Drama set in 1954, U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding nearby.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Stranded at a desolate Nevada motel during a nasty rainstorm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
A woman brings her family back to her childhood home, where she opens an orphanage for handicapped children. Before long, her son starts to communicate with an invisible new friend.
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
It's 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he wonders whether he hasn't been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity. Written by
alfiehitchie
Throughout the film there are many "jump cuts" - shots that don't match. For instance in the overhead shot of the Marshalls and the doctor in the cell, each shot shows them in a different position within the room. When Teddy is riding in the jeep with the uniformed officer, the close shots as they converse show Teddy looking in a different direction. Scorsese may have intended these for tension effect. See more »
Quotes
[first lines]
Teddy Daniels:
Pull yourself together, Teddy. Pull yourself together.
See more »
Connections
References Bedlam (1946)
a "shock" scene is restaged
See more »
Soundtracks
"SUITE FOR SYMPHONIC STRINGS: NOCTURNE"
(1960)
Written by Lou Harrison
Performed by The New Professional's Orchestra
Conducted by Rebecca Miller
Courtesy of Mode Records See more »
Really, Scorsese should just give it away for anyone. The man is one of the most brilliant directors of our time. Anyway, let me get to the actual movie; I just saw it at a early screening and have to write this while I'm thinking about how stunning it was. Shutter Island is certainly not a typical film, not even for Scorsese. It is a different take for the director, and he does it, as he does every film, perfectly, so much as to be in his own league of film-making. I don't want to give anything away, but I will say this: Shutter Island was completely unexpected, and a great start to 2010. It had all the components of a great film, and then some. The acting is spot on from every character; none of it seems forged or out of place. The script is fantastic; it has one of the most intriguing plots I have seen in a while (exception being Tarantino's Basterds). Everything, down to the set's lighting, was perfectly executed. I will say that not everyone will like this; Shutter Island, again, isn't your typical movie. To those, though, who do choose to see this film, be ready for a compelling, gripping, thought-provoking experience, so much so that you might think to see it again for further clarity (I know I will; it was so entertaining and my mind was blown!). Don't be surprised if you see this at the next Oscars...
397 of 636 people found this review helpful.
Was this review helpful to you?
Really, Scorsese should just give it away for anyone. The man is one of the most brilliant directors of our time. Anyway, let me get to the actual movie; I just saw it at a early screening and have to write this while I'm thinking about how stunning it was. Shutter Island is certainly not a typical film, not even for Scorsese. It is a different take for the director, and he does it, as he does every film, perfectly, so much as to be in his own league of film-making. I don't want to give anything away, but I will say this: Shutter Island was completely unexpected, and a great start to 2010. It had all the components of a great film, and then some. The acting is spot on from every character; none of it seems forged or out of place. The script is fantastic; it has one of the most intriguing plots I have seen in a while (exception being Tarantino's Basterds). Everything, down to the set's lighting, was perfectly executed. I will say that not everyone will like this; Shutter Island, again, isn't your typical movie. To those, though, who do choose to see this film, be ready for a compelling, gripping, thought-provoking experience, so much so that you might think to see it again for further clarity (I know I will; it was so entertaining and my mind was blown!). Don't be surprised if you see this at the next Oscars...