A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's ... See full summary »
Young Dutch landscape architect Meneer Chrome comes to a remote English estate where Thomas Smithers lives with his wife, Juliana. Smithers is determined to leave as his legacy a fabulous ... See full summary »
Set in the Australian wheat-belt in 1968, SEPTEMBER is a character driven film about two 15 year old boys - one black, one white - whose friendship begins to fall apart under the stress of ... See full summary »
Clarence John Ryan,
Amelia Earhart, a Kansas girl, discovers the thrill of aviation at age 23, and within 12 years has progressed to winning the Distinguished Flying Cross for being the first woman to pilot a plane solo across the Atlantic Ocean. At age 39, she sets out on an attempt to circumnavigate the globe, an adventure that catapults her into aviation myth. Written by
Jim Beaver <firstname.lastname@example.org>
A Lockheed 12 Electra Junior was used to represent the modified 10E Electra that Ms. Earhart flew in her final flight. The 12 is smaller than the 10. See more »
When Amelia Earhart is riding in the car with Gene Vidal, Amelia switches from looking out the window to at Gene and at one point, she is facing him in one shot then looking forwards in the next. See more »
Why don't you marry my father? Then I won't be afraid of anything anymore.
I'm already married, to Mr. Putnam.
Why can't you be married to Mr. Putnam and my father at the same time?
See more »
Occasionally a movie comes along from Hollywood that sweeps you away with the breadth and scope of its sheer awfulness.
True story - a hank of hair at the International Women's Air and Space Museum in Cleveland thought to be Amelia Earhart's was recently discovered to be, in fact, just thread. This movie is the cinematic equivalent. This movie, thought to be about Amelia Earhart is, in fact, a threaded bundle of clichés and overwrought soap opera moments. If Hilary Swank gave one more brave toothy grin, I thought I was going to have to leave. But I stuck it out to see which was worse, the unconvincing acting, the poor casting, Richard Gere, the costumey looking costumes, or the dreadful Peter Pan soundtrack. But the winner, I think, is the screenplay, which rattles off one maudlin insight after another alternating with scenes of stunning mediocrity played without conviction or chemistry.
If some of this is based on Earhart's real words, then maybe she's just not that interesting a subject for film. My guess is that the forever overly earnest Hillary Swank, as executive producer, buoyed by research and good intentions, convinced Mira Nair that her poetic approach to film-making would be perfect against the pilot's own words of inspiration. The result is a disaster. When you're sitting in the theater having shelled out your ten bucks and you can't wait for Amelia Earhart to die, you know you've gone to the wrong movie.
77 of 119 people found this review helpful.
Was this review helpful to you?