Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it? Written by
Robert Knepper was inspired by Ernest Hemingway to create his character's look, and even created a whole back-story for himself. Thus he imagined Johnson to have grown up in a typical small American town, to have graduated from a prestigious university such as Yale or Harvard, to be highly cultured and sophisticated and to truly believe that he was doing the right thing for his country and the world. In addition Olivier Megaton asked Knepper to draw inspiration from Kiefer Sutherland's performance in Phone Booth (2002). See more »
When Valentina is telling Frank the whole story, we can see that the Audi's rear window is shot to pieces, but when the car is driven through Frank's house, the rear window is intact. See more »
[Valentina sees Frank's car racing alongside the train and smiles]
What's so funny?
Hearing a dead man talking.
See more »
Hell Is Around the Corner
Written by Isaac Hayes / Tricky
Performed by Tricky
(c) East Memphis Music Corp. / Island Music Ltd
(p) 1995 Island Records Ltd
With Courtesy of Universal Music Vision See more »
Ready to watch an average entertaining movie, I didn't expect to see the best of the Transporter sequels.
For once the script has been designed carefully, action and fight scenes happen logically, there is true suspense and we believe in the story. This is not the regular high-budget low-brained film we have been taught to expect.
Valentina (Natalya Rudakova) has a nice touch of "Nikita", and plays wonderfully the captive girl half romantic, half moving. A very promising actress. Jason is excellent as usual, and, for once, gets his performance highlighted thanks to a riveting story. Fight scenes have something from the legendary Jason (Bourne) movies. Camera effects give fights some necessary depth, compared to other movies.
The best of Luc Besson back at work.
Do not pay too much attention to the low rating: It looks like the Transporter aficionados - used to pure raw action/no story "Chuck Norris" like - were disappointed. Well, this is probably the best thing that could happen to this movie: Transporter 3 definitely got its level upgraded and targets a different audience.
My advice to the producer: keep on the good work, and create a new movie based on the same pattern, but just don't name it "Transporter 4", so that you don't disappoint the "Missing in action" fans.
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