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Directed by | |||
| Cary Fukunaga | (as Cary Jôji Fukunaga) | ||
Writing credits(WGA) | ||
| Cary Fukunaga | (written by) (as Cary Joji Fukunaga) | |
Produced by | |||
| Gerardo Barrera | .... | executive producer | |
| Pablo Cruz | .... | executive producer | |
| Gael García Bernal | .... | executive producer | |
| Amy Kaufman | .... | producer | |
| Diego Luna | .... | executive producer | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Adriano Goldman | |||
Film Editing by | |||
| Luis Carballar | |||
| Craig McKay | |||
Casting by | |||
| Carla Hool | |||
Production Design by | |||
| Claudio Contreras | |||
Art Direction by | |||
| Carlos Benassini | |||
Set Decoration by | |||
| Aida Rodriguez | (chief set decorator) | ||
Costume Design by | |||
| Leticia Palacios | |||
Makeup Department | |||
| Viviana Delgado | .... | makeup coordinator | |
| Monica Fuentes | .... | assistant makeup artist | |
| Alfredo Garcia | .... | makeup designer | |
| Isabel Rojas | .... | tattoos and bodypainting | |
| Jimena Romero | .... | tattoos and bodypainting | |
| Carla Tinoco | .... | hair designer | |
| Carla Tinoco | .... | makeup designer | |
| Edgar Vazquez | .... | assistant makeup artist | |
Production Management | |||
| Karl Braun | .... | production manager: second unit | |
| Laila Castillo | .... | unit manager | |
| Lorraine Samuel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| María Raquel Dioni | .... | key second assistant director | |
| Victor Herrera McNaught | .... | first assistant director: second unit | |
| Julian 'Chico' Valdez | .... | second second assistant director | |
| René Villarreal | .... | first assistant director | |
Art Department | |||
| Jimena Contreras | .... | art department coordinator | |
| Roberto Revilla | .... | leadman | |
| Óscar Tapia | .... | on-set dresser | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Todd Beckett | .... | sound re-recording mixer | |
| Elma Bello | .... | sound | |
| Paul Bidault | .... | adr recordist | |
| Keith Elliott | .... | sound re-recording mixer | |
| Ruy García | .... | sound recordist | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Gina Gyles | .... | foley assistant | |
| Katie Halliday | .... | second assistant sound editor | |
| John Laing | .... | supervising sound editor | |
| Paulina Louvier | .... | adr coordinator: Mexico | |
| Colin McLellan | .... | adr recordist | |
| Rob Nokes | .... | additional sound effects library | |
| Santiago Núñez | .... | sound mixer | |
| Peter Persaud | .... | foley recordist | |
| Brad Thornton | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Visual Effects by | |||
| Ioan Balcosi | .... | compositor | |
| Ayo Burgess | .... | visual effects: Mr. X Inc. | |
| Wilson Cameron | .... | visual effects coordinator | |
| Jeff Capogreco | .... | lighting / techical director | |
| Dan Carnegie | .... | animación: Mr. X Inc. | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Kristyn Hume | .... | main title sequence | |
| Mike Kwan | .... | digital compositor: Mr. X Inc. | |
| Mai-Ling Lee | .... | digital artist | |
| Chris MacKenzie | .... | digital opticals | |
| Sarah McMurdo | .... | visual effects producer | |
| Jessica Nolet | .... | digital artist | |
| Rob Phillips | .... | visual effects production assistant | |
| Sebastien Proulx | .... | visual effects production assistant | |
| Vishal Rustgi | .... | digital compositor | |
| Paul Saint-Hilaire | .... | digital compositor: Nuke | |
| Kenneth Sales | .... | digital compositor | |
| Armando Velazquez | .... | digital compositor | |
| Chris Wallace | .... | digital intermediate colourist | |
Stunts | |||
| Hugo Aguilera | .... | stunt rigger | |
| Odin Ayala | .... | stunt double | |
| Odin Ayala | .... | utility stunts | |
| Omar Ayala | .... | stunts | |
| Balo Bucio | .... | stunt coordinator | |
| Julian Bucio | .... | stunt coordinator | |
| Toni Bucio | .... | stunt rigger | |
| Leonel Gabino | .... | stunts | |
| Antonio Garcia | .... | stunts | |
| Eduardo Gomez | .... | stunts | |
| Paola Hernandez | .... | stunts | |
| José Medina | .... | stunts | |
| Juan Olaldo | .... | stunts | |
| Victor Hugo Ramirez | .... | stunts | |
| Alonso Rosado | .... | stunts | |
| Francisco Valdez | .... | stunts | |
| Pablo Vinós | .... | stunts | |
| Josué Virgen | .... | stunts | |
Casting Department | |||
| Genaro Hernandez | .... | casting assistant | |
| Eliseo Ruiz | .... | casting assistant | |
| Rodrigo Urbano | .... | casting associate | |
| Carlos del Valle | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Brenda Gomez | .... | wardrobe assistant | |
| Emilio Solorzano | .... | wardrobe assistant | |
Editorial Department | |||
| Dan Elortegui | .... | first assistant editor | |
| Lee Hughes | .... | digital intermediate project manager | |
| Lara Johnston | .... | first assistant editor | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Craig McKay | .... | editorial consultant | |
| Dave Muscat | .... | digital intermediate editor | |
| Brigitte Rabazo | .... | first assistant editor | |
| Lorraine Samuel | .... | post production supervisor | |
Music Department | |||
| Rob Bertola | .... | music editor | |
| Mark Bächle | .... | orchestrator | |
| Daniel Coe | .... | orchestrator | |
| Daniel Coe | .... | score preparation | |
| Lynn Fainchtein | .... | music supervisor | |
| Richard King | .... | music scoring engineer | |
| Philip Rothman | .... | orchestrator | |
| Tim Starnes | .... | music editor | |
Other crew | |||
| Erika Archaga | .... | dialect coach | |
| Karl Braun | .... | location manager | |
| Ignacio Gonzalez | .... | set production assistant | |
| Noralí Gonzalez | .... | production coordinator | |
| Javier Gonzalez-Rubio | .... | production assistant | |
| Nayeli Gunther | .... | trainee production assistant | |
| Sofía Guzmán | .... | set production assistant | |
| Elsa Hermoso | .... | production accountant | |
| Ricardo M. Kaplan | .... | accounting assistant | |
| Gabriel Nuncio | .... | researcher | |
| Gabriel Nuncio | .... | script translator | |
| Carlos Topete | .... | assistant: unit manager | |
| Ben Urquhart | .... | post production executive | |
Thanks | |||
| Jeffrey Abramson | .... | special thanks | |
| Luis Antonio Acosta | .... | special thanks | |
| Jay Anania | .... | special thanks | |
| Dean Sheril D. Antonio | .... | special thanks | |
| Darren Aronofsky | .... | special thanks | |
| David Atkins | .... | special thanks | |
| Armagan Ballantyne | .... | special thanks | |
| Yvette Biro | .... | special thanks | |
| Elizabeth Bull | .... | special thanks | |
| Mick Casale | .... | special thanks | |
| Carlos González Castellanos | .... | special thanks | |
| Elvin Delgado Chacón | .... | special thanks | |
| Angela Cheng | .... | special thanks | |
| Christine Choy | .... | special thanks | |
| Christopher Ciancimino | .... | special thanks | |
| María Noriega Fernández | .... | special thanks | |
| Boris Frumin | .... | special thanks | |
| Miyoko Fukunaga | .... | in memory of | |
| Lil Ghost | .... | special thanks | |
| Everardo Valerio Gout | .... | special thanks | |
| Bradley Rust Gray | .... | special thanks | |
| Trygve Grufman | .... | in memory of | |
| Adriana Guillén | .... | special thanks | |
| Mark Heyman | .... | special thanks | |
| Kit Hui | .... | special thanks | |
| Kirsten Johnson | .... | special thanks | |
| Kirsten Johnson | .... | special thanks | |
| Craig Kestel | .... | special thanks | |
| So Yong Kim | .... | special thanks | |
| Marco Lara Klahr | .... | special thanks | |
| Andrew MacLean | .... | special thanks | |
| Jake Mahaffy | .... | special thanks | |
| Victoria Mahoney | .... | special thanks | |
| Milcho Manchevski | .... | special thanks | |
| Eran Merav | .... | special thanks | |
| Rob Meyer | .... | thanks | |
| Ginga Mundo | .... | special thanks | |
| Jeremiah Newton | .... | special thanks | |
| Dunia Orellana | .... | special thanks | |
| Carlos Pavón | .... | special thanks | |
| William Reilly | .... | special thanks | |
| James Rogan | .... | special thanks | |
| Patricio Serna | .... | special thanks | |
| Kunti Shaw | .... | special thanks | |
| Sandi Sissel | .... | thanks | |
| Sol | .... | special thanks | |
| Lisa Stone | .... | special thanks | |
| Tampico | .... | special thanks (as Onaje Tampico Lataillade) | |
| Milford Thomas | .... | special thanks | |
| John Tintori | .... | special thanks | |
| Scott Tuft | .... | thanks | |
| Freddy Turcios | .... | special thanks | |
| David Vivar | .... | special thanks | |
| Ameer Youssef | .... | special thanks | |
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| Trade | Babel | The Three Burials of Melquiades Estrada | Into the Wild | Blood Diamond |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Mexico section |
Let's be clear from the outset, this is a dark, bleak and violent movie. The episodes in-between the on-screen savagery, consist of a lot of regret, anxiety and a deep, deep sadness.
Having said that, I also think that this is one of the most important movies I have seen in quite awhile, buried unfortunately amidst the clutter of beginning-of-the-year garbage releases and the upcoming summer blockbusters. I wish this movie had a much higher profile, in fact I think that this movie should be required viewing in high-schools all across North America, USA and Canada in particular.
It should also be seen by all those people who think about immigrants as a pest and as parasites who come to take away their jobs and be a drain on their resources, abusing the social system or whatever. The same people who watch Lou Dobbs and his "one man crusade" to save America from the invading plague of illegals. The minute-men who gleefully think that the wall now separating the US from Mexico is the greatest thing since the pyramids. The same people that after having spewed their vitriol, hatred and bile against immigrants have no problem with Juan mowing their lawn and Consuela looking after their snot-nosed mortally obese children, and Miguel picking-up all the s*it they leave in the streets, malls and every other place one can throw garbage in.
Maybe, just maybe, watching this movie will at least give them a glimpse into the lives, backgrounds and destinies of these people, who are abused, mistreated and forgotten by almost everybody, people who basically have come to symbolize a type of disposable human garbage, that truly are without a face, an identity and "sin nombre", without name. Perhaps we could all come to understand what it is that drives these waves of humanity to risk it all for even the promise of a better future. Then we could all come to realize that "life, liberty and the pursuit of happiness" are not exclusively American values, but rather universal values to which all people aspire to.
Even amidst all the doom and gloom of the movie there are some sublime moments of beauty, humanity and yes even hope. It was quite hard at times for me to watch this movie, not because of what I saw, but because I can relate to what I saw and be reminded of a time in my life I wish I could forget, but know I can't. It will be part of me until the day I die. I want people to learn and understand instead of being so quick to judge and dismiss the plight of other fellow human beings.
WHAT WOULD YOU DO IF THE SITUATION WAS REVERSED?