Jake Roedel and Jack Bull Chiles are friends in Missouri when the Civil War starts. Women and Blacks have few rights. Jack Bull's dad is killed by Union soldiers, so the young men join the ... See full summary »
The Driver is carrying an East Asian child who has been chosen for a strange rite. He must drive him through a dark night in the city to get to a monk's house, while eluding several U.S. ... See full summary »
According to The Washington Post, screenwriter and producer James Schamus told reporters at the Cannes Film Festival that the biggest challenge in casting extras for the film was to find people "who were not working out all the time, and who still had pubic hair." See more »
In at least a couple of scenes with Elliott walking around the side of the hotel, you can clearly see a NID or Telephone Network Box. Almost everyone has them on the side of their houses now, but these weren't in use until many years later. See more »
[Elliot is spreading the white bedsheets into a giant X on the lawn to flag down Michael Lang's helicopter]
Elli! What is this with the sheets?
What does it look like? I'm making a big cross on the lawn!
With the clean sheets? Jake, our boy's gone crazy! Making a Ku Klux Klan rally on our property!
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I saw this movie being very attracted by the trailer which seemed to offer fun and deep involvement. Now I have seen it, and I can say that it is enjoyable, but not fully convincing. Obviously, Ang Lee drifts attention from the concerts and the music of those three epic days in 1969 to focus on the personal story of a young man and his odd family who worked and lived in the background of this great event. The characters are engaging, very well interpreted, but in the end I missed the real protagonist, music, being it the powerful means through which these young people gave voice to their need for change and revolution and which was revolutionary, indeed. The atmosphere of those days is rendered vividly, we get many physical perceptions, of naked bodies, mud, rain, sun, but not acoustic ones, and I perceived this as a flaw throughout the movie. In the end you ask yourself: wasn't Woodstock mainly a three-day concert? Where is music? The movie is solidly directed, the director knows perfectly what kind of product he wants to offer, and in the end we get fun and reflection around, but never inside an event, which never comes to be explicit. Very good actorial interpretations (Imelda Staunton playing the mother is simply wonderful), although the characters themselves appear to be looking for a soundtrack which lacks till the end.
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