Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
A policeman takes his twin brother's place and inherits his problems and a beautiful girlfriend. He is forced to kickbox his way from France to the U.S. and back while playing footsie with ... See full summary »
Jean-Claude Van Damme,
In 1979 a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down to kill them.
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
The Mercedes in the chase scene is an W211 E-class E500 preface lift with Mercedes V8 engine with 306HP and Elegance package which is why car doesn't have tailpipes.If man hear carefully right after the scene where the Mercedes passes two trucks you can hear the roar of V8. See more »
Just before Frank is waking up after being taken by Johnson's men, he is shown lying from directly above, and you can see that he has nothing on his right hand/wrist. As soon as he wakes up, and sits up, he scratches his head with right hand, and explosive bracelet is suddenly there. See more »
The sea is so restful. Is lunch ready yet.
Mademoiselle, there is a certain progression to things. In order to eat the lunch, you first have to catch a lunch.
And if we keep talking instead of concentrating, we're gonna catch nothing.
I have better idea. Why don't we skip catching of lunch and go right to eating of lunch? I know wonderful place just up coast from here, where they make fish stew. Incredible. They use tomatoes and onions, a little amount of lavender.
What kind of wine?
[...] See more »
I loved both Transporter and Transporter 2, and I couldn't wait until opening day of Transporter 3. I recruited a few of my friends and we made a girls' night outing to see it. My big disappointment was with the director's comic fast-frames in the fight sequences. Jason Statham moves so fluidly in fight sequences, that it's both beautiful and a turn-on to watch. However, with jerky camera movements and the ridiculous fast-forwarding, the elements of grace and power were lost. The director tried to substitute plenty of still moments with a shirtless Statham in an attempt to give us some eye candy, but none of this did Jason justice, nor was it a fitting substitute. Natalya Rudakova was much too young for him as a romantic interest (kind of creepy), and I was unconvinced by her cheesy accent and her character's incongruent language mastery. Her character went from describing gourmet delicacies in perfect English to saying "what means ____" (insert basic word).
I loved François Berléand again, and of course Jason put in another outstanding performance. Natalya could have been a fun character, without the bad accent and romantic twist to the plot.
Please give us a Transporter 4 more in line with the previous two films!!
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