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Directed by | |||
| Roger Michell | |||
Writing credits(WGA) | ||
| Aline Brosh McKenna | (written by) | |
Produced by | |||
| J.J. Abrams | .... | producer | |
| Bryan Burk | .... | producer | |
| Sherryl Clark | .... | executive producer | |
| Udi Nedivi | .... | associate producer | |
| Guy Riedel | .... | executive producer | |
| Lindsey Weber | .... | associate producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Alwin H. Küchler | (as Alwin H. Kuchler) | ||
Film Editing by | |||
| Dan Farrell | |||
| Nick Moore | |||
| Steven Weisberg | |||
Casting by | |||
| Marcia DeBonis | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Alex DiGerlando | |||
| Kim Jennings | |||
Set Decoration by | |||
| Alyssa Winter | |||
Costume Design by | |||
| Frank L. Fleming | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Ms. Keaton (as Frida Aradóttir) | |
| Karen Asano-Myers | .... | hairstylist: Mr. Ford | |
| Bill Corso | .... | makeup artist: Mr. Ford | |
| Angel De Angelis | .... | department head hair (as Angel DeAngelis) | |
| Bobby H. Grayson | .... | hair stylist (as Bobby Grayson) | |
| Mindy Hall | .... | makeup department head | |
| Paula Kelly | .... | additional make up artist | |
| Sheri Kornhaber | .... | additional makeup artist | |
| Tarsha Marshall | .... | hair stylist | |
| Mary Anne Spano | .... | makeup artist | |
Production Management | |||
| Udi Nedivi | .... | unit production manager | |
| Louise Seymour | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcos González Palma | .... | additional second assistant director | |
| Louis Guerra | .... | first assistant director: second unit | |
| Tudor Jones | .... | second assistant director | |
| Jessica Pollini | .... | dga trainee | |
| Maurice Sessoms | .... | second second assistant director | |
| Michael E. Steele | .... | first assistant director | |
| Robert Tierney | .... | additional second assistant director | |
Visual Effects by | |||
| Andrea Atwater | .... | visual effects production assistant: Framestore NY | |
| Zachary Bloom | .... | scanning and recording | |
| Turea Blyth | .... | editorial: Framestore London | |
| Ella Boliver | .... | digital compositor: Framestore New York | |
| Carrie Cassada | .... | visual effects editor: Framestore NY | |
| Trent Claus | .... | visual effects supervisor: Lola Visual Effects | |
| Ben Cronin | .... | shoot supervisor: Framestore NY | |
| Chivas De Vinck | .... | data operator: Framestore NY | |
| Tabitha Dean | .... | editorial: Framestore London | |
| Kevin Del Colle | .... | digital film scanner | |
| Eran Dinur | .... | digital compositor: Famestore, New York (as Eran Dinour) | |
| Sarah Dowland | .... | visual effects executive producer: Framestore NY | |
| Don Evans | .... | data operator: Framestore NY | |
| Marie Fernandes | .... | digital intermediate producer | |
| Rob Garner | .... | digital paint & roto artist: Famestore NY | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Karsten Hecker | .... | film mastering engineer | |
| Richard Hirst | .... | flame artist | |
| Peter Marin | .... | compositor: Framestore | |
| Callum Mckeveny | .... | graphic design: Framestore NY | |
| Ivan Moran | .... | visual effects supervisor | |
| Alex Postelnicu | .... | digital compositor: Framestore NY | |
| Marc Rice | .... | paint & rotoscoping supervisor | |
| Sean Rowe | .... | digital film scanner | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Raven Sia | .... | visual effects coordinator: Framestore NY | |
| Sabrina Tenore | .... | digital paint & roto artist: Framestore NY | |
| Corrina Wilson | .... | digital compositor: Framestore NY | |
| Molle DeBartolo | .... | digital restoration artist (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| Mike Burke | .... | stunts | |
| John Cenatiempo | .... | stunts | |
| Tim Connolly | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Gene Harrison | .... | stunts | |
| Cort Hessler | .... | stunts | |
| Jalil Jay Lynch | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Jodi Michelle Pynn | .... | stunt double (as Jodi Pynn) | |
| Joseph Richards | .... | stunts | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Blaise Corrigan | .... | stunt coordinator (uncredited) | |
| Roy Farfel | .... | stunt driver (uncredited) | |
| Gene Harrison | .... | stunt driver (uncredited) | |
| Michael Mancuso | .... | stunt pilot (uncredited) | |
| Christopher Place | .... | stunts (uncredited) | |
| Thomas Place | .... | stunt performer (uncredited) | |
Casting Department | |||
| Jolanda Anthony | .... | extras casting assistant | |
| Melissa Braun | .... | extras casting | |
| Matthew Maisto | .... | casting assistant | |
| Meghan Rafferty | .... | casting associate | |
| Bruce Winant | .... | adr voice casting | |
| Kathryn Zamora-Benson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lisa R. Frucht | .... | assistant costume designer | |
| Amy Habacker | .... | costumer: Ms. McAdams | |
| Carol McLennan | .... | costumer | |
| Ewa Noskowicz | .... | costume shopper | |
| Suzanne Pettit | .... | costumer: Mr. Ford | |
| Bernie Pollack | .... | costume designer: Mr. Ford | |
| Jennifer Schilling | .... | set costumer | |
| Kim Shek | .... | wardrobe assistant | |
| Lawrence Tarzy | .... | set costumer | |
| Jessica Trejos | .... | costume shopper | |
| Benjamin Wilson | .... | costumer | |
| Timothy A. Wonsik | .... | costumer | |
| Susan J. Wright | .... | wardrobe supervisor | |
| Mary Wuliger | .... | costume production assistant | |
| Tyra Youland | .... | ager/dyer: Harrison Ford's wardrobe | |
Editorial Department | |||
| Julian Andraus | .... | first assistant editor | |
| Romy Barber | .... | apprentice editor: film | |
| Tricia Chiarenza | .... | color timer | |
| Jeff Cornell | .... | editorial production assistant | |
| Rick Derby | .... | assistant editor | |
| Eve Doherty | .... | assistant editor | |
| Adam Glasman | .... | di colorist | |
| Emily Greenwood | .... | digital film editor | |
| Alastair Grimshaw | .... | first assistant editor | |
| Jonathan Hoffman | .... | post production | |
| Annie Johnson | .... | digital intermediate producer | |
| William Kruzykowski | .... | first assistant editor | |
| Patrick Malone | .... | digital intermediate head of department | |
| Jennifer Scudder Trent | .... | post-production coordinator | |
| Issac Solemon | .... | assistant editor | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Scot Starbuck | .... | colorist: dailies | |
| Matt Breitenbach | .... | assistant telecine colorist (uncredited) | |
Music Department | |||
| Mark Berrow | .... | musician: violin | |
| Paul Clarvis | .... | musician: percussion | |
| Alec Dankworth | .... | musician: double bass | |
| Karen Elliott | .... | music consultant | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hartley | .... | musician: piano | |
| Lisa Jaime | .... | music editor | |
| Stu Kennedy | .... | midi score programmer | |
| Abbie Lister | .... | music consultant | |
| Rob Playford | .... | music programmer | |
| Michael Price | .... | composer: additional music | |
| Frank Ricotti | .... | musician: percussion | |
| Frank Ricotti | .... | musician: vibes | |
| Graham Sutton | .... | music editor | |
| Jonathan Williams | .... | musician: cello | |
| Denise Carver | .... | music clearances (uncredited) | |
| Geoff Foster | .... | score engineer & mixer (uncredited) | |
Transportation Department | |||
| Patrick Hogan | .... | driver | |
Thanks | |||
| Sean Carroll | .... | acknowledgment | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I just came from a screening of this movie. I went in thinking total chick flick and came away quite impressed. There is a love story but it doesn't take up the whole movie and get heavy with it. The movie more centers around an up and coming producer of a local TV morning show that ends up at the lowest rated nationally syndicated morning show. what entails is a humorous tale of trying to get the shows ratings up.
If I had not received screening tickets to this movie I probably would have never have seen it in the theater but after watching this movie I would have gladly shelled out $10-15 for a ticket to this movie. Well worth the time and even better I got to go for free.