| Joseph Fiennes | ... | Paul Thompson | |
| Samantha Sherman | ... | Katie | |
| Pell James | ... | Amy Thompson | |
| Justin Kirk | ... | Jeff Kane | |
| Elizabeth Reaser | ... | Liz Clark | |
| Amy Hargreaves | ... | Sarah Kane | |
| Martin Shakar | ... | Boatyard Owner | |
| Avery Glymph | ... | Fisherman #1 | |
| Chad Brigockas | ... | Fisherman #2 | |
| Tom O'Rourke | ... | Dock Man #1 | |
| John Rue | ... | Dock Man #2 | |
| Douglas Odell | ... | Dock Man #3 | |
| Seth Kanor | ... | Officer Lefurgy | |
| Mary Tyler Moore | ... | Liz' Mom | |
| Constance Barron | ... | Aunt Karen | |
| Michelle Trachtenberg | ... | Suzanne | |
| Nimo Gandhi | ... | Pasthule | |
| Maggie Brown | ... | Little Girl on Waterfront | |
| Perry Callahan | ... | Older Girl on Waterfront |
Directed by | |||
| Peter Callahan | |||
Writing credits(WGA) | ||
| Peter Callahan | (written by) | |
Produced by | |||
| Miranda Bailey | .... | executive producer | |
| Wouter Barendrecht | .... | co-producer | |
| Richard Bever | .... | co-executive producer | |
| Jonathan Gray | .... | executive producer | |
| Charlie Hofheimer | .... | associate producer | |
| Tamer Howard | .... | co-executive producer | |
| Matthew Leutwyler | .... | executive producer | |
| Edith Mehiel | .... | associate producer | |
| Zachary Mortensen | .... | co-executive producer | |
| Andrea Roa | .... | line producer | |
| Mary Jane Skalski | .... | producer | |
| Michael J. Werner | .... | co-producer | |
| Joshua Zeman | .... | producer | |
Original Music by | |||
| Anton Sanko | (music by) | ||
Cinematography by | |||
| Sean Kirby | (director of photography) | ||
Film Editing by | |||
| Michael Taylor | |||
Casting by | |||
| Kerry Barden | |||
| Suzanne Crowley | (as Suzanne Crowley) | ||
| Billy Hopkins | |||
Production Design by | |||
| Tommaso Ortino | |||
Art Direction by | |||
| Miles Michael | |||
Set Decoration by | |||
| Helen Fitzgerald | |||
| Meg Vinson | |||
Costume Design by | |||
| Annie Yun | |||
Production Management | |||
| Kim Koby | .... | production manager | |
Art Department | |||
| Susan Evans | .... | set dresser | |
| Adam Sober | .... | property master | |
Sound Department | |||
| Ryan Baker | .... | boom operator | |
| Shaun Brennan | .... | foley artist | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | supervising sound editor | |
| Eric Gitelson | .... | dialogue editor | |
| Anton Gold | .... | sound mixer | |
| Amanda Jacques | .... | additional boom operator | |
| Thomas W. Jordan | .... | additional sound mixer | |
| Nicholas Montgomery | .... | sound re-recording mixer | |
| Jeff Seelye | .... | assistant sound editor | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
| Tina Mckissick | .... | stunt double | |
| Tina Mckissick | .... | stunt double: Pell James | |
Camera and Electrical Department | |||
| Danya Abt | .... | additional grip | |
| Michael Arisohn | .... | additional electrician | |
| Lisa Carville | .... | still photographer | |
| Freddy Cintron | .... | grip | |
| Christopher Heikel | .... | electrician | |
| Matt Klammer | .... | second assistant camera: underwater unit | |
| Kate Larose | .... | first assistant camera | |
| Dane Lawing | .... | cinematographer: additional photography | |
| Dane Lawing | .... | underwater camera operator | |
| Christian May | .... | rigging gaffer | |
| Jim McGibbon | .... | additional grip | |
| Megan Nole | .... | grip | |
| Roberto A. Quezada | .... | electrician | |
| Ari Robbins | .... | Steadicam operator | |
| Ryan Samul | .... | cinematographer: additional photography | |
| Brandon Sumner | .... | first assistant camera: underwater unit | |
| Stavros Toumanidis | .... | second assistant camera | |
| Richard P. Ulivella | .... | gaffer | |
| Michael Yetter | .... | best boy: electric | |
Casting Department | |||
| Jennifer Halpern | .... | extras casting director | |
| Jessica Kelly | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kiersten Ronning | .... | costume supervisor | |
Editorial Department | |||
| Louise Ford | .... | assistant editor | |
| Jimmy Mann | .... | colorist: dailies | |
| Scot Olive | .... | colorist | |
| Corey Stewart | .... | digital intermediate engineer (uncredited) | |
Music Department | |||
| Paul Brill | .... | composer: additional music | |
| Tracy McKnight | .... | music consultant | |
| Joel Thompson | .... | musician: clarinet, flute | |
| Joel Thompson | .... | score mixer | |
| T. Colby Trane | .... | music coordinator | |
Other crew | |||
| Maura Anderson | .... | assistant production office coordinator | |
| Michele Baker | .... | location manager | |
| Benjamin Botwick | .... | production assistant | |
| Andrew Cesana | .... | script supervisor | |
| Sabrina Chemloul | .... | additional script supervisor | |
| Brian David Culp | .... | assistant to producers | |
| Heath Grant | .... | production assistant | |
| Jonathan Gray | .... | production counsel | |
| Heather Harwood | .... | location scout | |
| Paul Kahil | .... | production assistant | |
| Robert Kearns | .... | set medic | |
| Jordan Ledy | .... | post production coordinator | |
| Maria Elena Lopez-Frank | .... | theatrical coordinator | |
| Giovanni Peroni | .... | additional script supervisor | |
| Anna Marie Pitman | .... | production coordinator | |
| Lenny Speregen | .... | safety diver: marine unit | |
| Amy Williams | .... | location scout: second unit | |
| Jacquelyn Moses | .... | film runner (uncredited) | |
Thanks | |||
| Holly Malekian | .... | very special thanks | |
| Ira Schreck | .... | special thanks | |
| Hilary Stabb | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Very moving. Everything about this movie worked for me. Top-notch acting. Great dialogue. Fantastic cinematography. I don't get all the wannabe critics, ready to call out directors, using terms like "heavy handed," "pretentious," etc. This was a compelling story, and any departures from the main story were there to add humanity. Everyone involved should be very proud. They made a movie that was different, and worth our time. (mine, anyway) The ending left no doubt in my mind what happened. I didn't find any ambiguity whatsoever. I felt it was moving, and insightful. I think people need to open up to those films that are a little different. This is one such film.