Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
At nearly 80, Agnès Varda explores her memory - growing up in Belgium, living in Sète, Paris, and Noirmoutier, discovering photography, making a film, being part of the New Wave, raising children with Jacques Demy, losing him, and growing old. She explores her memory using photographs, film clips, home movies, contemporary interviews, and set pieces she designs to capture a feeling, a time, or a frame. Shining through each scene are her impish charm, inventiveness, and natural empathy. How do people grow old, how does loss stay with them, can they remain creative, and what do they remember? Memory, she says, is like a swarm of confused flies. She envisions hers for us. Written by
Agnès Varda presented us in this autobiographical movie with her memories of a life devoted to the cinema and not only. She does that in powerful and beautiful images supported by a brilliant, witty and sensitive commentary. In this movie we can see references to several of some of the best Varda's films such as La Pointe Courte, Cléo de 5 à 7 and Le Bonheur, with images, and to some of the greatest and more important figures of French cinema such as her husband Jacques Demy to begin with and also Godard, Catherine Deneuve, Michel Piccoli, Jane Birkin and others. The cut is very intelligent and effective in visual terms combining the present and the past sometimes in simultaneous images with a special effect here and there. A masterpiece indeed.
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