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Cold Souls (2009)

PG-13  |   |  Comedy, Drama  |  5 May 2010 (France)
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Ratings: 6.5/10 from 8,239 users   Metascore: 69/100
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Paul is an actor who feels bogged down by his participation in a production of Chekov's play, Vanya.



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3 wins & 9 nominations. See more awards »



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Cast overview, first billed only:
Paul Giamatti
Michael Tucker ...
Theatre Director
INS Officer
Natalia Zvereva ...
Blonde Mule
Larisa Bell ...
Russian Singer
Anna Dyukova ...
Olga (as Anna Dukova)
Soul Storage Doorman
Dr. Flintstein
Female Client in Promo
Brienin Bryant ...
Young Woman in Soul Storage
Charlotte Mickie ...
Mrs. Rathbone


Civilization and its discontents. Paul, an actor preparing for "Uncle Vanya" on Broadway, is mired in ennui. His agent tells him about an office where he can put his soul in storage. He does so then discovers that being soulless helps neither his acting nor his marriage; he returns to the office and rents, for two weeks, the soul of a Russian poet. His acting improves, but his wife finds him different, he sees bits of the borrowed soul's life, and he's now deep in sorrow. He wants his own soul back, but there are complications: it's in St. Petersburg. With the help of Nina, a Russian who transports souls to the U.S., he determines to get it back. Who has he become? Written by <>

Plot Summary | Plot Synopsis

Plot Keywords:

actor | agent | ennui | poet | fur coat | See All (47) »


A soul searching comedy.


Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for nudity and brief strong language | See all certifications »

Parents Guide:



Official Sites:





Release Date:

5 May 2010 (France)  »

Also Known As:

Alma Perdida  »

Filming Locations:


Box Office

Opening Weekend:

$63,302 (USA) (7 August 2009)


$903,148 (USA) (6 November 2009)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The film was inspired by a dream Sophie Barthes had in which Woody Allen discovers that his soul looks just like a chickpea. Barthes wrote the first draft with Allen in mind for the lead role. See more »


Dmitri tells the actress not to worry that Paul's soul looks like and is the size of a chickpea, telling her that Al Pacino won three Oscars. Al Pacino has actually only won one Oscar (Best Actor in 1992, Scent of a Woman). See more »


Dr. Flintstein: Believe me, when you get rid of your soul everything makes so much more sense. Everything becomes, well, functional, and purposeful.
See more »


References Scarface (1983) See more »


Written by A. Obukhov, A. Budishchev (traditional)
Performed by Larisa Bell
See more »

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User Reviews

Dark yet delightful.
29 March 2009 | by (United States) – See all my reviews

I saw this film today as part of FSLC and MoMA's New Directors / New Films Festival. The screening was followed by a Q&A with writer/director Sophie Barthes, who openly admitted to being annoyed by comparisons between her film and Charlie Kaufman's works. Though not entirely similar, the surrealist feel of 'Souls' is bound to draw those comparisons, and even if Barthes is sick of hearing it, I have to say, I imagine that if Kaufman and Anton Chekhov decided they should write a movie together and Michel Gondry agreed to direct Paul Giamatti in it, this would be the result.

The film focuses on Giamatti, who plays a version of himself preparing to star in Chekhov's 'Uncle Vanya' on Broadway. He finds himself tormented by the Russian material, even though it's one of Chekhov's "lighter" plays. In search of relief, he undergoes a procedure in what looks like a modded MRI machine at the hand of Dr. Flintstein (David Strathairn) which removes his chickpea-like soul from his body and freezes it temporarily until he is ready to possess it again. The B story follows a willowy Russian named Nina (Dina Korzun) who transports anonymously donated Russian souls to America using her own body as the vessel. At one point, she takes Giamatti's soul to Russia, where her boss's soap-actress wife is in need of talent and inspiration, and of course, trouble ensues.

Despite the heavy subject matter, an abundance of absurdity and wit make 'Cold Souls' amusing as well as thought-provoking. Though the tone is dark, it is not suffocatingly so--Barthes pokes fun at existential torment while seriously grappling with it at the same time. Giamatti is great as the "actor much like himself" and Strathairn and Korzun provide excellent support. The camera drifts in and out of focus in a beautiful manner throughout the film, and the French music suits the mood. The writing is solid, though the pacing is a little uneven--the film begins and wraps up a little too quickly--and the three years of hard work that Barthes poured into this clearly show.

Barthes said that she based the screenplay on a dream she had, and that while she admires Kaufman, she was more heavily influenced by Woody Allen and French Surrealists like Luis Buneal. She has infused this dark Surrealism with whimsy and absurdism to create something entirely her own, and the result prompts both pleasure and discomfort. 'Cold Souls' is definitely worth watching--I hope it's distributed as widely as it deserves to be--and Barthes is definitely a writer and director I'd watch in the future.

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