Directed by | |||
| William Kaufman | |||
Writing credits(in alphabetical order) | ||
| William Kaufman | ||
| Jay Moses | ||
Produced by | |||
| Ron Balicki | .... | producer | |
| Mark Andrew Clark | .... | producer | |
| Michael Dragotto | .... | executive producer | |
| Leon Dunn | .... | executive producer | |
| Robert Ford | .... | co-executive producer | |
| Dan Garcia | .... | executive producer | |
| King Hollis | .... | co-producer | |
| Diana Lee Inosanto | .... | co-producer | |
| Colby Mitchell | .... | producer | |
| Gregory Segal | .... | co-producer | |
| Jay Stamper | .... | co-producer | |
| Michael Thompson | .... | associate producer | |
| Lawrence Varnado | .... | associate producer | |
Original Music by | |||
| Johnny Strong | |||
Cinematography by | |||
| Mark Rutledge | |||
Film Editing by | |||
| Russell White | |||
Casting by | |||
| Cathy Henderson | |||
Production Design by | |||
| Jason Mueller | |||
Makeup Department | |||
| Cat Bernier | .... | hair stylist | |
| Cat Bernier | .... | makeup artist | |
| Eva Woodby | .... | assistant makeup artist | |
Production Management | |||
| Colby Mitchell | .... | unit production manager | |
| Jon Price | .... | senior post production supervisor | |
| Katherine Walker | .... | post-production supervisor | |
Sound Department | |||
| Brian Fieser | .... | sound designer | |
| Glen Frazier | .... | adr recordist | |
| Rachel Grissom | .... | sound mixer | |
| Ryan Grissom | .... | sound mixer | |
| Ryan Grissom | .... | sound: second unit | |
| Phil Hadaway | .... | sound recordist | |
| Matthew Nicolay | .... | sound mixer: Los Angeles | |
| Kyle Richards | .... | sound re-recording mixer | |
| Ziggy Schulte | .... | boom operator | |
| Ziggy Schulte | .... | sound effects editor | |
| Carlos Wilkerson | .... | boom operator | |
Special Effects by | |||
| Cat Bernier | .... | special effects makeup | |
| Kevin Carter | .... | special effects contact lenses | |
| Mark Hava | .... | special effects technician | |
| Marcus Koch | .... | prop effects | |
| Marcus Koch | .... | special effects makeup | |
| Shelby McIntyre | .... | prop effects | |
| Shelby McIntyre | .... | special effects makeup | |
| Carlos Savant | .... | special effects assistant: dayplayer | |
| Brian Schuley | .... | special effects coordinator | |
| Neil Stockstill | .... | special effects | |
| Vito Trabucco | .... | special effects assistant | |
Visual Effects by | |||
| Ryan Baxter | .... | visual effects supervisor | |
Stunts | |||
| Ron Balicki | .... | fight choreographer | |
| Ron Balicki | .... | stunt coordinator | |
| Danny Cosmo | .... | utility stunts | |
| Keith Davis | .... | stunt double | |
| Shane Dufrene | .... | utility stunts | |
| Chris J. Fanguy | .... | utility stunts | |
| Jeff Galpin | .... | stunt coordinator | |
| Diana Lee Inosanto | .... | assistant stunt coordinator: Los Angeles | |
| Willie Laureano | .... | stunts | |
| Troy Miller | .... | stunts | |
| Mike Mukatis | .... | stunt double | |
| Garrik Palumbo | .... | stunts | |
| Alain Rono | .... | stunts | |
| Justin A. Williams | .... | stunts | |
| Jack Brunacini Jr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Steve Acheson | .... | steadicam operator | |
| Steve Albovias | .... | key grip: Los Angeles unit | |
| Zachary Armstrong | .... | first assistant camera: "b" camera | |
| Jarrod Austin | .... | film loader | |
| Tom Banks | .... | director of photography: second unit | |
| Phil Beard | .... | gaffer | |
| Richard Card | .... | second assistant camera | |
| David R. Higgins | .... | aerial director of photography | |
| David R. Higgins | .... | first assistant camera | |
| Justin Stewart Johnson | .... | second assistant camera: Los Angeles unit | |
| Sergio Munoz Jr. | .... | best boy electrician: Los Angeles | |
| Dustin Pegg | .... | second assistant camera: "b" camera | |
| Andy Sparaco | .... | camera operator: "c" camera | |
| Elliot Westphal | .... | best boy electrician: New Orleans | |
| Aaron L. Williams | .... | set videographer | |
| Michael Zogleman | .... | gaffer: Los Angeles unit | |
Casting Department | |||
| Matt Keith | .... | local casting | |
Costume and Wardrobe Department | |||
| Victoria Payne | .... | wardrobe assistant | |
| Lindsey Sandrick | .... | wardrobe supervisor | |
Editorial Department | |||
| Andtransfer | .... | digital intermediate | |
| Kelly Riemenschneider | .... | colorist | |
| Katherine Walker | .... | assistant editor | |
Other crew | |||
| Liz Barker | .... | production assistant | |
| Anthony Bernabeo | .... | master armorer | |
| Rodney Blair | .... | production executive | |
| Morgan Camie | .... | production coordinator | |
| Leigh Anne Clark | .... | production assistant | |
| Nancy Clark | .... | production assistant | |
| Dan Dearing | .... | assistant armorer | |
| Fred Delagarza | .... | production coordinator | |
| Stacey England | .... | script supervisor | |
| Todd Fredericks | .... | set medic | |
| Cody Gautreau | .... | intern | |
| Sherry Gunderman | .... | script supervisor: Los Angeles unit | |
| Justin Kline | .... | production assistant | |
| Lisa Latter | .... | location manager | |
| Casey J. Simon | .... | production assistant | |
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| The Dark Knight | Death Wish | The Professional: Golgo 13 | Bad Boys | Death Wish 3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I don't usually watch action. I prefer horror. I watched this because Costas Mandylor was in it and I have to say I was pleasantly surprised. I thought the movie contained an excellent cast of actors entirely and it kept my attention throughout the whole film. Johnny Strong was a great star of the film and I feel as though he really made the main character believable. I really enjoyed it and in fact I now own the movie for further viewing. I will say that some of the shooting scenes seemed rather lengthy, but the overall story and plot as a whole was very interesting to me. I thought the use of human psychology throughout the film definitely added something. I wouldn't say this is my favorite movie, but it was definitely entertaining and collection worthy. Another great movie with Costas Mandylor in it, what more could a fan ask for?