A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to p... Read allA loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
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A huge disappointment in my eyes, especially after the high praise it has received from critics. Sam Raimi attempts to return to his B movie roots. Like the Evil Dead movies, it's delightfully cheesy and relentless. Unfortunately, it's also very formulaic and, much of the time, downright obnoxious. This is one film I would almost implore people not to see in theaters. At least not ones that like to turn the volume up. This movie is LOUD. I saw Terminator Salvation at the same theater, and was not nearly as deafened as I was by Drag Me to Hell. The problem: horror stings on the soundtrack. CONSTANTLY. The formula of the film is this: quiet set-up followed by sharp screech and an even louder BOO! It's the same thing over and over. I was cowering, but only because I was afraid I might not be able to hear in the morning. The story isn't bad, but it's been done before. Alison Lohman (awful) plays a loan officer who gets cursed by a gypsy after she turns her down for a loan extension. A goat demon begins to attack Lohman and, well, the rest of its intentions are included in the title of the film. Though I generally didn't like it, it's far from a bad film. In fact, I think it might play better on television (it's definitely the kind of movie that I would have caught on late night TV as a kid and loved). The séance scene near the end of the film is mostly gold. The demon itself is scary as Hell, but Raimi's way of indicating it, with sharp screeches, is what ruined the movie for me.
Creepy terror caused by a curse against a young woman with a bright future that goes wrong . The bank employee named Christine Brown (Alison Lohman) finds herself growing distresses after she assertively refuses to extend a loan to an old gypsy woman ( Raver ), then she places a hex on her . As when a button is removed during a scuffle , a curse is placed on her . It will result in her being taken to hell in a few days time and the things get worse . Now the girl must call upon his boyfriend named Clay Dalton (Justin Long) and a spiritual adviser (Rao) to help her persuade the gypsy to lift the curse. Time is running out for the desperate loan officer as he draws closer to his own death . At a mansion reunite various mediums who are determined to save her. The psychics attempt to rid her of the strange demon , a malevolent force she is up against , leading until an incredible ending .
This exciting picture is a terror story full of supernatural elements with eerie moments here and there and brief touches of black humor . The makeup and special effects vary , but for the most part, they are quite good , they are realized by Robert Kurtzman and Howard Berger . Colorful and adequate cinematography by Peter Deming who captures perfectly the peculiar scenarios . The film displays adequate musical score fitting to terror and suspense by Christopher Young , an expert composer of dark atmospheres . The motion picture is professionally directed by Sam Raimi ( Crimewave, Evil dead I and II ) who directed ¨Army of darkness¨ another horror film with humor and tongue-in-cheek . This one isn't his worst movie , but definitely not the best either . The result is better than previous Stephen King adaptation called ¨Thinner¨, that bears remarkable resemblance to ¨Drag me to the hell¨. Rating : Acceptable and passable Horror-Comedy from Sam Raimi , well worth watching for Alison Lohman fans .
This exciting picture is a terror story full of supernatural elements with eerie moments here and there and brief touches of black humor . The makeup and special effects vary , but for the most part, they are quite good , they are realized by Robert Kurtzman and Howard Berger . Colorful and adequate cinematography by Peter Deming who captures perfectly the peculiar scenarios . The film displays adequate musical score fitting to terror and suspense by Christopher Young , an expert composer of dark atmospheres . The motion picture is professionally directed by Sam Raimi ( Crimewave, Evil dead I and II ) who directed ¨Army of darkness¨ another horror film with humor and tongue-in-cheek . This one isn't his worst movie , but definitely not the best either . The result is better than previous Stephen King adaptation called ¨Thinner¨, that bears remarkable resemblance to ¨Drag me to the hell¨. Rating : Acceptable and passable Horror-Comedy from Sam Raimi , well worth watching for Alison Lohman fans .
DRAG ME TO HELL sees Sam Raimi attempting to update his EVIL DEAD formula to the modern era, reinventing it as a teen-friendly comic horror about an unsuspecting bank worker who becomes a victim of a witch's curse. It sounds entertaining, and you'd think it would be easy for a man who once made it his job to bring fresh, energetic horror to our cinema screens.
Sadly, time has passed, and nowadays the formula seems a little stale. Raimi relies far too much on CGI in this movie, so that most of the (frequent) scare scenes are fake-looking and cartoonish; sometimes making this look like a Looney Tunes cartoon done via live action. I'd much have preferred practical effects, because then the film wouldn't have been so cheesy and laughable.
The mood is all over the place, too. The witch's curse storyline has real potential to be interesting, but none of the scare scenes work, mainly because Raimi goes for the gross-out over the genuinely spooky. There's a kind of infantile relish in watching a toothless old crone slobbering over her victim that makes me wonder what exactly he was thinking of. Playing it straight would have worked far better, I think.
The cast is nothing to write home about, with performances ranging from the pantomime (Dileep Rao) to the decent (David Paymer). As the heroine, Alison Lohman tries very hard to convince, although she does fail to elicit much sympathy. The pacing's good, though, and there are plenty of set-pieces and jump-in-your-seat moments, so undemanding horror fans might find themselves entertained regardless. Sometimes, though, Raimi goes too far; take the goat scene: just what on earth was he thinking?
Sadly, time has passed, and nowadays the formula seems a little stale. Raimi relies far too much on CGI in this movie, so that most of the (frequent) scare scenes are fake-looking and cartoonish; sometimes making this look like a Looney Tunes cartoon done via live action. I'd much have preferred practical effects, because then the film wouldn't have been so cheesy and laughable.
The mood is all over the place, too. The witch's curse storyline has real potential to be interesting, but none of the scare scenes work, mainly because Raimi goes for the gross-out over the genuinely spooky. There's a kind of infantile relish in watching a toothless old crone slobbering over her victim that makes me wonder what exactly he was thinking of. Playing it straight would have worked far better, I think.
The cast is nothing to write home about, with performances ranging from the pantomime (Dileep Rao) to the decent (David Paymer). As the heroine, Alison Lohman tries very hard to convince, although she does fail to elicit much sympathy. The pacing's good, though, and there are plenty of set-pieces and jump-in-your-seat moments, so undemanding horror fans might find themselves entertained regardless. Sometimes, though, Raimi goes too far; take the goat scene: just what on earth was he thinking?
The early trailers for Drag Me to Hell dubbed it as (sic) "the return to classic horror", and for once at least, they are correct.
Sam Raimi manages to incorporate genuine thrills and terror using the old-fashioned format of surprise, misdirection and suggestion. As a frequent viewer of horror films, little surprises me, but in this film I was caught off-guard several times while watching it.
While the majority of the movie is kept on a serious and foreboding level, much like the original "Evil Dead", Raimi can't help but throw in elements of the absurd and slapstick during some of the more horrific scenes, thus reducing the tension and echoing the latter 2/3 of the "Evil Dead" trilogy.
WHile I have nothing against the modern trend of horror movies to provide shocks merely in the form of how much blood and gore they spill, this flick was wonderfully refreshing. It's a must-see, not just for Raimi fans, but for anyone who loves a good scary story and a great movie in general.
Sam Raimi manages to incorporate genuine thrills and terror using the old-fashioned format of surprise, misdirection and suggestion. As a frequent viewer of horror films, little surprises me, but in this film I was caught off-guard several times while watching it.
While the majority of the movie is kept on a serious and foreboding level, much like the original "Evil Dead", Raimi can't help but throw in elements of the absurd and slapstick during some of the more horrific scenes, thus reducing the tension and echoing the latter 2/3 of the "Evil Dead" trilogy.
WHile I have nothing against the modern trend of horror movies to provide shocks merely in the form of how much blood and gore they spill, this flick was wonderfully refreshing. It's a must-see, not just for Raimi fans, but for anyone who loves a good scary story and a great movie in general.
People who gave this a very low score don't get Sam Raimi. I found it entertaining and I enjoyed the humour. A homage to classic horror films with a mix of humour and old school special effects.
Storyline
Did you know
- TriviaAlison Lohman did almost all of her own stunts.
- GoofsMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Crazy creditsThe film opens with the 1963 "Van Allen belts" Universal logo.
- Alternate versionsThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConnectionsFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- SoundtracksRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Arrástrame al infierno
- Filming locations
- 1031 Everett St, Los Angeles, California, USA(Christine's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $42,100,625
- Opening weekend US & Canada
- $15,825,480
- May 31, 2009
- Gross worldwide
- $90,843,550
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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