This is the second GMA-7 remake of a Thalia telenovela after the highly successful MariMar two years ago. When Rosalnda first aired, it gained lukewarm audience, and I must admit the first few episode of the series was not interesting nor boring - maybe the story is not as intense as MariMar's.
Newcomer Carla Abellana reprises the role memorable Thalia title role. Her innocence alludes the character, the way she spoke and way she acted was perfect for the role. When the character turned stronger, it suited Abellana even more. Abellana is paired to Geoff Eigenmann as the ever dashing Fernando Jose, even though Eigenmann's charisma is no par to Dingdong Dantes' Sergio in MariMar, the chemistry between Abellana and Eigenmann is electryfing.
The overall performance is surely about the bar. Glydel Mercado throws an award-winning deserved performance, her anger and pain is felt by the audience. As opposed to Sheryl Cruz who carries the OTT (over the top) performance, it might have worked with Bakekang, but not here. Roderick Paulate is a revelation, I've never seen him in a such melodramatic role (even though the character is a comic relief). Another stand out is Jomari Yllana, and man, the man has not lost it. His aura could make any woman (even me, and I'm a man) swoon! Although not as solid as director Maryo J. de los Reyes and writer R.J. Nuevas' previous effort, the powerful Impostora, Rosalinda is an underrated flower that deserves more hype and more love than it's getting.
8/10
Newcomer Carla Abellana reprises the role memorable Thalia title role. Her innocence alludes the character, the way she spoke and way she acted was perfect for the role. When the character turned stronger, it suited Abellana even more. Abellana is paired to Geoff Eigenmann as the ever dashing Fernando Jose, even though Eigenmann's charisma is no par to Dingdong Dantes' Sergio in MariMar, the chemistry between Abellana and Eigenmann is electryfing.
The overall performance is surely about the bar. Glydel Mercado throws an award-winning deserved performance, her anger and pain is felt by the audience. As opposed to Sheryl Cruz who carries the OTT (over the top) performance, it might have worked with Bakekang, but not here. Roderick Paulate is a revelation, I've never seen him in a such melodramatic role (even though the character is a comic relief). Another stand out is Jomari Yllana, and man, the man has not lost it. His aura could make any woman (even me, and I'm a man) swoon! Although not as solid as director Maryo J. de los Reyes and writer R.J. Nuevas' previous effort, the powerful Impostora, Rosalinda is an underrated flower that deserves more hype and more love than it's getting.
8/10