Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
The Mercedes in the chase scene is an W211 E-class E500 preface lift with Mercedes V8 engine with 306HP and Elegance package which is why car doesn't have tailpipes.If man hear carefully right after the scene where the Mercedes passes two trucks you can hear the roar of V8. See more »
Just before Frank is waking up after being taken by Johnson's men, he is shown lying from directly above, and you can see that he has nothing on his right hand/wrist. As soon as he wakes up, and sits up, he scratches his head with right hand, and explosive bracelet is suddenly there. See more »
Do you ever kiss like you mean it Frank? I'm thinking may be nice. I'm thinking you live alone. Inside and outside. I think it's not dying you're afraid of, it's a living. Live with me. just this once, just this moment, live with me...
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I loved both Transporter and Transporter 2, and I couldn't wait until opening day of Transporter 3. I recruited a few of my friends and we made a girls' night outing to see it. My big disappointment was with the director's comic fast-frames in the fight sequences. Jason Statham moves so fluidly in fight sequences, that it's both beautiful and a turn-on to watch. However, with jerky camera movements and the ridiculous fast-forwarding, the elements of grace and power were lost. The director tried to substitute plenty of still moments with a shirtless Statham in an attempt to give us some eye candy, but none of this did Jason justice, nor was it a fitting substitute. Natalya Rudakova was much too young for him as a romantic interest (kind of creepy), and I was unconvinced by her cheesy accent and her character's incongruent language mastery. Her character went from describing gourmet delicacies in perfect English to saying "what means ____" (insert basic word).
I loved François Berléand again, and of course Jason put in another outstanding performance. Natalya could have been a fun character, without the bad accent and romantic twist to the plot.
Please give us a Transporter 4 more in line with the previous two films!!
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