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Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Scott Z. Burns | (screenplay) | |
| Kurt Eichenwald | (book) | |
Produced by | |||
| Howard Braunstein | .... | producer | |
| George Clooney | .... | executive producer | |
| Kurt Eichenwald | .... | producer | |
| Jennifer Fox | .... | producer | |
| Gregory Jacobs | .... | producer | |
| Michael Jaffe | .... | producer | |
| Michael London | .... | executive producer | |
| Michael Polaire | .... | co-producer | |
| Jeff Skoll | .... | executive producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| Steven Soderbergh | (as Peter Andrews) | ||
Film Editing by | |||
| Stephen Mirrione | |||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| Doug J. Meerdink | |||
Art Direction by | |||
| Billy Hunter | (as William O. Hunter) | ||
| David Scott | (as David E. Scott) | ||
Set Decoration by | |||
| Daniel B. Clancy | |||
| Curtis Maneno | |||
Costume Design by | |||
| Shoshana Rubin | |||
Makeup Department | |||
| Christine Beveridge | .... | makeup artist: Matt Damon (as Chrissie Beveridge) | |
| Barbara Cantu | .... | key hairstylist | |
| Gloria Pasqua Casny | .... | hair department head (as Gloria Casny) | |
| Latrice Edwards | .... | additional makeup artist | |
| Kay Georgiou | .... | hair stylist: Matt Damon | |
| Jules Holdren | .... | hair stylist | |
| Connie Kallos | .... | hair stylist | |
| Chris Lyons | .... | special effects teeth | |
| Elisa Marsh | .... | makeup department head | |
| Marsha Shearrill | .... | key makeup artist | |
| Vicki Vacca | .... | makeup artist | |
| Rebecca Wachtel | .... | makeup artist | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Larry Blake | .... | supervising sound editor | |
| Sean Byrne | .... | sound re-recordist | |
| Matt Coby | .... | sound editor | |
| Barry Donnelly | .... | adr recordist | |
| Dawn Fintor | .... | foley artist | |
| Javier M. Hernández | .... | boom operator | |
| Steve La Fayette | .... | sound utility: IL, MO | |
| Marcus Ricaud | .... | sound utility | |
| Brian Seagrave | .... | audio post-conform | |
| Mark Shehab | .... | adr recordist | |
| Alicia Stevenson | .... | foley artist | |
| Billy Theriot | .... | assistant sound editor | |
| Dennis Towns | .... | production sound mixer | |
Special Effects by | |||
| Jared Baker | .... | special effects technician | |
| Robert Bolanowski | .... | special effects technician | |
| Ron Bolanowski | .... | special effects coordinator | |
| Darrell Burgess | .... | special effects technician | |
| Robert Everett | .... | special effects technician | |
| Bob Shelley | .... | special effects technician (as Robert Shelley) | |
| Daniel Yates | .... | special effects technician | |
Visual Effects by | |||
| Gary Abrahamian | .... | lead animator | |
| Elika Burns | .... | digital artist | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Lisa Maher | .... | visual effects producer: CIS-Hollywood | |
| Kama Moiha | .... | compositor | |
| Jesse Morrow | .... | visual effects artist | |
| James P. Noon | .... | tracking | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Chris Ryan | .... | CG supervisor (as Christopher Ryan) | |
| Prateep Siamwalla | .... | tracking | |
| Thomas J. Smith | .... | visual effects supervisor | |
| Xye | .... | tracking | |
| Mark Fletcher | .... | screen graphics designer (uncredited) | |
| Chris B. Schnitzer | .... | director of visual effects: Warner Bros. (uncredited) | |
Stunts | |||
| Sean Graham | .... | stunts | |
| Tabby Hanson | .... | stunts (as Tabby Hanson-Graham) | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Rick Le Fevour | .... | stunt performer | |
| Tom Lowell | .... | stunt double | |
| Daniel Maldonado | .... | stunt driver | |
| Scott Philyaw | .... | stunt driver | |
| John Robotham | .... | stunt coordinator | |
| Steve Schriver | .... | stunts | |
Camera and Electrical Department | |||
| Claudette Barius | .... | still photographer | |
| Chris Dame | .... | crane technician: Technocrane | |
| Greg Fausak | .... | best boy grip | |
| John-Anthony Gargiulo | .... | dolly grip | |
| Jeroen Hendriks | .... | camera technician | |
| Nicholas Kaat | .... | assistant chief lighting technician | |
| April Kelley | .... | second assistant camera | |
| Steven Meizler | .... | first assistant camera: 'b' camera | |
| John Joseph Minardi | .... | key grip | |
| Glenn E. Moran | .... | rigging gaffer | |
| Patrick B. O'Brien | .... | camera operator | |
| Michael J. Schwartz | .... | electrician | |
| Paul Toomey | .... | second assistant camera | |
| Peter Walts | .... | chief lighting technician | |
| Mark N. Woods | .... | technocrane operator | |
Casting Department | |||
| Shelby Cherniet | .... | casting associate: Chicago | |
| Helen Geier | .... | casting associate | |
| Mike Ketcher | .... | extras casting: St. Louis | |
| Rich King | .... | extras casting | |
| Claire Simon | .... | casting: chicago | |
| Erin Stewart | .... | extras casting assistant | |
| Teresa Thoma | .... | casting associate | |
| Jonathan Kinnas | .... | extras casting: Chicago (uncredited) | |
Costume and Wardrobe Department | |||
| Jessica Albertson | .... | set costumer | |
| Danielle Baker | .... | costumer | |
| Rebecca M. Graves | .... | costume assistant | |
| Brad Holtzman | .... | key costumer | |
| Sandy Kenyon | .... | costume supervisor | |
| Valerie T. O'Brien | .... | costumer | |
| Barnaby Smith | .... | costumer: Matt Damon | |
| Melissa Stinson | .... | set costumer | |
Editorial Department | |||
| Matt Absher | .... | first assistant editor | |
| Corey Bayes | .... | assistant editor | |
| Matthew Blackshear | .... | colorist: dailies | |
| Jimmy Fusil | .... | digital intermediate producer | |
| Nat Jencks | .... | DI editor | |
| Barbara Jean Kearney | .... | digital intermediate producer | |
| Tim Stipan | .... | supervising digital colorist | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Lee Wimer | .... | color timer | |
| Benjamin Sutor | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Missy Cohen | .... | music editor | |
| Larry Hochman | .... | orchestrator | |
| John Moses | .... | musician: clarinetist | |
| Laura Sherman | .... | musician: harp soloist | |
| Tim Starnes | .... | auricle programmer | |
| Todd Whitelock | .... | score mixer | |
| Todd Whitelock | .... | score recordist | |
Transportation Department | |||
| Jalal Aqdim | .... | picture car assistant coordinator: france | |
| Arnold Bucher | .... | driver: director | |
| David Glavin | .... | driver | |
| Shane Greedy | .... | transportation coordinator | |
| Anthony Gregorio | .... | driver | |
| Charles Heidet | .... | picture vehicle coordinator: Paris Unit | |
| Steve Lewis | .... | driver | |
| Kevin Loding | .... | driver | |
| Tony Mouradian | .... | driver | |
| Chance Robertson | .... | driver | |
| Alan Smith | .... | driver | |
| Lin C. Smith | .... | driver | |
| Chase Spitzer | .... | driver: Illinois | |
| Justin Thaler | .... | g&e driver: Cinelease Chicago Grip & Electric | |
| Alexandre Thiery | .... | unit driver: Paris (uncredited) | |
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| Fair Game | Breach | The Departed | Frost/Nixon | A Place in the Sun |
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| Full cast and crew | Company credits | External reviews |
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I suppose I will always find something to like in a Soderbergh movie. The real joy is in never knowing just what that will be. Even in his most mainstream projects he is exploring some new skill. Here it is the notion of narration.
I'll have to see this a second time with a DVD stop button to be able to fully catalog all the various modes that our filmmaker skips seamlessly through. The main device he weaves these modes around is the spine of the untrusted narrator. We have all sorts of layers and nodes of deception with the only ones we can really trust being the guys usually are the bottom of the garbage bin: the massive greedy company.
We have this fellow being dishonest to everyone, including himself. We have no idea where the line is that he actually believes and we hear only from him. Some of the internal dialog is hypnotizing: we are lulled into accepting it because so much of it is appealingly funny. It is a great trick of misdirection, allowing us to associate with this slippery reality.
Folded into this is are the watchers, nominally the FBI, then various lawyers and the wife, but us of course, punctuated by a video at the end directly to us (with the FBI behind a mirror).
A second surprise awaited me beyond the Soderbergh stretching. Matt Damon finally does something impressive. He is truly something worth watching here. I never would have guessed. I never would have believed. In fact, this wouldn't have worked at all, this suspended belief within the story, if he had not so believably become the character.
Ted's Evaluation -- 3 of 3: Worth watching.