Six years after KIdULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a ... See full summary »
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Six years after KIdULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the people he hurt the most. Some have moved on, others are stuck with the repercussions of his actions that night, but one thing's for certain - everyone has been forced to grow up. Through his journey Sam struggles to deal with his sorrow and guilt and something else he didn't expect - those seeking revenge. As he's pursued by a new generation of bad boys, Sam sets about trying to get the message across to his pursuers that they should stop the violence, much like Trife tried to tell him all those years ago. Can Sam stop the cycle of violence and make something positive from the destruction he caused or will his journey into Adulthood end here? Written by
January 7th, 2015: Kidulthood actor Adam Deacon has been arrested after he failed to show up to a court date earlier this week charged with harassing the film's creator, Noel Clarke. See more »
In the scene where Sam is talking with the person in the cemetery, while they are sitting side by side on a bench. In one shot there is an object on his left shoulder and it is missing in the next shot. See more »
Never mess with a man that aint got nothing to lose
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I found ADULTHOOD to be a decent film and one which actually surpasses the original. The reason is that I prefer the plot: I find the story of a sole character's redemption on the mean streets of London to be more focused and compelling than the multi-character narratives of the first film, KIDULTHOOD. At times, ADULTHOOD feels like nothing less than a modern-day western, with characters forming alliances and battling it out in a virtually lawless society.
Noel Clarke goes from strength to strength, undertaking not one, not two, but three separate roles here. First and foremost he directs, giving the movie the kind of gritty realism it desperately needs. Secondly he writes, crafting an interesting tale populated by engaging characters. Finally he acts, and delivers a fine performance as a man struggling to come to terms with his identity and place in society.
The supporting cast are fine some delivering over-the-top performances, others more restrained and heartfelt, as the script requires. Overall, ADULTHOOD has a refreshing honesty about it that stems from the lives of the people it depicts: it tells their story in an unpretentious, almost documentary style, with plenty of natural humour and a great deal of emotion.
4 of 5 people found this review helpful.
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