| Photos (See all 15 | slideshow) | Videos (see all 7) |
| Paul Giamatti | ... | Paul Giamatti | |
| Armand Schultz | ... | Astrov | |
| Michael Tucker | ... | Theatre Director | |
| Dina Korzun | ... | Nina | |
| Ted Koch | ... | INS Officer | |
| Oksana Lada | ... | Sasha | |
| Natalia Zvereva | ... | Blonde Mule | |
| Larisa Bell | ... | Russian Singer | |
| Anna Dyukova | ... | Olga (as Anna Dukova) | |
| Charles Techman | ... | Soul Storage Doorman | |
| Lauren Ambrose | ... | Stephanie | |
| David Strathairn | ... | Dr. Flintstein | |
| Laura Heisler | ... | Female Client in Promo | |
| Brienin Bryant | ... | Young Woman in Soul Storage | |
| Charlotte Mickie | ... | Mrs. Rathbone | |
| Rebecca Brooksher | ... | Yelena | |
| Henry Stram | ... | Telegin | |
| Herb Foster | ... | Serebriakov | |
| Boris Kievsky | ... | Oleg | |
| Sergei Kolesnikov | ... | Dimitri (as Sergey Kolesnikov) | |
| Katheryn Winnick | ... | Sveta | |
| Alex Adamov | ... | Photographer | |
| Emily Watson | ... | Claire | |
| Lisa Emery | ... | Cynthia | |
| Mimi Lieber | ... | Friend at Restaurant | |
| Yevgeniy Dekhtyar | ... | Hotel Receptionist | |
| Boris Leskin | ... | Donor | |
| Gregory Korostishevsky | ... | Igor | |
| Michael Aronov | ... | Mafioso | |
| Sasha Luzanov | ... | Video Store Salesman | |
| Yuliya Yakovleva | ... | Beautician (as Youlia Yakovleva) | |
| Tatyana Egorova | ... | Factory Supervisor (as Tatyana Eyorova) | |
| Svetlana Kireyeva | ... | Landlord (as Svetlana Kireeva) | |
| David Spearman | ... | Young Soldier | |
| Michael Stuhlbarg | ... | Hedge Fund Consultant | |
| Tom Stearns | ... | Man Extracting Neurons | |
| Seth Austin | ... | Androgynous Person | |
| Max McGuire | ... | Androgynous Person | |
| Edward Thomas | ... | Androgynous Person | |
| Joseph Scott | ... | Old Man | |
| Stella Stark | ... | Paul's Mother | |
| David Maynes | ... | Young Paul | |
| Dominique De Bourgknecht | ... | Pregnant Mother | |
| Adrian Lallemand | ... | Baby Paul | |
| rest of cast listed alphabetically: | |||
| Flo Ankah | ... | Ballerina (uncredited) | |
| Joseph Basile | ... | Military Cadet (uncredited) | |
| Marie-Pierre Beausejour | ... | Sonya (uncredited) | |
| Kevin Cannon | ... | Angry Protestor (uncredited) | |
| Erin Cronican | ... | Assistant to Director (uncredited) | |
| Fabrizia Dal Farra | ... | Ballerina (uncredited) | |
| Alexandra Donhoeffner | ... | Ballerina (uncredited) | |
| Elli | ... | Russian Airline Passenger (uncredited) | |
| John Farrer | ... | Dream Sequence Violinist (uncredited) | |
| Gabriel Furman | ... | Russian Soap Doctor (uncredited) | |
| Polina Gorman | ... | Sophisticated Prostitute (uncredited) | |
| Jeannette Gould | ... | Marya in Uncle Vanya (uncredited) | |
| Stanley Krajewski | ... | Factory Worker (uncredited) | |
| Bobby Lundon | ... | Sleeping Student (uncredited) | |
| Abe Mendel | ... | Locker Room Man (uncredited) | |
| Anna Orisik | ... | Society Lioness (uncredited) | |
| Wendy Rich Stetson | ... | Soul Storage Mother (uncredited) | |
Directed by | |||
| Sophie Barthes | |||
Writing credits(WGA) | ||
| Sophie Barthes | (written by) | |
Produced by | |||
| Daniel Carey | .... | producer (as Dan Carey) | |
| Elizabeth Giamatti | .... | producer | |
| John Hynansky | .... | executive producer | |
| Alexandre Mallet-Guy | .... | co-producer | |
| D.J. Martin | .... | executive producer | |
| Paul Mezey | .... | producer | |
| Andrij Parekh | .... | producer | |
| James Shifren | .... | executive producer | |
| Natalya Smirnova | .... | line producer: Russia (as Natasha Smirnova) | |
| Jeremy Kipp Walker | .... | producer | |
Original Music by | |||
| Dickon Hinchliffe | |||
Cinematography by | |||
| Andrij Parekh | |||
Film Editing by | |||
| Andrew Mondshein | |||
Casting by | |||
| Daniel Swee | |||
Production Design by | |||
| Beth Mickle | |||
Art Direction by | |||
| Michael Ahern | |||
Set Decoration by | |||
| Ipek Celik | |||
Costume Design by | |||
| Erin Benach | |||
Makeup Department | |||
| Lisa DelleChiaie | .... | key hair stylist | |
| Tamara Freed | .... | hair stylist: Russia | |
| Tamara Freed | .... | makeup artist: Russia | |
| David Kalahiki | .... | key makeup artist | |
| Johnny Mooi | .... | additional hair stylist | |
| Rondi Scott | .... | additional makeup artist | |
| Yelena Vasilyeva | .... | assistant hair stylist: Russia (as Elena Vasiljeva) | |
| Yelena Vasilyeva | .... | assistant makeup artist: Russia (as Elena Vasiljeva) | |
| Joanna L. Wong | .... | additional makeup artist | |
Production Management | |||
| Louise Lovegrove | .... | unit production manager | |
| Maxim Volodin | .... | production manager: Saint-Petersburg | |
Art Department | |||
| Matthew Amenta | .... | assistant property master | |
| Richard Bailey | .... | set dresser | |
| Jeremy L. Balon | .... | property master | |
| Jared Bumgarner | .... | leadman | |
| Tessa Faulkner | .... | art production assistant | |
| Gina Freedman | .... | on-set dresser | |
| Brian Goodwin | .... | carpenter | |
| Rachel Jones | .... | art department coordinator | |
| Calen Kennett | .... | soul extractor crew | |
| Daniel R. Kersting | .... | assistant set dresser | |
| Dan-ah Kim | .... | assistant set decorator | |
| Eric Lahey | .... | soul extractor | |
| David Lahey-Murphy | .... | soul extractor crew | |
| David A. Loitz | .... | soul extractor crew | |
| Andy Paiko | .... | soul extractor crew | |
| August Popkin | .... | carpenter | |
| Sarah Shriber | .... | property intern | |
| Becky Slane | .... | scenic painter | |
| Jonathan Sunderman | .... | property assistant | |
| John Vogt | .... | carpenter | |
Sound Department | |||
| Rachel Chancey | .... | foley supervisor | |
| Ryan Collison | .... | foley engineer | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Gisburg | .... | music editor | |
| Dave Paterson | .... | sound re-recording mixer | |
| Dave Paterson | .... | supervising sound editor | |
| Jay Peck | .... | foley artist | |
| Mary Ellen Porto | .... | dialog & adr editor | |
| Waldo Valenzuela | .... | sound re-recording mixer | |
| Damian Volpe | .... | sound effects editor | |
Visual Effects by | |||
| Morgan Miller | .... | digital retouching | |
| Jesse Morrow | .... | fire artist | |
| Jesse Morrow | .... | visual effects artist | |
| Joseph Ryals | .... | digital film scanning and recording | |
| Daniel Silverman | .... | digital film scanning and recording | |
| Kevin Vale | .... | digital film scanning and recording | |
Camera and Electrical Department | |||
| Josh M. Allen | .... | electrician | |
| Adam B. Bell | .... | still photographer | |
| Carter Bissell | .... | best boy electric | |
| David Dutkus | .... | grip | |
| Ron Egozi | .... | camera operator | |
| Alexander Engel | .... | rigging gaffer | |
| Brian Harnick | .... | additional grip | |
| Kate Larose | .... | first assistant camera | |
| Frank Love | .... | second assistant camera | |
| Mike 'Electric' Mervilde Jr. | .... | key grip | |
| Smokey Nelson | .... | additional photographer | |
| Smokey Nelson | .... | gaffer | |
| Rome Petersson | .... | swing | |
| Aaron Randall | .... | best boy grip | |
| Stavros Toumanidis | .... | loader | |
| Christopher Vidaic | .... | grip | |
Casting Department | |||
| Alena Garetovskaya | .... | casting director: Russia | |
| Meredith Jacobson | .... | extras casting | |
| Zoe E. Rotter | .... | casting associate | |
| Adam Vincentz | .... | extras casting | |
Costume and Wardrobe Department | |||
| Tamara Cepeda | .... | wardrobe production assistant | |
| Caroline Flach | .... | seamstress | |
| Stephani Lewis | .... | assistant costume designer | |
| Emma Potter | .... | costume supervisor | |
Editorial Department | |||
| Victoria Anderson | .... | colorist assistant | |
| Andrew Blackwell | .... | associate editor | |
| Dana Bloder | .... | digital intermediate producer | |
| Jessica Elvin | .... | on-line editor | |
| Barbara Jean Kearney | .... | digital intermediate executive producer | |
| Jesse Morrow | .... | smoke editor | |
| Crystal Pei | .... | colorist: dailies | |
| Richie Roefaro | .... | colorist assistant | |
| Tim Stipan | .... | digital intermediate colorist | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Paul Zucker | .... | additional editor | |
Music Department | |||
| Ali Friend | .... | musician: double bass | |
| Dickon Hinchliffe | .... | orchestrator | |
| Al Macaulay | .... | musician: drums | |
| Tracy McKnight | .... | music supervisor | |
| T. Colby Trane | .... | music coordinator (as Colby Trane) | |
| Sarah Wilson | .... | musician: cello | |
Thanks | |||
| Jonathan Bell | .... | acknowledgment | |
| Kelly Diaz | .... | original artwork provided by | |
| Craig Kestel | .... | special thanks | |
| Chase Palmer | .... | very special thanks | |
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| Dreamgirls | Isadora | Stage Door | The Producers | 8½ |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Often, attempts at satire or surrealism fall flat. The jokes are silly, or the situations not credible. But when they do work, they provide those unique gems of an experience that are hard to forget Such is the case for Cold Souls. Sophie Barthes did a magnificent job of making a surrealistic story credible, with serious characters, and involving emotions. Her camera work and lensing are impeccable, and the performance by Paul Giamati is so sincere and moving that it raises the movie. Sophie takes us through a world where one can have their soul removed, then shows us the consequences. And she does so in such a way as to keep the entire situation credible. This makes for a unique film experience, which is so refreshing.
The humor is amazing. Paul is such a terrific actor, he plays his satire with utter credibility, and in a profoundly moving way. That he is able to pull such credibility out of such situations is a testament to his acting ability. After seeing this, I now regard him as one of our best actors, period.
Everyone in the theater was laughing out loud at the cleaver humor and odd situations. If you're looking for wonderful, thought provoking entertainment, above the masses, I thoroughly recommend this movie.