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Burlesque (2010)

PG-13 | | Drama, Music, Musical | 24 November 2010 (USA)
Trailer
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A small-town girl ventures to Los Angeles and finds her place in a neo-burlesque club run by a former dancer.

Director:

(as Steven Antin)

Writer:

(as Steven Antin)
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Popularity
1,065 ( 112)
Won 1 Golden Globe. Another 5 wins & 18 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Ali
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Natalie
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Harold Saint
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Mark the DJ
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Dave
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Coco
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Storyline

The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge's troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman's quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater's crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali's big voice makes her become the main attraction of the revue. Written by Bobby_John

Plot Summary | Plot Synopsis

Taglines:

It takes a LEGEND... to make a STAR


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content including several suggestive dance routines, partial nudity, language and some thematic material | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

24 November 2010 (USA)  »

Also Known As:

Burleska  »

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$11,947,744, 28 November 2010, Wide Release

Gross USA:

$39,440,655, 6 February 2011

Cumulative Worldwide Gross:

$89,519,773, 15 May 2011
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Most of the flamboyant costumes worn by Cher were her own clothes, some of which were designed by her longtime friend Bob Mackie (interview on The Graham Norton Show (2007) / 18 Dec. 2010). See more »

Goofs

Towards the end of the "Welcome to Burlesque" song when all of the girls are lined up across the stage, the girl with the black beret can be seen coming through Georgia's legs twice. See more »

Quotes

Tess: And don't ever go behind my back again.
Ali Rose: Yes, ma'am.
Tess: And don't ever call me ma'am again.
Ali Rose: Yes, sir. Errr... I mean, ma'am... I mean, Tess.
Tess: Get on the floor.
[to Sean]
Tess: "Ma'am"? What am I, my mother?
Sean: Yes, ma'am.
Tess: Up yours.
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Crazy Credits

The credits play over a background of the stage set from the final scene ("Show Me How to Burlesque" dance number). See more »

Connections

Featured in Conan: A Prayer for Dick Butkus (2010) See more »

Soundtracks

Fade Into You
Written by Hope Sandoval and David Roback
Performed by Mazzy Star
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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Frequently Asked Questions

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User Reviews

 
The grotesque state of the film musical
1 December 2010 | by See all my reviews

The state of American film in the 21st Century has been generally abysmal but nowhere is it more evident than in the film musical. Taking the most honored of the period Chicago, a Fosse wanta be with bad performances and forgettable tunes as the benchmark it is more than evident all singing all dancing has lost its voice and more than a step. The latest entry and every bit the tepid much ado about nothing heat and light display of flaccid musical storytelling as the Oscar winner (an even bigger comment on the unimaginative state of the movie business) is the insipidly slick Burlesque.

Stop me if you've heard this. Young impressionable girl with massive hidden talent leaves the land of corn for the bright lights of LA where she stumbles upon a run down anachronism with a crusty but understanding owner still in it for love of the game who gives the kid a break and, well you can fill in the rest.

In the role of Judy Garland Christine Aguleria sings the blues with impressive voice but it's all plastic soul and slumming for the former mouseketeer who presents an unintentionally jarring visual context of an Aryan uber babe singing Bessie Smith. Speaking of plastic Cher all polished and waxed like an antique Oldsmobile splits her time offering sage advice and sarcasm. In addition she does a couple of tunes with her signature howl wrapped as always in distracting outfit and opulent stagecraft to soften its blow. There's some male characters whose purpose it seems is to stand around with expressions of awe for the divas and of course the serious pyrotechnics surrounding the noir dance numbers that attempts to put some make-up on this pig but in the end it is all forced Fosse.


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