Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
During the train scene when Frank takes down Johnson can removes the bomb bracelet from his wrist. You should notice after wrapping Johnson's wrist with the seat belt Frank is able to put the car in reverse without being inside to hold the brake pedal down. See more »
When the bad guy threatens Frank Martin with death after the botched attempt by Frank's friend he holds a gun to his face and threatens to shoot. In the mid-closeup the gun is a 1911 type; in the more dramatic closeup showing a portion of the pistol and Frank's face it is obvious that the gun being held to Frank's face is a Beretta 92. The open slide is the give-away. See more »
You've disappointed me.
You won't be the first, and you won't be the last. I told you I wanted to do this in person.
That won't be necessary. You see, since we had our little chat at the beginning of the mission, I've been thinking I don't need the best man for this mundane assignment. Any idiot with a drivers' license will do, so, in the words of the great American Donald Trump, I'm sorry, but you're fired.
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Performed by Busta Rhymes
Written by Mike Elizondo (as Michael Elizondo) / Melvin Bradford / Busta Rhymes (as Trevor Smith)
(c) Elvis Mambo Music / Music of Windswept / Five Card Music, administrated for the world by Bug Music / Windswept,
represented in France by French Fried Music, T'Ziah'S Music / Ensign Music / Sony/ATV Melody
2001 WB Music Corp. / Hard Working Black Folks Inc.
Music of Windswept represented by Famous Music Publishing France
(p) 2001 BMG Music LLC
With Courtesy of Sony BMG Music Entertainment (France)
With Courtesy of Warner Chappell Music France See more »
I loved both Transporter and Transporter 2, and I couldn't wait until opening day of Transporter 3. I recruited a few of my friends and we made a girls' night outing to see it. My big disappointment was with the director's comic fast-frames in the fight sequences. Jason Statham moves so fluidly in fight sequences, that it's both beautiful and a turn-on to watch. However, with jerky camera movements and the ridiculous fast-forwarding, the elements of grace and power were lost. The director tried to substitute plenty of still moments with a shirtless Statham in an attempt to give us some eye candy, but none of this did Jason justice, nor was it a fitting substitute. Natalya Rudakova was much too young for him as a romantic interest (kind of creepy), and I was unconvinced by her cheesy accent and her character's incongruent language mastery. Her character went from describing gourmet delicacies in perfect English to saying "what means ____" (insert basic word).
I loved François Berléand again, and of course Jason put in another outstanding performance. Natalya could have been a fun character, without the bad accent and romantic twist to the plot.
Please give us a Transporter 4 more in line with the previous two films!!
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