| Photos (see all 18 | slideshow) | Videos (see all 2) |
| Bill Nighy | ... | Quentin | |
| Kenneth Branagh | ... | Sir Alistair Dormandy | |
| Philip Seymour Hoffman | ... | The Count | |
| Nick Frost | ... | 'Doctor' Dave | |
| Tom Sturridge | ... | 'Young' Carl | |
| Rhys Ifans | ... | Gavin | |
| Rhys Darby | ... | Angus 'The Nut' Nutsford | |
| Tom Brooke | ... | Thick Kevin | |
| Gemma Arterton | ... | Desiree | |
| Ike Hamilton | ... | Harold | |
| Chris O'Dowd | ... | 'Simple' Simon Swafford | |
| Talulah Riley | ... | Marianne | |
| Tom Wisdom | ... | 'Midnight' Mark | |
| Will Adamsdale | ... | 'On-The-Hour' John | |
| Ralph Brown | ... | Bob Silver 'the Dawn Treader' | |
| Olivia Llewellyn | ... | Wee Small Hours Margaret | |
| Jack Davenport | ... | Dominic Twatt | |
| January Jones | ... | Elenore | |
| Amanda Fairbank-Hynes | ... | Jemima Dormandy | |
| Francesca Longrigg | ... | Mrs. Dormandy | |
| Kirsty Mather | ... | Hettie | |
| Katherine Parkinson | ... | Felicity | |
| Laurence Richardson | ... | Nathan | |
| Stephen Moore | ... | Prime Minister | |
| Olegar Fedoro | ... | Rock Boat Captain | |
| Dora Clouttick | ... | Lady On The Loo | |
| Lana Davidson | ... | Simon's T-shirt girl | |
| Duncan Foster | ... | Swedish Crewman | |
| Kristofer Gummerus | ... | Swedish Crewman | |
| Sinead Matthews | ... | Miss C | |
| Sarah Forster | ... | Mode | |
| Catherine Blake | ... | Mark's Girl (as Catherine Ashton) | |
| rest of cast listed alphabetically: | |||
| Poppy Delvingne | ... | Mode | |
| Guðmundur Auðunsson | ... | Swedish Crewman (uncredited) | |
| Caroline Boulton | ... | Carl's Fan (uncredited) | |
| Gareth Derrick | ... | Young Man (uncredited) | |
| Lucy Fleming | ... | Mother (uncredited) | |
| William Ilkley | ... | Police Commander (uncredited) | |
| Katie Lyons | ... | Angus' fan (uncredited) | |
| Emma Thompson | ... | Charlotte (uncredited) | |
| Christian Wolf-La'Moy | ... | Man in pinstripe suit (uncredited) | |
| Chrissie Wunna | ... | Elec Lady (uncredited) | |
Directed by | |||
| Richard Curtis | |||
Writing credits(in alphabetical order) | ||
| Richard Curtis | writer | |
Produced by | |||
| Hilary Bevan Jones | .... | producer | |
| Tim Bevan | .... | producer | |
| Liza Chasin | .... | executive producer | |
| Richard Curtis | .... | producer | |
| Eric Fellner | .... | producer | |
| Emma Freud | .... | associate producer | |
| Ronaldo Vasconcellos | .... | co-producer | |
Cinematography by | |||
| Danny Cohen | |||
Film Editing by | |||
| Emma E. Hickox | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Thomas Brown | |||
Set Decoration by | |||
| Dominic Capon | |||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Christine Blundell | .... | hair designer | |
| Christine Blundell | .... | makeup designer | |
| Teri Galati | .... | crowd makeup trainee | |
| Mandy Gold | .... | crowd makeup artist | |
| Agnes Legere | .... | hair and make up trainee | |
| Rosie Leland | .... | hair and make up trainee | |
| Monica MacDonald | .... | crowd makeup trainee | |
| Chloe Meddings | .... | assistant makeup artist | |
Production Management | |||
| Erica Bensly | .... | unit manager | |
| James Biddle | .... | production manager | |
| Tania Blunden | .... | post-production supervisor (as Tania Windsor Blunden) | |
Second Unit Director or Assistant Director | |||
| Tamana Bleasdale | .... | second assistant director | |
| Hannah Brown | .... | daily assistant director | |
| Dan Channing-Williams | .... | first assistant director: aerial unit | |
| Dan Channing-Williams | .... | third assistant director | |
| Henry Forsyth | .... | third assistant director: crowd | |
| Sam Haveland | .... | third assistant director: second unit | |
| Guy Heeley | .... | first assistant director: second unit | |
| Ben Howarth | .... | first assistant director | |
| Martin Kenzie | .... | second unit director | |
| Bryn Lawrence | .... | crowd second assistant director | |
| Charlie Reed | .... | second assistant director: second unit | |
| Vaughn Stein | .... | crowd assistant director | |
Art Department | |||
| Jon Bates | .... | stand-by props | |
| Mat Bergel | .... | propsman | |
| James Brooker | .... | dressing props | |
| Ben Collins | .... | assistant art director | |
| James Collins | .... | assistant art director | |
| David Conway | .... | props | |
| Stephen Conway | .... | dressing props | |
| Guy Cope | .... | stand-by rigger | |
| Quentin Davies | .... | prop storeman | |
| Katrina Dunn | .... | set decoration assistant | |
| Alice Felton | .... | assistant set decorator | |
| Catherine Haugh | .... | construction coordinator | |
| Justin Hayzelden | .... | props daily | |
| Kathy Heaser | .... | graphic artist | |
| Gavin Jones | .... | prop shop modelmaker | |
| Dougie Lankston | .... | dressing props | |
| Melissa Magna | .... | buyer | |
| Thomas Martin | .... | construction manager | |
| Adam McCreight | .... | dressing props | |
| Adrian Platt | .... | chargehand dressing prop | |
| Kathryn Pyle | .... | production buyer | |
| Nick Thomas | .... | property master | |
| Rebecca Thomas | .... | art department assistant | |
| Libby Uppington | .... | dressing prop | |
Special Effects by | |||
| Sam Conway | .... | special effects technician | |
| Dean Ford | .... | special effects technician | |
| Peter Haran | .... | special effects senior technician | |
| Ben James | .... | special effects trainee | |
| Mark White | .... | floor supervisor | |
| Nigel Wilkinson | .... | special effects technician | |
Visual Effects by | |||
| Kevin Adams | .... | matchmover | |
| Louie Alexander | .... | digital compositor: Framestore | |
| Papavramides Alexandra | .... | digital compositor: Double Negative | |
| Dalia Al-Husseini | .... | digital effects artist: Dneg | |
| Keziah Bailey | .... | matchmove artist | |
| Matthew Baker | .... | digital paint artist: restoration: Framestore | |
| Daniel Baldwin | .... | matchmove artist | |
| Judy Barr | .... | digital compositor | |
| James Benson | .... | digital artist: Double Negative | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Christina Boon | .... | visual effects artist | |
| Paul Brannan | .... | lighting technical director | |
| Paul Brannan | .... | visual effects: Double Negative | |
| Jamie Briens | .... | effects technical director: Double Negative | |
| Richard Briscoe | .... | visual effects supervisor | |
| Paul Burke | .... | scanning and recording: Framestore | |
| Thomas J. Burton | .... | matchmove artist: Double Negative | |
| Jon Capleton | .... | modeler | |
| Richard Clarke | .... | cg supervisor: Double Negative | |
| Debra Coleman | .... | digital compositor | |
| Zoe Cousins | .... | digital intermediate scanning and recording: Framestore | |
| Craig Crane | .... | previz artist: Double Negative | |
| Alistair Darby | .... | matchmove artist: Double Negative | |
| Richard Edwards | .... | digital intermediate data operator | |
| Huw J. Evans | .... | technical director: Double Negative | |
| Adam Glasman | .... | digital intermediate colourist | |
| Richard Gomes | .... | digital effects artist | |
| Joel Green | .... | lead technical director | |
| Dean Grubb | .... | digital effects artist | |
| Alex Guri | .... | digital compositor | |
| Andy Hague | .... | visual effects editor | |
| Pete Hanson | .... | studio manager: double negative | |
| Gareth Harbuz | .... | matchmove artist | |
| Chris Hart | .... | matchmove artist: Double Negative | |
| Adam Hawkes | .... | digital compositor | |
| Karsten Hecker | .... | film mastering engineer | |
| Tom Hocking | .... | compositor: Double Negative | |
| Jan Hogevold | .... | executive producer: framestore di | |
| Matthew Jacques | .... | digital compositor | |
| Henry Jefferson | .... | digital compositor: double negative | |
| David Johnston | .... | digital intermediate: conform editor | |
| Rafal Kaniewski | .... | compositor | |
| Dean Koonjul | .... | digital compositor: Double Negative | |
| Duncan Kuah Boon Kwang | .... | matchmoving artist | |
| Pascal Loef | .... | lighting technical director | |
| Veronica Marcano | .... | scanning & recording operator: Framestore | |
| Naveen Medaram | .... | digital compositor: Dneg | |
| Ian Murphy | .... | digital compositor | |
| Ian Murphy | .... | visual effects: Double Negative | |
| Katrina Navassartian | .... | visual effects coordinator | |
| Peter Olliff | .... | visual effects coordinator | |
| Gruff Owen | .... | 2D supervisor | |
| Adam Parker | .... | retouch and restoration: Framestore | |
| Daniel Paulsson | .... | lighting technical director | |
| Aleksandar Pejic | .... | CG supervisor: Double Negative | |
| Scott Pritchard | .... | digital compositor: Double Negative | |
| Ed Pulis | .... | matchmove artist | |
| Nick Rampling | .... | digital effects artist | |
| Lee Rankin | .... | scanning and recording: Framestore | |
| James Reed | .... | scanning and recording | |
| Julia Reinhard | .... | digital compositor: Double Negative | |
| Tim Riley | .... | visual effects: Double Negative | |
| Laurent-Paul Robert | .... | visual effects | |
| Gavin Round | .... | DI producer: Framestore | |
| Lucy Salter | .... | lighting technical director: Double Negative | |
| Jimmy Saul | .... | scanning and recording assistant manager | |
| Andrew E. Scrase | .... | matchmove artist: Double Negative | |
| John Seru | .... | visual effects: Double negative | |
| Andrew Simmonds | .... | digital artist | |
| Jeremy Smith | .... | visual effects artist | |
| Tammy Smith | .... | roto/prep artist: double negative | |
| Richard Stay | .... | compositor | |
| Richard Stay | .... | visual effects: Double Negative | |
| Tom Steadman | .... | modeller: Double Negative | |
| Paul Venn Stirling | .... | digital compositor: Double Negative | |
| Adrian Thompson | .... | visual effects artist | |
| Diego Trazzi | .... | visual effects: Double Negative | |
| Oleg Troy | .... | matchmove supervisor | |
| Melissa Tseng | .... | effects technical director: Double Negative | |
| Erik Tvedt | .... | digital effects artist | |
| Andreas Vrhovsek | .... | visual effects: Double Negative | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
Stunts | |||
| Andy Bennett | .... | utility stunts | |
| Andy Bradshaw | .... | stunt performer | |
| Richard Bradshaw | .... | stunt double | |
| Bruce Cain | .... | stunt performer | |
| Chris Carey | .... | stunt double | |
| Nick Chopping | .... | stunt performer | |
| Levan Doran | .... | stunt double | |
| Rick English | .... | stunt performer | |
| Dean Forster | .... | stunts | |
| James Grogan | .... | stunt double | |
| Paul Herbert | .... | stunt coordinator | |
| Rowley Irlam | .... | stunts | |
| Paul Kennington | .... | stunt double | |
| Andy Merchant | .... | stunt double | |
| Matt Sherren | .... | stunt double | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Ruth Key | .... | casting assistant | |
| Alice Searby | .... | casting assistant | |
| Mark Summers | .... | dance casting coordinator | |
Costume and Wardrobe Department | |||
| Jennifer Alford | .... | costume maker | |
| Camilla Bartholomew | .... | costume trainee | |
| Rosie Coppola | .... | seamstress | |
| David Crossman | .... | costume supervisor | |
| Dan Grace | .... | costumes | |
| Esther St John Gray | .... | costume coordinator | |
| Tom Hornsby | .... | set costumer | |
| Andrew Hunt | .... | wardrobe master | |
| Linda Lashley | .... | costumer | |
| Fiona McCann | .... | wardrobe mistress | |
| Amanda Trewin | .... | costume assistant | |
| Joanna Weaving | .... | costume breakdown artist | |
Editorial Department | |||
| Jamie Fletcher | .... | desk operator | |
| Andrew Jadavji | .... | first assistant editor | |
| Clive Noakes | .... | laboratory contact | |
| Ravinder Patria | .... | editor trainee: FT2 | |
| Faye Stevens | .... | post-production coordinator | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Katia Lewin Palomo | .... | score mixing assistant | |
| Steven Price | .... | composer: additional music | |
| Steven Price | .... | music editor | |
Transportation Department | |||
| Gary Birmingham | .... | transportation captain | |
| Roy Clarke | .... | unit driver | |
| Lee Isgar | .... | driver: rhys ifans | |
| Piotr Walczak | .... | facilities department | |
| Barrie Williams | .... | Driver to Nick Frost | |
Other crew | |||
| Sabbir Ahmed | .... | accounts trainee | |
| Tash Amis | .... | assistant: Angela Morrison | |
| Ruth Atkinson | .... | additional script supervisor | |
| Ameenah Ayub | .... | clearance consultant | |
| Daren Bailey | .... | co-marine coordinator | |
| Kate Bailey | .... | assistant production coordinator | |
| Fiona Baldwin | .... | marine department coordinator | |
| Roland Ballard | .... | assistant production coordinator | |
| Peter Bardsley | .... | location assistant | |
| Danielle Bennett | .... | key floor runner | |
| Litza Bixler | .... | choreographer | |
| David Blyth | .... | floor runner: dailies | |
| Jamie Bolton | .... | assets administrator | |
| Matthew Boyd | .... | floor runner | |
| Christopher Chandler | .... | second unit stand-by propman | |
| Gavin Charlton | .... | chef | |
| Irene Chawko | .... | additional script supervisor | |
| Diarmuid Coghlan | .... | assistant accountant | |
| Ian Creed | .... | marine co-coordinator | |
| Cherise de Villiers | .... | assistant: Richard Curtis | |
| Nazmeen Dhansey | .... | accounts trainee | |
| Chloe Dorigan | .... | assistant: Tim Bevan | |
| Ian Evans | .... | helicopter pilot | |
| Philip Harvey | .... | utility stand-in | |
| Paul Hay | .... | aerial unit | |
| Xara Higgs | .... | production assistant | |
| Dan Hillsdon | .... | first assistant accountant | |
| Janet Kellock | .... | assistant script supervisor: additional crew | |
| Mary Kerr | .... | daily floor runner | |
| Tamara King | .... | base runner | |
| Hayley Lyon | .... | cashier | |
| Iain Mackenzie | .... | production assistant | |
| Duncan Manning | .... | chef | |
| Duncan Manning | .... | head chef | |
| Sarah McDougall | .... | assistant: Richard Curtis | |
| Natalie Milton | .... | assistant: Emma Freud | |
| Dan Mudford | .... | behind-the-scenes documentary | |
| Tom Nash | .... | assistant: Hilary Bevan Jones | |
| Alex Paterakis | .... | floor runner: dailies | |
| Quentin Rambaud | .... | French adaptation: original subtitled version | |
| Norman Campbell Rees | .... | stand-in: jack davenport | |
| Adam Richards | .... | location manager | |
| Sophie Saleyron | .... | press attache: France | |
| Suzie Shearer | .... | production coordinator | |
| Cara Shine | .... | assistant: Eric Fellner | |
| Cassandra Sigsgaard | .... | clearances coordinator | |
| Hannah Simons | .... | script supervisor: second unit | |
| Barney Smith | .... | chef | |
| Neil Swain | .... | dialect coach: pre-production | |
| Emma Thomas | .... | script supervisor | |
| Nikki Trow | .... | assistant choreographer | |
| John William Turner | .... | clearances assistant | |
| Jean-Pierre Vincent | .... | press attache: France | |
| Dan Whitty | .... | assistant location manager | |
| Gavin Woods | .... | chef | |
| Nathan Woods | .... | financial controller | |
| Jack Yiokoumi | .... | chef | |
| Charlie Coombes | .... | crowd runner (uncredited) | |
| Neil Ferris | .... | floor runner: dailies (uncredited) | |
| Sarah Weldon | .... | dive assistant (uncredited) | |
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| Across the Universe | Privilege | City of Shoulders and Noses | The Groomsmen | Prick Up Your Ears |
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"The Boat That Rocked" will not trouble the Oscars next year. I would not call it a work of genius.
Reasons?
The film did not have a plot. A series of sketches strung together is not a plot.
The film was set in 1966, but the music cues were all other the place. This could have been because either
a) the producers were incredibly slack in researching the music that would have been played on the radio during the period that the film is set
or
b) the film was actually a piece of science fiction, as the DJ's appeared to have access to a time travel device, allowing them to obtain and play music from the future.
(Examples? Oooh, lots. "Let's Spend The Night Together" and "Jumping Jack Flash" by the Rolling Stones (1967 and 1968, respectively), "H-Ho Silver Lining" by Jeff Beck (1967), "A Whiter Shade Of Pale" by Procol Harum (1967) and "Crimson and Clover" by Tommy James and the Shondells (1969). There were more. Have fun finding them yourself.)
The film was 129 minutes long. 29 minutes too long, in my opinion. I suppose that a broad comedy can be longer than 100 minutes and still work, but you would need a better director than Richard Curtis to make it work. As with his previous film "Love, Actually" (which I actually like a lot), I felt that Richard Curtis is a better writer than a director. Another director might have made "The Boat That Rocked" a tighter movie.
There was a whiff of sexism about "The Boat That Rocked". Just a whiff, but a whiff nevertheless. Society has moved on, guys. There were strong, capable women in the 1960's, but none in the 1960's of this movie. Why not?
So, "The Boat That Rocked" was a disaster then? Yes?
Well, no, because "The Boat That Rocked" was mostly a funny, unpretentious and entertaining film. It had a soundtrack that was out of this world, idiosyncratic performances (does anybody pout quite like Bill Nighy or lick a microphone like Rhys Ifans?) and was just a nice, feelgood movie. Honest injun. I left the cinema with a big smile on my face and bought the soundtrack album the very next day.
The critics have not been kind to "The Boat That Rocked". Hell! Who cares what any critic has to say? "The Boat That Rocked" was not a classic, but give it a go. You might like it.