An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain... See full summary »
"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and ... See full summary »
At nearly 80, Agnès Varda explores her memory - growing up in Belgium, living in Sète, Paris, and Noirmoutier, discovering photography, making a film, being part of the New Wave, raising children with Jacques Demy, losing him, and growing old. She explores her memory using photographs, film clips, home movies, contemporary interviews, and set pieces she designs to capture a feeling, a time, or a frame. Shining through each scene are her impish charm, inventiveness, and natural empathy. How do people grow old, how does loss stay with them, can they remain creative, and what do they remember? Memory, she says, is like a swarm of confused flies. She envisions hers for us. Written by
This movie is so far beyond what could be considered,'Documentary', that the film exists in entirely new cinematic terrain. Agnes Varda has spent her life portraying Life with an artistic skill and wit that is second to none. She has created a body of work, both as a photographer and a film maker that will be viewed and celebrated as long as there are humans on the planet. And, now with, THE BEACHES OF AGNES, she tackles the presentation of her own personal story, not within the confines of, 'Realism', but in full-blown, 'Surreal Mode'. Each and every shot in this film is a joy to behold- Awe inspiring and playful simultaneously. Sound, or the lack there of, also adds an additional perspective which has a way of pulling the viewer deeper into the startling images and compelling narrative structure. THE BEACHES OF AGNES is one of the best films I have seen in a long while, and I am positive that I have never seen anything quite like it. A Must See.
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