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Morning Glory (2010)
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Overview
User Rating:
Your Rating:
Director:
Writer (WGA):
Aline Brosh McKenna (written by)
Release Date:
10 November 2010 (USA)
See more »
Tagline:
"What's the story?" See more »
Plot:
An upstart television producer accepts the challenge of reviving a struggling morning show program with warring co-hosts. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 nominations
See more »
NewsDesk:
(759 articles)
Cannes: Voltage Taps Gabriele Muccino To Helm Black List ‘Fathers And Daughters’
(From Deadline New York. 16 May 2013, 8:52 AM, PDT)
Win a DVD Prize Pack with The Big Wedding
(From HeyUGuys. 13 May 2013, 3:14 AM, PDT)
Baseball Biopic Overperforming: Will Easily Top Domestic Weekend B.O. Chart
(From Alt Film Guide. 13 April 2013, 2:28 AM, PDT)
(From Deadline New York. 16 May 2013, 8:52 AM, PDT)
Win a DVD Prize Pack with The Big Wedding
(From HeyUGuys. 13 May 2013, 3:14 AM, PDT)
Baseball Biopic Overperforming: Will Easily Top Domestic Weekend B.O. Chart
(From Alt Film Guide. 13 April 2013, 2:28 AM, PDT)
User Reviews:
A pleasant surprise
See more (137 total) »
Cast
(in credits order)
Directed by | |||
| Roger Michell | |||
Writing credits(WGA) | ||
| Aline Brosh McKenna | (written by) | |
Produced by | |||
| J.J. Abrams | .... | producer | |
| Bryan Burk | .... | producer | |
| Sherryl Clark | .... | executive producer | |
| Udi Nedivi | .... | associate producer | |
| Lindsey Paulson | .... | associate producer | |
| Guy Riedel | .... | executive producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Alwin H. Küchler | (as Alwin H. Kuchler) | ||
Film Editing by | |||
| Dan Farrell | (as Daniel Farrell) | ||
| Nick Moore | |||
| Steven Weisberg | |||
Casting by | |||
| Marcia DeBonis | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Alex DiGerlando | |||
| Kim Jennings | |||
Set Decoration by | |||
| Alyssa Winter | |||
Costume Design by | |||
| Frank L. Fleming | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Diane Keaton | |
| Karen Asano-Myers | .... | hairstylist: Mr. Ford | |
| Bill Corso | .... | makeup artist: Mr. Ford | |
| Mindy Hall | .... | makeup department head | |
| Paula Kelly | .... | additional make up artist | |
| Sheri Kornhaber | .... | makeup artist | |
| Tarsha Marshall | .... | key hair stylist | |
| Mary Anne Spano | .... | key makeup artist | |
Production Management | |||
| Udi Nedivi | .... | unit production manager | |
| Louise Seymour | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcos González Palma | .... | additional second assistant director | |
| Louis Guerra | .... | first assistant director: second unit | |
| Tudor Jones | .... | second assistant director | |
| Jessica Pollini | .... | dga trainee | |
| Maurice Sessoms | .... | second second assistant director | |
| Michael E. Steele | .... | first assistant director | |
| Robert Tierney | .... | additional second assistant director | |
Visual Effects by | |||
| Andrea Atwater | .... | visual effects production assistant: Framestore NY | |
| Zachary Bloom | .... | scanning and recording | |
| Turea Blyth | .... | editorial: Framestore London | |
| Ella Boliver | .... | digital compositor: Framestore New York | |
| Carrie Cassada | .... | visual effects editor: Framestore NY | |
| Trent Claus | .... | visual effects supervisor: Lola Visual Effects | |
| Ben Cronin | .... | shoot supervisor: Framestore NY | |
| Chivas De Vinck | .... | data operator: Framestore NY | |
| Tabitha Dean | .... | editorial: Framestore London | |
| Kevin Del Colle | .... | digital film scanner | |
| Eran Dinour | .... | digital compositor: Famestore, New York | |
| Sarah Dowland | .... | visual effects executive producer: Framestore NY | |
| Don Evans | .... | data operator: Framestore NY | |
| Marie Fernandes | .... | digital intermediate producer | |
| Rob Garner | .... | digital paint & roto artist: Famestore NY | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Karsten Hecker | .... | film mastering engineer | |
| Richard Hirst | .... | flame artist | |
| Peter Marin | .... | compositor: Framestore | |
| Callum Mckeveny | .... | graphic design: Framestore NY | |
| Ivan Moran | .... | visual effects supervisor | |
| Alex Postelnicu | .... | digital compositor: Framestore NY | |
| Marc Rice | .... | paint & rotoscoping supervisor | |
| Sean Rowe | .... | digital film scanner | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Raven Sia | .... | visual effects coordinator: Framestore NY | |
| Sabrina Tenore | .... | digital paint & roto artist: Framestore NY | |
| Corrina Wilson | .... | digital compositor: Framestore NY | |
| Molle DeBartolo | .... | digital restoration artist (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| Mike Burke | .... | stunts | |
| John Cenatiempo | .... | stunts | |
| Tim Connolly | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Gene Harrison | .... | stunts | |
| Cort Hessler | .... | stunts | |
| Jalil Jay Lynch | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Jodi Michelle Pynn | .... | stunt double (as Jodi Pynn) | |
| Joseph Richards | .... | stunts | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Blaise Corrigan | .... | stunt coordinator (uncredited) | |
| Roy Farfel | .... | stunt driver (uncredited) | |
| Gene Harrison | .... | stunt driver (uncredited) | |
| Michael Mancuso | .... | stunt pilot (uncredited) | |
| Christopher Place | .... | stunts (uncredited) | |
| Thomas Place | .... | stunt performer (uncredited) | |
Casting Department | |||
| Jolanda Anthony | .... | extras casting assistant | |
| Melissa Braun | .... | extras casting | |
| Matthew Maisto | .... | casting assistant | |
| Meghan Rafferty | .... | casting associate | |
| Bruce Winant | .... | adr voice casting | |
| Kathryn Zamora-Benson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lisa R. Frucht | .... | assistant costume designer | |
| Carol McLennan | .... | costumer | |
| Ewa Noskowicz | .... | costume shopper | |
| Suzanne Pettit | .... | costumer: Harrison Ford | |
| Bernie Pollack | .... | costumes: Harrison Ford | |
| Jennifer Schilling | .... | set costumer | |
| Kim Shek | .... | wardrobe assistant | |
| Lawrence Tarzy | .... | set costumer | |
| Jessica Trejos | .... | costume shopper | |
| Benjamin Wilson | .... | costumer | |
| Timothy A. Wonsik | .... | costumer | |
| Susan J. Wright | .... | wardrobe supervisor | |
| Mary Wuliger | .... | costume production assistant | |
| Tyra Youland | .... | ager/dyer: Harrison Ford's wardrobe | |
Editorial Department | |||
| Julian Andraus | .... | first assistant editor | |
| Romy Barber | .... | apprentice editor: film | |
| Tricia Chiarenza | .... | color timer | |
| Jeff Cornell | .... | editorial production assistant | |
| Rick Derby | .... | assistant editor | |
| Eve Doherty | .... | assistant editor | |
| Adam Glasman | .... | di colorist | |
| Emily Greenwood | .... | digital film editor | |
| Alastair Grimshaw | .... | first assistant editor | |
| Annie Johnson | .... | digital intermediate producer | |
| William Kruzykowski | .... | first assistant editor | |
| Patrick Malone | .... | digital intermediate head of department | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Scot Starbuck | .... | colorist: dailies | |
| Matt Breitenbach | .... | assistant telecine colorist (uncredited) | |
Music Department | |||
| Paul Clarvis | .... | musician: percussion | |
| Alec Dankworth | .... | musician: double bass | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hartley | .... | musician: piano | |
| Lisa Jaime | .... | music editor | |
| Stu Kennedy | .... | midi score programmer | |
| Abbie Lister | .... | music consultant | |
| Graham Sutton | .... | music editor | |
| Jonathan Williams | .... | musician: cello | |
| Geoff Foster | .... | score engineer & mixer (uncredited) | |
Transportation Department | |||
| Patrick Hogan | .... | driver | |
Thanks | |||
| Sean Carroll | .... | acknowledgment | |
Production Companies
- Bad Robot
- Goldcrest Pictures (in association with)
- Paramount Japan (2011) (Japan) (theatrical) (as Paramount Pictures Japan)
- Paramount Pictures Entertainment (2010) (Canada) (theatrical)
- Paramount Pictures (2011) (France) (theatrical)
- Paramount Pictures (2010) (USA) (theatrical)
- United International Pictures (UIP) (2011) (Argentina) (theatrical)
- United International Pictures (UIP) (2011) (Greece) (theatrical)
- United International Pictures (UIP) (2011) (Singapore) (theatrical)
- Universal Pictures International (UPI) (2011) (Belgium) (theatrical)
- Universal Pictures International (UPI) (2010) (Netherlands) (theatrical)
- Argentina Video Home (2011) (Argentina) (DVD)
- Argentina Video Home (2011) (Argentina) (DVD) (Blu-ray)
- Film1 (2012) (Netherlands) (TV) (limited)
- Odeon (2011) (Greece) (DVD)
- Paramount Home Entertainment (2011) (Germany) (DVD)
- Paramount Home Entertainment (2011) (Germany) (DVD) (Blu-ray)
- Paramount Home Entertainment (2011) (UK) (DVD)
- Paramount Home Entertainment (2011) (UK) (DVD) (Blu-ray)
- Paramount Home Entertainment (2011) (Netherlands) (DVD)
- Paramount Home Entertainment (2011) (Netherlands) (DVD) (Blu-ray)
- Paramount Home Entertainment (2011) (USA) (DVD)
- Paramount Home Entertainment (2011) (USA) (DVD) (Blu-ray)
- Zon Lusomundo Audiovisuais (2011) (Portugal) (all media)
- Air Lyndhurst Studios music mixed at
- Ascent 142 Features digital intermediate
- Company 3 digital intermediate
- David Haddad transportation equipment
- De Lane Lea ADR recording
- Digital Media Services (DMS) digital marketing asset management
- Digital Vortechs Avid HD Editing System Support provided by
- Dsire Design official website design
- EMS Payroll extras payroll (uncredited)
- Flashpoint Studios production assistance
- Gallagher Entertainment insurance
- Haddad's transportation equipment
- Henry's International Cuisine catering
- HireWorks Avid Nitris DX rental
- Hothouse Music music supervision
- Klass Security and Investigations film security
- London Session Orchestra, The orchestra (uncredited)
- MediaMix studio facilities and crew provided by
- Pictorvision aerial camera system provided by
- Soundelux sound post-production
- Tai Audio walkies provided by
Additional Details
Also Known As:
See more »
MPAA:
Rated PG-13 for some sexual content including dialogue, language and brief drug references
Parents Guide:
Runtime:
USA:107 min
Country:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
USA:PG-13 (certificate #45940) | Malaysia:PG-13 | Canada:PG (Ontario) | Ireland:12A | Singapore:PG | Japan:G | South Korea:15 | Australia:M | Sweden:Btl | Portugal:M/12 | Argentina:Atp | UK:12 (DVD rating) | Germany:6 | Netherlands:9 | Peru:PT
Filming Locations:
Did You Know?
Trivia:
Shipped to theaters under the code name "Pepper 10".See more »
Goofs:
Continuity: When Pomeroy shows up, the portrait of the previous anchor (right inside the door) is quickly painted over as well as the rest of his dressing room to prepare it for Pomeroy. Later, the same wall is shown (right inside Pomeroy's dressing room door) with old paint and an outline of an old picture frame.See more »
Quotes:
Mike Pomeroy:You know what I've noticed, people only say "lighten up" when they're gonna stick their fist up your ass.See more »
Movie Connections:
Featured in "Breakfast: Episode dated 11 January 2011" (2011)See more »
Soundtrack:
Finale From String Quartet In B-Flat Major (Op.64 No.3, Nob.III:67)See more »
FAQ
This FAQ is empty. Add the first question.See more (137 total) »
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An 
company.
This film is about a young executive producer's struggle to revive an unpopular morning show.
I thought "Morning Glory" is just another romantic comedy that happens to be set in a television setting, but it pleasantly surprised me. The plot in fact focuses a lot more on the stress and frustration of being an executive producer, with romance being sidelined as an almost dispensable subplot. The intensity of Becky's job is well portrayed, the two anchors' verbal wars and Mike's indifferent and selfish attitude all makes "Morning Glory" entertaining to watch. "Morning Glory" is a pleasant surprise!