Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
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Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
The fight between Frank Martin and Johnson was shot in two days and Robert Knepper only had a stunt double for one particular action. See more »
When under water in the lake, Frank uses the air from his tires to breathe and raise the Audi to the surface, yet when the car is recovered to the shore the tires are fully inflated and he drives away on them. See more »
You've disappointed me.
You won't be the first, and you won't be the last. I told you I wanted to do this in person.
That won't be necessary. You see, since we had our little chat at the beginning of the mission, I've been thinking I don't need the best man for this mundane assignment. Any idiot with a drivers' license will do, so, in the words of the great American Donald Trump, I'm sorry, but you're fired.
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Set It on Fire
Written by Eve (as Eve Jeffers) / Frankie Storm / Lamont Coleman / Pierre-Alexandre Busson / Alexandre Azaria
Performed by Eve
(p) 2008 EuropaCorp
(c) EuropaCorp Music Publishing
UW Infini & All you need is songs / Blondie Rockwell (ASCAP), Dabney Music Publishing Sony/ATV (BMI),
Yawehimi Publishing Llc. (BMI)
Music produced and arranged by Yuksek
Yuksek appears with Courtesy of Uncivilized World See more »
Ready to watch an average entertaining movie, I didn't expect to see the best of the Transporter sequels.
For once the script has been designed carefully, action and fight scenes happen logically, there is true suspense and we believe in the story. This is not the regular high-budget low-brained film we have been taught to expect.
Valentina (Natalya Rudakova) has a nice touch of "Nikita", and plays wonderfully the captive girl half romantic, half moving. A very promising actress. Jason is excellent as usual, and, for once, gets his performance highlighted thanks to a riveting story. Fight scenes have something from the legendary Jason (Bourne) movies. Camera effects give fights some necessary depth, compared to other movies.
The best of Luc Besson back at work.
Do not pay too much attention to the low rating: It looks like the Transporter aficionados - used to pure raw action/no story "Chuck Norris" like - were disappointed. Well, this is probably the best thing that could happen to this movie: Transporter 3 definitely got its level upgraded and targets a different audience.
My advice to the producer: keep on the good work, and create a new movie based on the same pattern, but just don't name it "Transporter 4", so that you don't disappoint the "Missing in action" fans.
23 of 35 people found this review helpful.
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