Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
Natalya Rudakova, who was a hairdresser with no acting experience prior to this film, was discovered by producer Luc Besson as he was walking down the street in New York. Besson caught up to her and asked her to take some acting lessons and then come in for an audition. See more »
Frank hands Valentina currency with 50 on it. The orientation of the bill changes direction: right side up, then down. See more »
You don't want to do this.
I don't think you're in a position to tell me what to do or don't what to do. You have ten seconds to change your mind.
I'll give you five seconds to remove your hand.
See more »
Performed by Busta Rhymes
Written by Mike Elizondo (as Michael Elizondo) / Melvin Bradford / Busta Rhymes (as Trevor Smith)
(c) Elvis Mambo Music / Music of Windswept / Five Card Music, administrated for the world by Bug Music / Windswept,
represented in France by French Fried Music, T'Ziah'S Music / Ensign Music / Sony/ATV Melody
2001 WB Music Corp. / Hard Working Black Folks Inc.
Music of Windswept represented by Famous Music Publishing France
(p) 2001 BMG Music LLC
With Courtesy of Sony BMG Music Entertainment (France)
With Courtesy of Warner Chappell Music France See more »
Ready to watch an average entertaining movie, I didn't expect to see the best of the Transporter sequels.
For once the script has been designed carefully, action and fight scenes happen logically, there is true suspense and we believe in the story. This is not the regular high-budget low-brained film we have been taught to expect.
Valentina (Natalya Rudakova) has a nice touch of "Nikita", and plays wonderfully the captive girl half romantic, half moving. A very promising actress. Jason is excellent as usual, and, for once, gets his performance highlighted thanks to a riveting story. Fight scenes have something from the legendary Jason (Bourne) movies. Camera effects give fights some necessary depth, compared to other movies.
The best of Luc Besson back at work.
Do not pay too much attention to the low rating: It looks like the Transporter aficionados - used to pure raw action/no story "Chuck Norris" like - were disappointed. Well, this is probably the best thing that could happen to this movie: Transporter 3 definitely got its level upgraded and targets a different audience.
My advice to the producer: keep on the good work, and create a new movie based on the same pattern, but just don't name it "Transporter 4", so that you don't disappoint the "Missing in action" fans.
24 of 36 people found this review helpful.
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