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Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Scott Z. Burns | (screenplay) | |
| Kurt Eichenwald | (book) | |
Produced by | |||
| Howard Braunstein | .... | producer | |
| George Clooney | .... | executive producer | |
| Kurt Eichenwald | .... | producer | |
| Jennifer Fox | .... | producer | |
| Gregory Jacobs | .... | producer | |
| Michael Jaffe | .... | producer | |
| Michael London | .... | executive producer | |
| Michael Polaire | .... | co-producer | |
| Jeff Skoll | .... | executive producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| Steven Soderbergh | (as Peter Andrews) | ||
Film Editing by | |||
| Stephen Mirrione | |||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| Doug J. Meerdink | |||
Art Direction by | |||
| Billy Hunter | (as William O. Hunter) | ||
| David Scott | (as David E. Scott) | ||
Set Decoration by | |||
| Daniel B. Clancy | |||
| Curtis Maneno | |||
Costume Design by | |||
| Shoshana Rubin | |||
Makeup Department | |||
| Christine Beveridge | .... | makeup artist: Matt Damon (as Chrissie Beveridge) | |
| Barbara Cantu | .... | key hairstylist | |
| Gloria Pasqua Casny | .... | hair department head (as Gloria Casny) | |
| Latrice Edwards | .... | additional makeup artist | |
| Kay Georgiou | .... | hair stylist: Matt Damon | |
| Jules Holdren | .... | hair stylist | |
| Connie Kallos | .... | hair stylist | |
| Chris Lyons | .... | special effects teeth | |
| Elisa Marsh | .... | makeup department head | |
| Marsha Shearrill | .... | key makeup artist | |
| Vicki Vacca | .... | makeup artist | |
| Rebecca Wachtel | .... | makeup artist | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Larry Blake | .... | supervising sound editor | |
| Sean Byrne | .... | sound re-recordist | |
| Matt Coby | .... | sound editor | |
| Barry Donnelly | .... | adr recordist | |
| Dawn Fintor | .... | foley artist | |
| Javier M. Hernández | .... | boom operator | |
| Steve La Fayette | .... | sound utility: IL, MO | |
| Marcus Ricaud | .... | sound utility | |
| Brian Seagrave | .... | audio post-conform | |
| Mark Shehab | .... | adr recordist | |
| Alicia Stevenson | .... | foley artist | |
| Billy Theriot | .... | assistant sound editor | |
| Dennis Towns | .... | production sound mixer | |
Special Effects by | |||
| Jared Baker | .... | special effects technician | |
| Robert Bolanowski | .... | special effects technician | |
| Ron Bolanowski | .... | special effects coordinator | |
| Darrell Burgess | .... | special effects technician | |
| Robert Everett | .... | special effects technician | |
| Bob Shelley | .... | special effects technician (as Robert Shelley) | |
| Daniel Yates | .... | special effects technician | |
Visual Effects by | |||
| Gary Abrahamian | .... | lead animator | |
| Elika Burns | .... | digital artist | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Lisa Maher | .... | visual effects producer: CIS-Hollywood | |
| Kama Moiha | .... | compositor | |
| Jesse Morrow | .... | visual effects artist | |
| James P. Noon | .... | tracking | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Chris Ryan | .... | CG supervisor (as Christopher Ryan) | |
| Prateep Siamwalla | .... | tracking | |
| Thomas J. Smith | .... | visual effects supervisor | |
| Xye | .... | tracking | |
| Mark Fletcher | .... | screen graphics designer (uncredited) | |
| Chris B. Schnitzer | .... | director of visual effects: Warner Bros. (uncredited) | |
Stunts | |||
| Sean Graham | .... | stunts | |
| Tabby Hanson | .... | stunts (as Tabby Hanson-Graham) | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Rick Le Fevour | .... | stunt performer | |
| Tom Lowell | .... | stunt double | |
| Daniel Maldonado | .... | stunt driver | |
| Scott Philyaw | .... | stunt driver | |
| John Robotham | .... | stunt coordinator | |
| Steve Schriver | .... | stunts | |
Camera and Electrical Department | |||
| Claudette Barius | .... | still photographer | |
| Chris Dame | .... | crane technician: Technocrane | |
| Greg Fausak | .... | best boy grip | |
| John-Anthony Gargiulo | .... | dolly grip | |
| Jeroen Hendriks | .... | camera technician | |
| Nicholas Kaat | .... | assistant chief lighting technician | |
| April Kelley | .... | second assistant camera | |
| Steven Meizler | .... | first assistant camera: 'b' camera | |
| John Joseph Minardi | .... | key grip | |
| Glenn E. Moran | .... | rigging gaffer | |
| Patrick B. O'Brien | .... | camera operator | |
| Michael J. Schwartz | .... | electrician | |
| Paul Toomey | .... | second assistant camera | |
| Peter Walts | .... | chief lighting technician | |
| Mark N. Woods | .... | technocrane operator | |
Casting Department | |||
| Shelby Cherniet | .... | casting associate: Chicago | |
| Helen Geier | .... | casting associate | |
| Mike Ketcher | .... | extras casting: St. Louis | |
| Rich King | .... | extras casting | |
| Claire Simon | .... | casting: chicago | |
| Erin Stewart | .... | extras casting assistant | |
| Teresa Thoma | .... | casting associate | |
| Jonathan Kinnas | .... | extras casting: Chicago (uncredited) | |
Costume and Wardrobe Department | |||
| Jessica Albertson | .... | set costumer | |
| Danielle Baker | .... | costumer | |
| Rebecca M. Graves | .... | costume assistant | |
| Brad Holtzman | .... | key costumer | |
| Sandy Kenyon | .... | costume supervisor | |
| Valerie T. O'Brien | .... | costumer | |
| Barnaby Smith | .... | costumer: Matt Damon | |
| Melissa Stinson | .... | set costumer | |
Editorial Department | |||
| Matt Absher | .... | first assistant editor | |
| Corey Bayes | .... | assistant editor | |
| Matthew Blackshear | .... | colorist: dailies | |
| Jimmy Fusil | .... | digital intermediate producer | |
| Nat Jencks | .... | DI editor | |
| Barbara Jean Kearney | .... | digital intermediate producer | |
| Tim Stipan | .... | supervising digital colorist | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Lee Wimer | .... | color timer | |
| Benjamin Sutor | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Missy Cohen | .... | music editor | |
| Larry Hochman | .... | orchestrator | |
| John Moses | .... | musician: clarinetist | |
| Laura Sherman | .... | musician: harp soloist | |
| Tim Starnes | .... | auricle programmer | |
| Todd Whitelock | .... | score mixer | |
| Todd Whitelock | .... | score recordist | |
Transportation Department | |||
| Jalal Aqdim | .... | picture car assistant coordinator: france | |
| Arnold Bucher | .... | driver: director | |
| David Glavin | .... | driver | |
| Shane Greedy | .... | transportation coordinator | |
| Anthony Gregorio | .... | driver | |
| Charles Heidet | .... | picture vehicle coordinator: Paris Unit | |
| Steve Lewis | .... | driver | |
| Kevin Loding | .... | driver | |
| Tony Mouradian | .... | driver | |
| Chance Robertson | .... | driver | |
| Alan Smith | .... | driver | |
| Lin C. Smith | .... | driver | |
| Chase Spitzer | .... | driver: Illinois | |
| Justin Thaler | .... | g&e driver: Cinelease Chicago Grip & Electric | |
| Alexandre Thiery | .... | unit driver: Paris (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Reading the opinions posted on this site it appears that a lot of viewers came to this film with the expectation of big laughs throughout and, when the film didn't delivered them, walked off in a huff moaning about the film failing to deliver. In fairness to them I suspect that their complaints may be valid based on trailers and marketing suggesting this would be the case the exclamation point in the title probably didn't help either. So I'm glad then that I came to the film without a great deal of knowledge about what the film was trying to be other than it was a slightly comic version of a true case from the 1990's.
I am glad because this is what the film is a comic take on a real situation where the decision to do so as a light comedy appears to have paid off. With Mark Whitacre as the main character, we follow him into the case and we immediately start to get the impression that this guy really doesn't have his head in the real world like he doesn't understand the consequences of anything he says and does, which perhaps accounts for his rather cheerful outlook and easy personality. This is true but the full extent of his actions are unveiled nicely across the whole film leaving me at times a little like the FBI lawyer during the presentation from ADM's attorney, mouth open not quite believing it.
It is not a hilarious movie by any means but the comic air makes it easy to enjoy and the story is engaging and entertaining. Soderbergh does slightly overdo the "wacky" feel to and he probably didn't need to have as many recognisable faces from comedy in small roles, but he does make it work. A big part of this reason is Matt Damon showing that while he may be a Hollywood action star now, he is very capable as a character actor to. He does channel William H Macy from Fargo a little bit in how he will try and make pathetic lies to get himself out of trouble but I see this as a compliment because Macy is very good at that sort of character performance. Damon nails the cheerful self-delusion and his narration keeps us "on side" with him, making the comic tone work. The support cast is perhaps a bit too full of well-known faces but everyone is good, working again with the approach.
Overall The Informant! appears to be disliked mainly by those who expected something that marketing led them to believe this was. Coming to it on its own terms however this is an engaging story told with a comic air that works and makes the film as entertaining as it is interesting. Not hilarious and one could question if it is fair to handle Whitacre's story in a light manner, but it does work and I enjoyed it for what it was.