Geraldine Ferraro Elementary is on the brink of collapse: the lowest test scores in the state, teachers who are either drunk or having sex on school grounds, and a principal who extorts ...
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Rachel, a part-time call girl, consumed with fairy tales, is taken off the streets of Las Vegas by Navy, a high-class gigolo in search of a new way of life in Montana. Along the way, the ... See full summary »
Gregory C. Haynes
Late-night radio host Dale Sweeney's usual line up of odd-ball, conspiracy-obsessed callers is interrupted by a panicked phone call in an indecipherable language. When FBI agents arrive ... See full summary »
Paul Francis Sullivan
David Alan Basche,
Siobhan Fallon Hogan
This is a comedy that shows us that love has nothing to do with perfection. After losing the woman of his dreams, Anderson is convinced he'll never fall in love again. But at the urging of ... See full summary »
Geraldine Ferraro Elementary is on the brink of collapse: the lowest test scores in the state, teachers who are either drunk or having sex on school grounds, and a principal who extorts money from parents. It's up to Tom, the down-on-his-luck vice-principal, to rally the lazy teachers, expose the principal's corruption, and turn the school around before an end of the day board decision that is certain to lead to its closure. Written by
"Lower Learning" is one of those annoying movies that thinks it's so much more clever than it actually is. The kind of movie that thinks every single line of dialogue is supposed to be a Tarantino-like one-liner that people will be repeating for the next couple of decades, we'll figure out less important stuff like plot and characters later on. Well, guess what: Mark Lafferty isn't quite Tarantino, and everything about this movie is so laughably forced that it almost becomes unwatchable. How long did it take these people to even find actors willing to utter lines like "we have to be as quiet as a fairy fart"? Honestly, just let that line sink in for a while. If that made the final script, I don't even want to think about what lines might have been cut (if any). If you can't write a decent line of dialogue to save your life, you probably shouldn't transform more than half of the scenes into long conversations that barely have anything to do with the actual story. Through the power of trial and error the movie does occasionally stumble into a territory where it's almost good (the "they get detention!" scene has a peculiar charm to it), but these moments are way too few and far apart to make me stop hating this movie. Garbage.
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