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Big Eyes (I) (2014)

PG-13  |   |  Biography, Crime, Drama  |  25 December 2014 (USA)
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Ratings: 7.0/10 from 41,983 users   Metascore: 62/100
Reviews: 131 user | 311 critic | 40 from

A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.


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Won 1 Golden Globe. Another 1 win & 16 nominations. See more awards »



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Cast overview, first billed only:
John Canaday
Enrico Banducci
Dino Olivetti
Olivetti Girl
2nd Olivetti Girl (as Emily Bruhn)
Brent Chapman ...
Factory Boss


In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings. Written by Anne Campbell

Plot Summary | Plot Synopsis


A true story about art and the art of deception. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and brief strong language | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

25 December 2014 (USA)  »

Also Known As:

Big Eyes: Retrato de una mentira  »

Box Office


$10,000,000 (estimated)

Opening Weekend:

$2,610,026 (USA) (2 January 2015)


$14,479,776 (USA) (20 March 2015)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The blue book the two Witnesses place with Ms. Keane and from which she reads later in the film is "The Truth That Leads to Eternal Life". See more »


(at around 22 mins) When in Club Mandalay, Walter is complaining to Margaret about the difficulty in breaking into the art scene. He says, "You'll never break in. It's a secret society of gallery owners and critics who get together for Sunday brunch in Sausalito deciding what's cool. It's like McCartney and his hearings." Obviously, Walter was referring to U.S. Senator Joseph McCarthy and McCarthyism instead of the knighted musician Sir Paul McCartney. See more »


Walter Keane: Get out of my house! My big house!
See more »


Featured in The 72nd Annual Golden Globe Awards (2015) See more »


Written by George Tomsco
Performed by The Lively Ones
See more »

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User Reviews

Domestic Abuse and Denigration
3 March 2015 | by (Quezon City, Philippines) – See all my reviews

"Big Eyes" was nominated under Comedy & Musical category during the last Golden Globe Awards. Lead actress Amy Adams even won the Best Actress prize for starring in it. While I was watching this film though, it turned out to be furthest from what I had in mind for a comedy. The topic of this film was actually disturbing and depressing. However, being a Tim Burton film, there was certainly dark humor to be had.

This film is a biopic of 1950s novelty pop artist Margaret Keane (formerly Ulbrich, nee Hawkins). She developed a series of haunting acrylic paintings of kids with big dark round eyes. Walter Keane, her rascal salesman of a husband, took advantage of the rising popularity of her paintings. He claimed and mass-marketed them as his own.

Meanwhile, timid Margaret was forced to conform to his web of lies. She was locked in her workroom in their home to paint even more Big Eyes, away from the prying eyes of the public, and even her own daughter. Will Margaret be able to break free from the prison she has trapped herself into?

Amy Adams quietly carried this film capably on her shoulders. There was nothing funny about what she had to do here as Margaret. Her character was the victim of a most cruel crime. Her husband stole not only her art, but also her confidence, and her very freedom. Adams played a weak character, but as an actress, Adams was anything but. With her wise underplaying, Adams successfully won our empathy and compassion for her difficult plight.

Christoph Waltz, on the other hand, was over-the-top, one-dimensional, practically cartoonish, as the manipulative con-man Walter. From his very first scene, you already knew this smooth-talking guy was up to no good. Up to his very last scene in that courtroom, Waltz's Walter was a manic caricature, never really coming across as a real person at all. This may well Tim Burton's direction in play, as this character Walter was the source of most of this film's black humor. Waltz's fiery interaction with Terence Stamp's harsh NY Times art critic character is most memorable as well.

This film's narrative was simple and straightforward. Yet because of Amy Adams' riveting and heart-rending performance, we will be held until the compelling end. The technical aspects of the film, particularly the pastel color palette of the photography, as well as the period production design, costumes and makeup, all contribute to the overall charming look and nostalgic feel of the film as a whole. 7/10.

21 of 23 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Great movie Resifan009
Why does Margaret's daughter sit in the back seat of the car? deandinopoulos
Golden Globes - Big Eyes and Birdman are comedies? homeimp
I know no one will agree, but i don't... graulaw
I just went to a screening--it was great! domdisla
Did anyone else _notice_ the digital effects of "old" San Francisco? Jayce
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