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Drag Me to Hell (2009)

 -  Horror  -  29 May 2009 (USA)
6.6
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Ratings: 6.6/10 from 136,592 users   Metascore: 83/100
Reviews: 682 user | 390 critic | 32 from Metacritic.com

A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.

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Title: Drag Me to Hell (2009)

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Cast

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Farm Worker's Wife
Shiloh Selassie ...
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Storyline

Christine Brown is a loans officer at a bank but is worried about her lot in life. She's in competition with a competent colleague for an assistant manager position and isn't too sure about her status with a boyfriend. Worried that her boss will think less of her if she shows weakness, she refuses a time extension on a loan to an old woman, Mrs. Ganush, who now faces foreclosure and the loss of her house. In retaliation, the old woman place a curse on her which, she subsequently learns, will result in her being taken to hell in a few days time. With the help of a psychic, she tries to rid herself of the demon, but faces several hurdles in the attempt. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Even nice people can go to hell. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated PG-13 for sequences of horror violence, terror, disturbing images and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

29 May 2009 (USA)  »

Also Known As:

Arrástrame al infierno  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£1,907,731 (UK) (29 May 2009)

Gross:

$42,057,340 (USA) (31 July 2009)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The movie begins with the 1980s Universal logo, which refers to when director Sam Raimi got started in the horror genre with the first two "Evil Dead" movies. After the credits, there is also the title card that says to take a tour of Universal Studios. This was also used in the 1980s in other Universal movies, such as An American Werewolf in London (1981). See more »

Goofs

When Christine is at Clay's parents house eating the cake, she first eats and touches it with a fork. Once the vision stops she starts eating again, only this time with a spoon. Later when the fly pops out of Christine's mouth, Clay's mom looks at an uneaten piece of cake (maybe Christine's, maybe not) and it has a fork. See more »

Quotes

Rham Jas: It's too unstable!
See more »

Crazy Credits

The 1960's Universal logo is used in the opening credits See more »

Connections

Referenced in In Plain Sight: Drag Me to Hell (2012) See more »

Soundtracks

Pathetique
An arrangement of "Piano Sonata No. 8 'Pathétique'"
Written by Ludwig van Beethoven
Performed and Arranged by Chris Virzi
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Deliciously pulpy return to horror for Raimi
29 May 2009 | by (prejudicemadeplausible.wordpress.com) – See all my reviews

"Drag Me to Hell" might be the victim of unfair expectations, or just plain incorrect assumptions. This might partially be down to the advertising campaign, which could lead audiences to believing this is purely serious horror, when in fact it is pulp silliness in the vein of the old EC comics, and fully aware of it. Sam Raimi, for whom the childhood experience of reading those pulp tales served as an inspiration for his now-legendary "Evil Dead" movies, and hence gave him his career, has made his most fun and entertaining film since "Army of Darkness", and probably his best since then as well (although I do need to see "A Simple Plan" again) in "Drag Me to Hell", which feels like it could be an adaptation of one of those horror tales.

Hopefully audiences will be expecting something along the lines of "Evil Dead" mixed with its sequels when they go in, or they could leave disappointed. Unless you're scared by old women and supernatural mumbo jumbo, unless you're a superstitious person, "Drag Me to Hell" probably won't be giving you any nightmares. Then again, I'm not scared by anything really. Still, one can't help but feel that this sort of thing (if done seriously) doesn't belong in today's age of rationality and would work only in the 50's, or maybe even then would be too late to really pack a punch.

That's why this is, like the "Evil Dead" movies, a cartoon. It is one cartoony horror set-piece after the other, more often than not with an overt comedic edge, and always, always with its tongue firmly in cheek. The characters are well-realized enough for the movie to be endurable, and well-played too (Justin Long is perfect for the role regardless of how limited his range is and I can't imagine anyone but Lohman playing this particular role), but Raimi doesn't really care about them. He cares more about piling on the pulp gross-outs, resorting here to all sorts of unsavory things (including embalming fluid gushing out of a corpse into Lohman's mouth, one of a multitude of things Raimi takes pleasure in introducing to that particular orifice of Lohman's body), but not much blood at all. It isn't needed either, the PG-13 rating may sound like a limitation but it's hard to imagine this movie with much more gore, although there are a few things that happen off-screen that I would have LOVED to see on-screen, but that might be because I'm a horribly sick person.

Utilizing an active, expressive camera akin to the sort of thing we saw in the "Evil Dead" movies, Raimi stages these ridiculous scenes with gusto and passion. This is not going to terrify many people, but it is absolutely terrific at being what it sets out to be- a live action EC comic. As long as you go in expecting that, you'll probably leave satisfied. I'd like to leave you with the wise words of AV Club critic Scott Tobias: "He wants viewers to jump out of their chairs, to laugh and scream and cheer, and to nudge each other over the transcendent ridiculousness of what they're witnessing. This is junk film-making at its finest."


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