| Richard Clarke | .... | lighting technical director: Double Negative | |
| Debra Coleman | .... | compositor: Double Negative (as Debbi Coleman) | |
| Will Correia | .... | pre visualization: Double Negative | |
| Alastair Crawford | .... | compositor: Double Negative | |
| Alistair Darby | .... | matchmover: Double Negative | |
| Max Decroix | .... | lighting technical director: Double Negative | |
| Paul Ducker | .... | pre visualization: Double Negative | |
| Huw J. Evans | .... | lighting technical director: Double Negative (as Huw Evans) | |
| Andrew Feery | .... | effects technical director: water, Double Negative | |
| Jonathan Gallagher | .... | roto artist: Double Negative | |
| Richard Gomes | .... | effects technical director: water, Double Negative | |
| Joel Green | .... | lead technical director: Double Negative | |
| Andy Hague | .... | visual effects editor | |
| Gareth Harbuz | .... | matchmover: Double Negative | |
| Chris Hart | .... | matchmover: Double Negative | |
| Robert Hemmings | .... | pre visualization: Double Negative (as Rob Hemmings) | |
| Tom Hocking | .... | compositor: Double Negative | |
| Henry Jefferson | .... | compositor: Double Negative | |
| Pete Jopling | .... | compositor: Double Negative (as Peter Jopling) | |
| Rafal Kaniewski | .... | compositor: Double Negative | |
| Dean Koonjul | .... | compositor: Double Negative | |
| Duncan Kuah Boon Kwang | .... | matchmover: Double Negative (as Duncan Kuah) | |
| Terence Lam | .... | matchmover: Double Negative | |
| Sarah Lockwood | .... | compositor: Double Negative | |
| Pascal Loef | .... | lighting technical director: Double Negative | |
| James Long | .... | data operations: Framestore | |
| Chris Mangnall | .... | effects supervisor: water, Double Negative | |
| Naveen Medaram | .... | compositor: Double Negative | |
| Andy Middleton | .... | texture artist: rockboat, Double Negative | |
| Alice Mitchell | .... | compositor: Double Negative | |
| Katrina Navassartian | .... | visual effects co-ordinator: Double Negative | |
| Peter Olliff | .... | visual effects co-ordinator: Double Negative (as Peter Oliff) | |
| Gruff Owen | .... | 2d supervisor: Double Negative | |
| Alexandra Papavramides | .... | compositor: Double Negative | |
| Ami Patel | .... | compositor: Double Negative | |
| Daniel Paulsson | .... | lighting technical director: Double Negative | |
| Aleksandar Pejic | .... | cg supervisor: Double Negative (as Aleks Pejic) | |
| Carlos Poon | .... | lighting technical director: Double Negative | |
| Rupert Porter | .... | visual effects producer: Double Negative | |
| Scott Pritchard | .... | compositor: Double Negative | |
| Katherine Pursey | .... | lighting technical director: Double Negative | |
| Nick Rampling | .... | matchmover: Double Negative | |
| Garth Reilly | .... | compositor: Double Negative | |
| Julia Reinhard | .... | compositor: Double Negative | |
| Tim Riley | .... | effects technical director: water, Double Negative | |
| Laurent-Paul Robert | .... | effects technical director: water, Double Negative (as Laurent Robert) | |
| Lucy Salter | .... | lead technical director: Double Negative | |
| Marko Schöbel | .... | lighting technical director: Double Negative (as Marko Schobel) | |
| David M. Scott | .... | compositor: Double Negative (as David M Scott) | |
| Andrew E. Scrase | .... | matchmover: Double Negative (as Andrew Scrase) | |
| John Seru | .... | lighting technical director: Double Negative | |
| Andrew Simmonds | .... | roto artist: Double Negative | |
| Ian Simpson | .... | compositor: Double Negative | |
| Jeremy Smith | .... | effects technical director: water, Double Negative | |
| Tammy Smith | .... | roto artist: Double Negative | |
| Richard Stay | .... | compositor: Double Negative | |
| Tom Steadman | .... | modelling: Double Negative | |
| Paul Venn Stirling | .... | compositor: Double Negative (as Paul Stirling) | |
| Adrian Thompson | .... | effects technical director: water, Double Negative | |
| Claudia Torres | .... | texture artist: rockboat, Double Negative | |
| Diego Trazzi | .... | effects technical director: water, Double Negative | |
| Oleg Troy | .... | matchmove supervisor: Double Negative | |
| Melissa Tseng | .... | effects technical director: water, Double Negative | |
| Erik Tvedt | .... | lighting technical director: Double Negative | |
| Andreas Vrhovsek | .... | effects technical director: water, Double Negative | |
| Daniel Wood | .... | effects technical director: water, Double Negative | |
| Patsy Yiu Ping Yuen | .... | texture artist: rockboat, Double Negative (as Patsy Yuen) | |
| George Zwier | .... | compositor: Double Negative | |
| Louie Alexander | .... | digital compositor: Framestore (uncredited) | |
| Keziah Bailey | .... | matchmove artist (uncredited) | |
| Matthew Baker | .... | digital paint artist: restoration: Framestore (uncredited) | |
| Daniel Baldwin | .... | matchmove artist (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore (uncredited) | |
| Turea Blyth | .... | visual effects editorial (uncredited) | |
| Christina Boon | .... | visual effects artist (uncredited) | |
| Clare Brody | .... | data operator: Framestore (uncredited) | |
| Paul Burke | .... | scanning and recording: Framestore (uncredited) | |
| Zoe Cousins | .... | digital intermediate scanning and recording: Framestore (uncredited) | |
| Craig Crane | .... | previz artist: Double Negative (uncredited) | |
| Jerome Dewhurst | .... | di engineer (uncredited) | |
| Richard Edwards | .... | digital intermediate data operator (uncredited) | |
| Dean Grubb | .... | digital effects artist (uncredited) | |
| Alex Guri | .... | digital compositor (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Adam Hawkes | .... | digital compositor (uncredited) | |
| Karsten Hecker | .... | film mastering engineer (uncredited) | |
| Leo Hills | .... | digital intermediate technical director: Framestore CFC (uncredited) | |
| Matthew Jacques | .... | digital compositor (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Kevin Lowery | .... | high definition engineer (uncredited) | |
| Veronica Marcano | .... | scanning & recording operator: Framestore (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Edwin Metternich | .... | retouch and restoration: Framestore (uncredited) | |
| Ian Murphy | .... | visual effects: Double Negative (uncredited) | |
| Adam Parker | .... | retouch and restoration: Framestore (uncredited) | |
| Tilman Paulin | .... | digital compositor: Double Negative (uncredited) | |
| Andrea Pirisi | .... | visual effects editor: Double Negative (uncredited) | |
| Ed Pulis | .... | matchmove artist (uncredited) | |
| Lee Rankin | .... | scanning and recording: Framestore (uncredited) | |
| James Reed | .... | scanning and recording (uncredited) | |
| Jimmy Saul | .... | scanning and recording assistant manager (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Richard Hicks | .... | casting consultant: US | |
| Ruth Key | .... | casting assistant | |
| David Rubin | .... | casting consultant: US | |
| Alice Searby | .... | casting assistant | |
| Jay Simon | .... | extras casting assistant | |
| Sue Wood | .... | crowd casting | |
| Mark Summers | .... | dance casting coordinator (uncredited) | |
Costume and Wardrobe Department | |||
| Jennifer Alford | .... | costume maker | |
| Camilla Bartholomew | .... | costume trainee | |
| Rosie Coppola | .... | seamstress | |
| David Crossman | .... | costume supervisor | |
| Esther St John Gray | .... | costume co-ordinator | |
| Caroline Hickman | .... | costume assistant | |
| Andrew Hunt | .... | wardrobe master | |
| Linda Lashley | .... | seamstress | |
| Sharon Long | .... | costume assistant | |
| Carlo Manzi | .... | costumer | |
| Fiona McCann | .... | wardrobe mistress | |
| Yvonne Otzen | .... | costume assistant | |
| Guy Speranza | .... | costume assistant | |
| Amanda Trewin | .... | wardrobe mistress | |
| Jeremy Turner | .... | assistant costume designer | |
| Joanna Weaving | .... | costume breakdown artist | |
| Charlotte Wiseman | .... | costume assistant | |
| Dan Grace | .... | costumes (uncredited) | |
| Tom Hornsby | .... | set costumer (uncredited) | |
| Jane Law | .... | costumes: January Jones and Emma Thompson (uncredited) | |
Editorial Department | |||
| Anna Dick | .... | second assistant editor | |
| Adam Glasman | .... | colorist: Framestore | |
| Andrew Jadavji | .... | first assistant editor (as Andy Jadavji) | |
| David Johnston | .... | support conform editor: Framestore | |
| Faye Morgan | .... | post production co-ordinator | |
| Stuart Nippard | .... | conform editor: Framestore | |
| Ravinder Patria | .... | editing trainee: FT2 | |
| Gavin Round | .... | producer: Framestore | |
| Jan Hogevold | .... | digital intermediate executive producer (uncredited) | |
Music Department | |||
| Ryeland Allison | .... | musician: drums | |
| Nick Angel | .... | music supervisor | |
| Kristen Lane | .... | music consultant: Right Music | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Steven Price | .... | additional music | |
| Steven Price | .... | music editor | |
| Matthew J. Ward | .... | additional score recordings | |
| Vicki Williams | .... | music co-ordinator: Working Title | |
| Andy Brown | .... | orchestra contractor (uncredited) | |
| Andy Kitchen | .... | assistant music engineer (uncredited) | |
| Katia Lewin Jablonsky | .... | score mixing assistant (uncredited) | |
| The London Metropolitan Orchestra | .... | orchestra (uncredited) | |
| Daniel Pinder | .... | scoring music editor (uncredited) | |
Transportation Department | |||
| Alex Aben | .... | driver: grip truck (as Alex Arben) | |
| Darek Baluka | .... | driver: facilities | |
| Waseem Barlas | .... | driver: Hilary Bevan Jones | |
| Gary Birmingham | .... | transport captain | |
| Allan Bradshaw | .... | unit driver | |
| Lennox Brisport | .... | driver: minibus | |
| Andy Clarke | .... | driver: camera car | |
| Roy Clarke | .... | unit driver | |
| John Cornwall | .... | driver: facilities | |
| Renai Dwyer | .... | driver: facilities | |
| Steve Evans | .... | driver: construction runaround | |
| Bob Hole | .... | driver: Bill Nighy | |
| John Hollywood | .... | driver: Ronaldo Vasconcelles | |
| Simon Hudnott | .... | driver: Richard Curtis | |
| Lee Isgar | .... | driver: Rhys Ifans | |
| Colin McDaid | .... | hod driver: facilities | |
| Colin Morris | .... | driver: Phillip Seymour Hoffman | |
| Paul Pengelly | .... | driver: construction truck | |
| Terry Pritchard | .... | driver: Kenneth Branagh | |
| Dean Tyler | .... | driver: minibus | |
| Piotr Walczak | .... | driver: facilities (as Peter Walczak) | |
| Barrie Williams | .... | driver: Nick Frost | |
Other crew | |||
| Sabbir Ahmed | .... | trainee assistant accountant | |
| Tash Amis | .... | assistant: Angela Morrison, Working Title | |
| Phil Anderson-Hanney | .... | marine supervisor | |
| Christina Angeloudes | .... | legal and business affairs manager: Working Title | |
| Dan Arnold | .... | craft services: Natural Addiction Ltd | |
| Ruth Atkinson | .... | script supervisor: second unit | |
| Ameenah Ayub Allen | .... | clearance assistant (as Ameenah Ayub) | |
| Clint Bailey | .... | dive supervisor | |
| Daren Bailey | .... | marine co-ordinator: second unit | |
| Kate Bailey | .... | assistant production co-ordinator | |
| Fiona Baldwin | .... | marine assistant | |
| Roland Ballard | .... | assistant production co-ordinator | |
| Peter Bardsley | .... | location assistant (as Pete Bardsley) | |
| Tony Bean | .... | marine supervisor | |
| Shannon Belcastro | .... | assistant choreographer (as Shannon Belacastro) | |
| Danielle Bennett | .... | set production assistant | |
| Nick Benson | .... | boat crew | |
| Lottie Birmingham | .... | additional floor runner: dailies | |
| Litza Bixler | .... | choreographer | |
| Nick Blake | .... | production assistant | |
| Jamie Bolton | .... | assets administrator | |
| Matthew Boyd | .... | stand-in | |
| Bruce Butterworth | .... | marine engineer | |
| Helen Chapman | .... | stand-in | |
| Irene Chawko | .... | additional script supervisor | |
| Sarah Clark | .... | unit publicist | |
| Diarmuid Coghlan | .... | assistant accountant | |
| Ian Creed | .... | marine co-coordinator | |
| Barry Cullinane | .... | chef: Mobile Mouthful | |
| Nick Cunningham | .... | assistant choreographer | |
| Cherise de Villiers | .... | assistant: Richard Curtis (as Cherise De Villiers) | |
| Nazmeen Dhansey | .... | trainee assistant accountant (as Naz Dhansey) | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title (as Chloé Dorigan) | |
| Piers Dunn | .... | assistant location manager: London | |
| Mark Dyer | .... | diver | |
| Timothy Easthill | .... | financial controller: Working Title (as Tim Easthill) | |
| Ian Evans | .... | pilot: aerial unit | |
| Emma Freud | .... | script editor | |
| Eamon Fullen | .... | diver | |
| Ciara Gaffney | .... | continuity trainee: FT2 | |
| Alex Georgiou | .... | marine safety | |
| Amelia Granger | .... | development executive: Working Title | |
| Tarn Harper | .... | post production accountant | |
| John Heath | .... | marine surveyor | |
| Xara Higgs | .... | production assistant | |
| Dan Hillsdon | .... | first assistant accountant | |
| Nigel Hockley | .... | boat crew | |
| Bob Hole | .... | production assistant: Bill Nighy | |
| Jonathan Houston | .... | assistant production co-ordinator: Working Title | |
| Mick Hurrell | .... | health and safety advisor | |
| Carrie Johnson | .... | unit nurse | |
| Michael Johnstone | .... | craft services: Natural Addiction Ltd | |
| Janet Kellock | .... | continuity assistant | |
| Paul Kennedy | .... | marine safety | |
| Tamara King | .... | base production assistant | |
| Daniel Kramer | .... | photo: "Highway 61 Revisited" album cover copyrighted by | |
| Deborah Leakey | .... | payroll accountant (as Debbie Leakey) | |
| Hugh Leech | .... | chef: Mobile Mouthful | |
| Ann Lynch | .... | executive co-ordinator: Working Title | |
| Hayley Lyon | .... | cashier | |
| Iain Mackenzie | .... | production assistant (as Iain MacKenzie) | |
| Richard Manlove | .... | stand-in | |
| Duncan Manning | .... | chef: Mobile Mouthful | |
| Sarah McDougall | .... | assistant: Richard Curtis | |
| Suzanne McGeachan | .... | script supervisor: second unit | |
| Peter McHugh | .... | diver | |
| Gráinne Mckenna | .... | vice president of legal and business affairs: Working Title (as Gráinne McKenna) | |
| Sammy Mead | .... | chef: Mobile Mouthful | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Dan Mudford | .... | behind-the-scenes footage | |
| Lee Murphy | .... | marine supervisor | |
| Bryony Myers | .... | craft services: Natural Addiction Ltd | |
| Tom Nash | .... | assistant: Hilary Bevan Jones | |
| Clive Noakes | .... | laboratory contact | |
| Lance Palmer | .... | dive supervisor | |
| Alistair Payne-James | .... | additional set production assistant: Portland | |
| John Revell | .... | technical advisor: radio & dj | |
| Adam Richards | .... | location manager | |
| Nick Rust | .... | marine safety | |
| Sheeraz Shah | .... | head of legal and business affairs: Working Title | |
| Suzie Shearer | .... | production co-ordinator | |
| Cara Shine | .... | assistant: Eric Fellner, Working Title | |
| Garry Shore | .... | diver | |
| Cassandra Sigsgaard | .... | clearances co-ordinator | |
| Hannah Simons | .... | script supervisor: second unit | |
| Barney Smith | .... | chef: Mobile Mouthful (as Barny Smith) | |
| Simon Smith | .... | diver | |
| Vaughn Stein | .... | crowd production assistant | |
| Jonjo Stickland | .... | marine safety | |
| Mike Stone | .... | boat crew | |
| Harriet Sutcliffe | .... | assistant location manager: Portland | |
| Peter Targett | .... | boat crew | |
| Emma Thomas | .... | script supervisor | |
| Michael Thorpe | .... | marine supervisor | |
| Nikki Trow | .... | assistant choreographer | |
| Joshua Tuersley | .... | marine safety | |
| John William Turner | .... | clearance assistant (as John Turner) | |
| Lucy Wainwright | .... | legal and business affairs executive: Working Title | |
| Robin Waterson | .... | craft services: Natural Addiction Ltd | |
| Polly Wilby | .... | post production assistant accountant | |
| Ned Wiltshire | .... | marine supervisor | |
| Gavin Woods | .... | chef: Mobile Mouthful | |
| Nathan Woods | .... | financial controller | |
| Sarah Jane Wright | .... | production executive: Working Title (as Sarah-Jane Robinson) | |
| Jack Yiokoumi | .... | chef: Mobile Mouthful | |
| David Blyth | .... | floor runner: dailies (uncredited) | |
| Gavin Charlton | .... | chef (uncredited) | |
| Charlie Coombes | .... | crowd runner (uncredited) | |
| Neil Ferris | .... | floor runner: dailies (uncredited) | |
| Philip Harvey | .... | utility stand-in (uncredited) | |
| Mary Kerr | .... | daily floor runner (uncredited) | |
| Natalie Milton | .... | assistant: Emma Freud (uncredited) | |
| Alex Paterakis | .... | floor runner: dailies (uncredited) | |
| Norman Campbell Rees | .... | stand-in: Jack Davenport (uncredited) | |
| Sophie Saleyron | .... | press attache: France (uncredited) | |
| Michael T. Smith | .... | runner (uncredited) | |
| Neil Swain | .... | dialect coach: pre-production (uncredited) | |
| Jean-Pierre Vincent | .... | press attache: France (uncredited) | |
| Sarah Weldon | .... | dive assistant (uncredited) | |
| Dan Whitty | .... | assistant location manager (uncredited) | |
| Richard Wild | .... | weather consultant (uncredited) | |
Thanks | |||
| Tal Berkovich | .... | the producers wish to thank | |
| Jonathon Burford | .... | the producers wish to thank | |
| Hannah Cameron | .... | the producers wish to thank | |
| James Corden | .... | the producers wish to thank | |
| Marijke Dunham | .... | special thanks | |
| Michael English | .... | special thanks | |
| Chris Evans | .... | the producers wish to thank | |
| Barry Feinstein | .... | special thanks | |
| Rich Fulcher | .... | the producers wish to thank | |
| Anthony Jones | .... | the producers wish to thank | |
| Natalie Milton | .... | the producers wish to thank | |
| David Montgomery | .... | special thanks | |
| Chris Moyles | .... | the producers wish to thank | |
| Jon Myer | .... | the producers wish to thank | |
| Adam Parker | .... | special thanks | |
| Angela Paver | .... | the producers wish to thank | |
| Simon Posthuma | .... | special thanks | |
| Johnnie Walker | .... | the producers wish to thank | |
| Nigel Waymouth | .... | special thanks | |
| Guy Webster | .... | special thanks | |
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Dude, I went into this only caring that it was starring Philip Seymour (?) Hoffman, and pretty much had little expectations as long as the movie was entertaining- well it was. The very well-scripted (all-star casted) characters created as organic a cast performance as I can remember seeing since Milk. The story of pirate radio leaves its foamtrail through the leaders of p2p filesharing and their unwavering declaration that art should be enjoyed by all, not only the few who are able to pay more than a meal's worth to be able to purchase a copy of the product, pre-packaged by an Industry that is certainly not furthering music as an artform. Getting back to the movie. This roll of film has put it together in a way that's only really reserved for (good) Academy Award winning pictures, but it doesn't get all Curious Case of Benjamin Button on you. The superb cast of actors all deliver quite genuine performances, even though it takes some growing into (like the movie) but there's enough sarcastic profanity that doesn't push it over the comfort zone. The tale of Radio Rock and its crew is one that transcends personality and nationality. Lots of sex and friendship and love, this movie is the antithesis of the consumeristic slavery of our civilization and is a (loose) guide to what we should all strive for in life. The Hitler-like English committeeman in charge with taking care of the Radio Pirates is an unabashedly serious caricature of government-led regulators holding the link between revenue generating industries and the voices of progress, each always trying to tip the balance in their favor. The plot gracefully glides into its climax and with no extended cuddling it exits leaving us a nice retrospective of the experience. For the patient and passionate viewer, this film is highly recommended.
-cypheristikal