Eight years after the Joker's reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Catwoman.
It's 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he wonders whether he hasn't been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity. Written by
This was originally commissioned as a directing vehicle for Wolfgang Petersen. However, there were considerable modifications made to Dennis Lehane's novel in order to create a more action-driven blockbuster. See more »
When Teddy is running across the rocks towards the lighthouse, after blowing up Dr Crawley's car (away from camera), his white buttoned jacket is done up fully. From the front (running towards the camera) it is completely undone. See more »
Really, Scorsese should just give it away for anyone. The man is one of the most brilliant directors of our time. Anyway, let me get to the actual movie; I just saw it at a early screening and have to write this while I'm thinking about how stunning it was. Shutter Island is certainly not a typical film, not even for Scorsese. It is a different take for the director, and he does it, as he does every film, perfectly, so much as to be in his own league of film-making. I don't want to give anything away, but I will say this: Shutter Island was completely unexpected, and a great start to 2010. It had all the components of a great film, and then some. The acting is spot on from every character; none of it seems forged or out of place. The script is fantastic; it has one of the most intriguing plots I have seen in a while (exception being Tarantino's Basterds). Everything, down to the set's lighting, was perfectly executed. I will say that not everyone will like this; Shutter Island, again, isn't your typical movie. To those, though, who do choose to see this film, be ready for a compelling, gripping, thought-provoking experience, so much so that you might think to see it again for further clarity (I know I will; it was so entertaining and my mind was blown!). Don't be surprised if you see this at the next Oscars...
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