Grumpy pensioner Arthur honors his recently deceased wife's passion for performing by joining the unconventional local choir to which she used to belong, a process that helps him build bridges with his estranged son, James.
Paul Andrew Williams
When a young boy gets locked in the Natural History Museum after closing, a mysterious guard gives him a magical ticket that allows him to visit a restricted area of the museum, where a ... See full summary »
The story of the son of a coach-maker with a highly developed sense of the macabre, who ended up rivalling Shakespeare. John Webster's life was shadowy and his plays darkly imagined - it ... See full summary »
Paul is a London tube driver with dreams of a cottage in a bee-loud glade. He's told that if his train strikes and kills one more person this month, he'll get a large severance, enough for the cottage. So he offers £1500 to Tommy Cassidy, a down-and-out Irishman, if Tommy will walk in front of Paul's train come Monday. He gives Tommy the cash on Friday. Wanting to ensure that Tommy honors the deal, Paul accompanies a cleaned-up Tommy on his trip (in a new suit and a hired car) to make things right with family he hasn't seen in eight years. Can Tommy, an inveterate gambler, make anything come out right? And what about Paul - can this suicide pact fulfill his dreams? Written by
I saw this not knowing what to expect, and I'm glad that I didn't expect loads of laughs. I suppose it is a dark comedy if anything, but it delivered something much more meaningful, and I was hooked in immediately to the human drama that enfolded. I really wanted to know what happened to the characters, all of whom seemed 3-dimensional, and I cared about their fates. The performances were excellent, especially Colm Meaney as Tommy and Mackenzie Crook as Paul, but Imelda Staunton was wonderful as always. I wanted to see whether the characters would go through with their intentions, because several outcomes seemed possible, and the plot kept me guessing. The ending was emotional and in a strange way very satisfying, and not unrealistically optimistic either. If you are going to deal with the subject of suicide, this is a very effective and thought-provoking film and succeeds on several levels. It deserves a higher rating than it has so far.
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