Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream ... See full summary »
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his... See full summary »
In Spain, the former Nazi doctor Klaus tries to commit suicide jumping off the roof of his manor. However, he survives with the entire body paralyzed and dependable of an iron lung with ... See full summary »
An unnamed doctor has always had everything he's ever wanted, but that has only made him develop more extreme and depraved needs. He kidnaps a young couple in the prime of their life ... See full summary »
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"Subconscious Cruelty" is divided in four segments: Ovarian Eyeball - a naked woman is sliced by a sharp blade and an eyeball is removed from her belly. Human Larvae - a deranged man that ... See full summary »
Two men (both probably being junior officers) are held in a penal military prison. The room which they share looks like a dark cellar with a dripping sewer pipe running through it... See full synopsis »
Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream of transient workers who populate the airport's soulless hub. When Lena, a young Polish office cleaner, is befriended by Birdie, she gets drawn into a nightmarish world of torture, murder and perversity. Imprisoned in a suburban House of Horrors and designated a 'Mummy's Girl', Lena's only options appear to be to become part of the family - and join them in their insanity - or die. Written by
As an obviously low-budget film I'd say this is a job well done within the limitations that such lack of finance offers. From the moment that Lena is taken back to Birdie's house the intensity is sustained, admittedly over the top at times but it held my attention. I don't feel I need to know why the dad is as he is, what motivates the mother or why the other two 'children' haven't tried to escape, as a claustrophobic, hellish situation the film does work. There are the inevitable predictabilities as this scenario is a variation on the theme of plenty of other films but without pointlessly harping on about comparisons I feel that Mum & Dad achieved as good a film as it could have been, an accomplishment which should lead to the writer/director being given a longer leash on his next venture. As a footnote, I'd say that Olga Fedori has enormous presence and I hope the quality of work comes her way to realise what, to me, seems to be great potential.
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